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Scala Sancta
The ( en, Holy Stairs, it, Scala Santa) are a set of 28 white marble steps that are Roman Catholic relics located in an edifice on extraterritorial property of the Holy See in Rome, Italy proximate to the Archbasilica of Saint John in Laterano. Officially, the edifice is titled the Pontifical Sanctuary of the Holy Stairs (Pontificio Santuario della Scala Santa), and incorporates part of the old Papal Lateran Palace. Replica stairs flank the original staircase, which may only be climbed on one's knees. The Holy Stairs lead to the Church of Saint Lawrence in Palatio ad Sancta Sanctorum (Chiesa di San Lorenzo in Palatio ad Sancta Sanctorum) or simply the "Sancta Sanctorum" ( en, Holy of Holies), which was the personal chapel of the early Popes. According to Roman Catholic tradition, the Holy Stairs were the steps leading up to the praetorium of Pontius Pilate in Jerusalem on which Jesus Christ stepped on his way to trial during his Passion. The Stairs reputedly were brought to ...
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Constantine The Great
Constantine I ( , ; la, Flavius Valerius Constantinus, ; ; 27 February 22 May 337), also known as Constantine the Great, was Roman emperor from AD 306 to 337, the first one to Constantine the Great and Christianity, convert to Christianity. Born in Naissus, Dacia Mediterranea (now Niš, Serbia), he was the son of Constantius Chlorus, Flavius Constantius, a Roman army officer of Illyrians, Illyrian origin who had been one of the four rulers of the Tetrarchy. His mother, Helena, mother of Constantine I, Helena, was a Greeks, Greek Christian of low birth. Later canonized as a saint, she is traditionally attributed with the conversion of her son. Constantine served with distinction under the Roman emperors Diocletian and Galerius. He began his career by campaigning in the eastern provinces (against the Sasanian Empire, Persians) before being recalled in the west (in AD 305) to fight alongside his father in Roman Britain, Britain. After his father's death in 306, Constantine be ...
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Ferraù Fenzoni
Ferraù FenzoniName also written as Ferrau Fenzoni, Faenzoni, Fanzoni, Fanzone (1562 – 11 April 1645) was an Italian painter and draughtsman.Ferrau Fenzoni
at the British Museum
He was a canvas and fresco painter of biblical and religious subjects who worked in a late Mannerist style. He trained and worked in Rome in his youth and later he worked on important commissions in and his native Faenza.Ferraù Fenzoni Biography and Works
at

Prospero Orsi
Prospero Orsi, also referred to as Prosperino delle Grottesche (1560s–1630s) was an Italian painter of the late-Mannerism, Mannerist and early-Baroque period, active mainly in Rome. Biography He apparently trained under Giuseppe Cesari d’Arpino. Baglione recounts that during the papacy of Sixtus V, Prospero was one of the many artists that decorated the Scala Sancta walls and ceilings with frescoes. He worked on the depiction of ''Moses parting the Sea'' and ''Isaac blessing Jacob''. In the benediction loggia of San Giovanni Laterano, he depicted an episode in the ''Life of Constantine''. He also worked painting in the Vatican libraries. He is described as an avid painter of Grotesque, Grotteseques. He also worked with Antonio Circignani to decorate a room in the Palazzo Mattei, Palazzo Antici-Mattei in Rome. While he initially was a close follower of the Cavaliere d’Arpino, he later became allied with Michelangelo da Caravaggio. Orsi and Cherubino Alberti, were among those ...
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Paris Nogari
Paris Nogari (c. 1536–1601) was an Italian painter of the Renaissance period, a minor pupil of Cesare Nebbia active mainly in Rome. He painted in the library of the Vatican in a style resembling Raffaellino da Reggio and was among the painters who frescoed Santa Susanna and San Pietro in Vincoli San Pietro in Vincoli (; Saint Peter in Chains) is a Roman Catholic titular church and minor basilica in Rome, Italy, best known for being the home of Michelangelo's statue of Moses, part of the tomb of Pope Julius II. The '' Titulus S. Petri ... in Rome. References * * 1530s births 1601 deaths 16th-century Italian painters Italian male painters Italian Renaissance painters {{Italy-painter-16thC-stub ...
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Giovanni Battista Pozzo
Giovanni Battista Pozzi was an Italian painter, born at Milan towards the end of the 17th century. He decorated a large number of buildings in the Piedmont, including ''San Cristoforo'' at Vercelli. A pupil of Raffaellino da Reggio Raffaele Motta (1550 – 1578), known as Raffaellino da Reggio, was an Italian Mannerist style painter from Reggio Emilia, who mainly worked in Rome. He assimilated the style of Taddeo Zuccari and also developed more personal traits. In the las ..., he flourished briefly under the Papacy of Sixtus V. He painted a ''Christ of the Angels'' for the church of the Gesu, Rome.Biografia universale antica e moderna ossia Storia per alfabeto
Compiled in France by a Society, Volume 46, Presso Giovanni Batista Missiaglia, Tipografia di G. Molinari, 1828, page 10.


Re ...
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Giacomo Stella
Giacomo Stella was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Rome. Born in Brescia, he left for Rome as a young man in 1572, during the papacy of Gregory XIII, and still remained in Rome after 1644. He worked under Cesare Nebbia in the decoration of the Capella Sistina in Santa Maria Maggiore The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the larges .... He returned to Brescia and died at the age of 85 years. A son of Giacomo, Ludovico was both a musician and painter. References * People from Brescia 16th-century Italian painters Italian male painters 17th-century Italian painters Italian Renaissance painters Mannerist painters Painters from Brescia Year of death unknown Year of birth unknown {{Italy-painter-16thC-stub ...
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Giovanni Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase in the 1610s, Baglione's final ...
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Giovanni Guerra
Giovanni Guerra (1544–1618) was an Italian draughtsman and painter from Modena who worked in Rome, where he probably arrived in 1562, though he was not documented until 1583, when he frescoed three friezes of allegorical figures in the Palazzetto Cenci, a modest project for a patron who was not very prestigious. For Cardinal Montalto he dedicated an elaborate composition of the Mystic Terrestrial Paradise (''paradiso terrestre mistico''), which he had engraved with verses composed for the occasion; decorations from the Sala Grande of the Palazzo alle Terme of the Villa Montalto are also attributed to Guerra: on 24 April 1585 the Cardinal was elected to the papacy as Sixtus V. In 1586 Guerra received the important commission, the first project of Sixtus, to fresco the staircase that connects the Sistine Chapel in the Vatican Palace with St. Peter's Basilica. In this large undertaking he was associated from the start of the following year with the experienced Cesare Nebbia, and th ...
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Cesare Nebbia
Cesare Nebbia (c.1536–c.1614) was an Italian painter from Orvieto who painted in a Mannerism, Mannerist style. Biography Nebbia was born in Orvieto. He trained with Girolamo Muziano, and under this master, he helped complete a flurry of decoration that was added to the Cathedral of Orvieto in the 1560s. Almost all the remaining work in Orvieto is now in the Museo del Duomo. Nebbia and Muziano became active in many of the premier projects in late 16th-century Rome. Along with Muziano's other assistant, Giovanni Guerra, they decorated the ''Gregorian Chapel'' in the St Peter's Basilica during the pontificate of Gregory XIII (1572–1585). Other Mannerist painters that were involved in this enterprise were Taddeo Zuccari, Taddeo and Federico Zuccari, Niccolò Circignani, and Hendrick van den Broeck (known as ''Arrigo Fiammingo''). The fresco decorations in ''Palazzo Simonelli'' in Torre San Severo (near Orvieto) have been attributed to Nebbia. In 1576, he painted a ''Resurrec ...
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Scala Sancta Fresco 1
Scala or SCALA may refer to: Automobiles * Renault Scala, multiple automobile models * Škoda Scala, a Czech compact hatchback Music * Scala (band), an English electronic music group * Escala (group), an electronic string quartet formerly known as Scala * ''La Scala'' (album), an album by Keith Jarrett * ''Scala'', an album by This Heat * Scala & Kolacny Brothers, a Belgian women's choir * Scala Records, a 1911–27 British record label * Scala Radio, a classical music digital radio station launched in 2019 * SCALA (Songwriters, Composers, and Lyricists Association) - see Adelaide music organizations Organizations * Scala (company), video software company * SCALA, the student chapter of the American Library Association People * Alessandra Scala (1475–1506), Italian poet and scholar * Bartolomeo Scala (1430–1497), Italian politician, author and historian * Delia Scala (1929–2004), Italian ballerina and actress * Enea Scala (born 1979), Italian operatic tenor * Flaminio S ...
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Acheiropoieta
''Acheiropoieta'' (Medieval Greek: , "made without hand"; singular ''acheiropoieton'') — also called icons made without hands (and variants) — are Christian icons which are said to have come into existence miraculously; not created by a human. Invariably these are images of Jesus or the Virgin Mary. The most notable examples that are credited by tradition among the faithful are, in the Eastern church, the Mandylion, also known as the Image of Edessa, and the Hodegetria, and several Russian icons, and in the West the Shroud of Turin, Veil of Veronica, Our Lady of Guadalupe, and the Manoppello Image. The term is also used of icons that are only regarded as normal human copies of a miraculously created original archetype. Although the most famous ''acheiropoieta'' today are mostly icons painted on wood panel, they exist in other media, such as mosaics, painted tile, and cloth. Ernst Kitzinger distinguished two types: "Either they are images believed to have been made by hands ...
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