Sarronca
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Sarronca
The sarronca is a Portuguese traditional musical instrument, more precisely a rubbed membranophone A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. .... It is composed of a stretched skin over a hollow container that serves as a resonance box (which may be a can, a jug, a wooden cylinder or similar). The center of the skin is pierced by a wood stick or a reed, and the sound is obtained by moving the rod downward and upward, so that the rod rubs the stretched skin. References * Portuguese musical instruments {{Membranophone-instrument-stub ...
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List Of Portuguese Traditional Instruments
This is an incomplete list of Portuguese traditional musical instruments. Membranophones * Adufe: the adufe is a square double skinned frame drum. The skins are sewn together, often with seeds between them. It is held with the thumbs of both hands and the pointer of the right hand, leaving the other fingers free to hit the instrument. This instrument was introduced into Portugal (and Spain) when the Moors of North Africa invaded the Iberian Peninsula, beginning in the early 700s A.D. (see Al-Andalus). * Bombo: bombos are large bass drums that are played in a vertical fashion. They can be up to eighty cm in diameter. Usually the musician hits only one side of the skins, producing a deep and low sound. * Sarronca: the sarronca is a friction membranophone composed of a stretched skin over a jug that will serve as a resonance box. Sound is emitted when a stick or a reed is rubbed against the skin. Chordophones * Braguinha: the braguinha is a kind of cavaquinho (see below) that is ...
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Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth ...
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