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Salpinx
A salpinx (; plural salpinges ; Greek σαλπιγξ) was a trumpet-like instrument of the ancient Greeks. Construction The salpinx consisted of a straight, narrow bronze tube with a mouthpiece of bone and a bell (also constructed of bronze) of variable shape and size; extant descriptions describe conical, bulb-like, and spherical structures. Each type of bell may have had a unique effect on the sound made by the instrument. The instrument has been depicted in some classical era vases as employing the use of a phorbeia, similar to those used by aulos players of the era. Though similar to the Roman tuba, the salpinx was shorter than the approximately 1.5 meter long Roman tuba. A rare example of a salpinx, held at the Museum of Fine Arts, Boston, is unique in that it is constructed from thirteen sections of bone connected using tenons and sockets (with bronze ferrules) rather than the long, bronze tube described elsewhere. This salpinx is over 1.57 m long dwarfing the common sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salpinx Hydraulis Players Louvre CA426
A salpinx (; plural salpinges ; Greek σαλπιγξ) was a trumpet-like instrument of the ancient Greeks. Construction The salpinx consisted of a straight, narrow bronze tube with a mouthpiece of bone and a bell (also constructed of bronze) of variable shape and size; extant descriptions describe conical, bulb-like, and spherical structures. Each type of bell may have had a unique effect on the sound made by the instrument. The instrument has been depicted in some classical era vases as employing the use of a phorbeia, similar to those used by aulos players of the era. Though similar to the Roman tuba, the salpinx was shorter than the approximately 1.5 meter long Roman tuba. A rare example of a salpinx, held at the Museum of Fine Arts, Boston, is unique in that it is constructed from thirteen sections of bone connected using tenons and sockets (with bronze ferrules) rather than the long, bronze tube described elsewhere. This salpinx is over 1.57 m long dwarfing the common sal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salpinx Player MAR Palermo NI1853
A salpinx (; plural salpinges ; Greek σαλπιγξ) was a trumpet-like instrument of the ancient Greeks. Construction The salpinx consisted of a straight, narrow bronze tube with a mouthpiece of bone and a bell (also constructed of bronze) of variable shape and size; extant descriptions describe conical, bulb-like, and spherical structures. Each type of bell may have had a unique effect on the sound made by the instrument. The instrument has been depicted in some classical era vases as employing the use of a phorbeia, similar to those used by aulos players of the era. Though similar to the Roman tuba, the salpinx was shorter than the approximately 1.5 meter long Roman tuba. A rare example of a salpinx, held at the Museum of Fine Arts, Boston, is unique in that it is constructed from thirteen sections of bone connected using tenons and sockets (with bronze ferrules) rather than the long, bronze tube described elsewhere. This salpinx is over 1.57 m long dwarfing the common sal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Primitive And Non-Western Trumpets
The chromatic trumpet of Western tradition is a fairly recent invention, but primitive trumpets of one form or another have been in existence for millennia; some of the predecessors of the modern instrument are now known to date back to the Neolithic era. The earliest of these primordial trumpets were adapted from animal horns and sea shells, and were common throughout Europe, Africa, India and, to a lesser extent, the Middle East. Primitive trumpets eventually found their way to most parts of the globe, though even today indigenous varieties are quite rare in the Americas, the Far East and South-East Asia. Some species of primitive trumpets can still be found in remote places, where they have remained largely untouched by the passage of time. For the most part, these primitive instruments were "natural trumpets": that is to say, they had none of those devices (fingerholes, keys, slides or valves) by which the pitch of an instrument might be altered. It is in fact quite excep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbiton
The barbiton, or barbitos ( Gr: βάρβιτον or βάρβιτος; Lat. ''barbitus''), is an ancient stringed instrument related to the lyre known from Greek and Roman classics. The Greek instrument was a bass version of the kithara, and belonged in the zither family, but in medieval times, the same name was used to refer to the '' barbat'' a different instrument that is a variety of lute. Error in the use of names The barbat or ''barbud'', began being translated into Latin as ''barbiton'' sometime during the late Middle Ages, a mistaken practice which has passed into English and other European languages through long misuse. The barbat is an unrelated lute-family instrument developed in Persia, whereas the barbiton (a bass kithara) was developed in Greek-speaking western Anatolia, where it was popular, and spread into the rest of the Aegean. ::Throughout this article ''barbiton'' refers ''only'' to the Anatolian / Aegean instrument, and ''barbat'' is the ''only'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigonion
The epigonion ( el, ἐπιγόνιον) was an ancient stringed instrument, possibly a Greek harp mentioned in Athenaeus (183 AD), probably a psaltery. Description The epigonion was invented, or at least introduced into Greece, by Epigonus of Ambracia, a Greek musician of Ambracia in Epirus, who was admitted to citizenship at Sicyon as a recognition of his great musical ability and of his having been the first to pluck the strings with his fingers, instead of using the plectrum. The instrument, which Epigonus named after himself, had forty strings. It was undoubtedly a kind of harp or psaltery, since in an instrument of so many strings some must have been of different lengths, for tension and thickness only could hardly have produced forty different sounds, or even twenty, supposing that they were arranged in pairs of unisons. Strings of varying lengths require a frame like that of the harp, or of the Egyptian cithara which had one of the arms supporting the cross bar or zugon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Pollux
Julius Pollux ( el, Ἰούλιος Πολυδεύκης, ''Ioulios Polydeukes''; fl. 2nd century) was a Greek scholar and rhetorician from Naucratis, Ancient Egypt.Andrew Dalby, ''Food in the Ancient World: From A to Z'', p.265, Routledge, 2003 Emperor Commodus appointed him a professor-chair of rhetoric in Athens at the Academy — on account of his melodious voice, according to Philostratus' ''Lives of the Sophists.'' Works Pollux was the author of the ''Onomasticon'' (), a Greek thesaurus or dictionary of Attic synonyms and phrases, in ten books, each prefaced with a dedication to the emperor Commodus. The work forms part of the Atticist movement of the Second Sophistic, and was intended to provide a full catalogue of the Greek vocabulary derived from classical texts that an accomplished orator could deploy. Within this movement, Pollux shows himself "a liberal and inclusive Atticist," willing to admit vocabulary from classical authors in non-Attic dialects (like Herodotu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syrinx (instrument)
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan, the Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next to the other, and bound them together to make a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Modeling Synthesis
Physical may refer to: *Physical examination In a physical examination, medical examination, or clinical examination, a medical practitioner examines a patient for any possible medical signs or symptoms of a medical condition. It generally consists of a series of questions about the patien ..., a regular overall check-up with a doctor * ''Physical'' (Olivia Newton-John album), 1981 ** "Physical" (Olivia Newton-John song) * ''Physical'' (Gabe Gurnsey album) * "Physical" (Alcazar song) (2004) * "Physical" (Enrique Iglesias song) (2014) * "Physical" (Dua Lipa song) (2020) *"Physical (You're So)", a 1980 song by Adam & the Ants, the B side to " Dog Eat Dog" * ''Physical'' (TV series), an American television series See also {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komos
The Kōmos ( grc, κῶμος; pl. kōmoi) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the komos is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the ''Symposium'' while carousing in a komos. However, no one kind of event is associated with the komos: Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the komos might have been a competitive event. The komos must be distinguished from the '' pompe'', or ritual pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristides Quintilianus
Aristides Quintilianus (Greek: Ἀριστείδης Κοϊντιλιανός) was the Greek author of an ancient musical treatise, ''Perì musikês'' (Περὶ Μουσικῆς, i.e. ''On Music''; Latin: ''De Musica'') According to Theodore Karp, his three-volume work on music "constitutes one of the principal sources of modern knowledge of ancient Greek music and its relationship to other disciplines". According to the 17th-century scholar Marcus Meibomius, in whose collection (''Antiq. Musicae Auc. Septem'', 52) this work was printed for the first time in 1652, it contains everything on music that is to be found in antiquity. The dates of Aristides are uncertain. In his book he refers to Cicero (d. 43 BC), and his work was used by Martianus Capella (fl. 410-420). According to Thomas J. Mathiesen, Aristides flourished in the late 3rd or early 4th century AD. One piece of evidence for Aristides' date, according to Winnington-Ingram, is that fact in the work he addresses two frie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Audibilibus
''On Things Heard'' (Greek Περὶ ἀκουστῶν; Latin ''De audibilibus'') is a work which was formerly attributed to Aristotle, but is now generally believed to be the work of Strato of Lampsacus. Our extant version of ''On Things Heard'' is made up of long extracts included in Porphyry's ''Commentary on Ptolemy's Harmonics'', and is thus partial. The extracts are concerned with the nature of sound production. See also *Corpus Aristotelicum The Corpus Aristotelicum is the collection of Aristotle's works that have survived from antiquity through medieval manuscript transmission. These texts, as opposed to Aristotle's works that were lost or intentionally destroyed, are technical ph ... References * External links * Works by Aristotle {{Philo-book-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
