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Saijiki
A is a list of ''kigo'' (seasonal terms) used in haiku and related forms of poetry. An entry in a saijiki usually includes a description of the kigo itself, as well as a list of similar or related words, and some examples of haiku that include that kigo. A is similar, but does not contain sample poems. Modern ''saijiki'' and ''kiyose'' are divided into the four seasons and New Year, with some containing a further section for topics. Each seasonal section is further divided into a standard set of categories, each containing a list of relevant ''kigo''. The most common categories are: * The season * The heavens * The earth * Humanity * Observances * Animals * Plants Japanese seasons In the Japanese calendar, seasons traditionally followed the lunisolar calendar with the solstices and equinoxes at the middle of a season. The traditional Japanese seasons are: * Spring: 4 February–5 May * Summer: 6 May–7 August * Autumn: 8 August–6 November * Winter: 7 November–3 February In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kigo
is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. History Although the term ''kigo'' was coined as late as 1908, representation of, and reference to, the seasons has long been important in Japanese culture and poetry. The earliest anthology of Japanese poetry, the mid-8th century , contained several sections devoted to the seasons. By the time of the first imperial Japanese anthology, the a century and a half later (AD 905), the seasonal sections had become a much larger part of the anthology. Both of these anthologies had sections for other categories such as love poems and miscellaneous () poems. The writing of the linked-verse form renga dates to the middle of the Heian period (roughly AD 1000) and developed through the mediev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Kigo
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry. They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza. Japanese seasons Until 1873, in the Japanese calendar, seasons traditionally followed the lunisolar calendar with the solstices and equinoxes at the middle of a season. The traditional and contemporary months are approximately one month apart from each other, with the traditional New Year falling between late January and early February. The traditional Japanese seasons are: :Spring: 4 February – 5 May :Summer: 6 May – 7 August :Autumn: 8 August – 6 November :Winter: 7 November – 3 February For kigo, each season is then divided into early (初), mid- (仲), and late (晩) periods. For spring, these would be: :Early spring: 4 February – 5 March (Febru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haikai Forms
''Haikai'' (Japanese 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of atsuo Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to encourage the writing of stand-alone Hokku. Danrin School The Danrin schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renku
, or , is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ''ushin'' renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially ''haikai no renga'' distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term ''renku'' gained currency after 1904, when Kyoshi Takahama started to use it. Development The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the ''Tsukubashū'' (1356–57).Shirane, Haruo (2012). ''Traditional Japanese Literature: An Anthology, Beginnings to 1600''. Columbia University Press. p. 522. Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in response to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renga
''Renga'' (, ''linked verse'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres ''haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology Tsukubashū () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessions known as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku In English
A haiku in English is an English-language poem written in the Japanese poetry style known as haiku, which correlates the two languages. The degree to which haiku in English resemble classic Japanese haiku varies, but many of these poems draw on short, concise wording and a reference to the seasons. The first haiku written in English date from the late 19th century, influenced by English translations of traditional Japanese haiku. Many well-known English-language poets have written what they called "haiku", although definitions of the genre have remained disputable. Haiku has also proven popular in English-language schools as a way to encourage the appreciation and writing of poetry. Typical characteristics "Haiku" in English is a term sometimes loosely applied to any short, impressionistic poem, but there are certain characteristics that are commonly associated with the genre: * a focus on nature or the seasons [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoshi Takahama
was a Japanese poet active during the Shōwa period of Japan. His real name was ; Kyoshi was a pen name given to him by his mentor, Masaoka Shiki. Early life Kyoshi was born in what is now the city of Matsuyama, Ehime Prefecture; his father, Ikenouchi Masatada, was a former samurai and fencing master and was also a fan of the traditional noh drama. However, with the Meiji Restoration, he lost his official posts and retired as a farmer. Kyoshi grew up in this rural environment, which influenced his affinity with nature. At age nine he inherited from his grandmother's family, and took her surname of Takahama. He became acquainted with Masaoka Shiki via a classmate, Kawahigashi Hekigoto. Ignoring Shiki's advice, Kyoshi quit school in 1894, and went to Tokyo to study Edo period Japanese literature. In 1895, he enrolled in the Tōkyō Senmon Gakkō (present-day Waseda University), but soon left the university for a job as an editor and literary criticism for the literary magazine ''N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teiko Inahata
Inahata Teiko (; 8 January 1931 – 27 February 2022) was a Japanese haiku poet, essayist and literary critic. Life and career Born in Yokohama, the granddaughter of poet Kyoshi Takahama and the daughter of poet , Inahata had been composing haiku since she was still a child. She studied at Kobayashi Seishin Women's College. Inahata published her first collection of haiku in 1976. In 1979 she succeeded her father as editor-in-chief of the literary magazine '' Hototogisu'', and was editor of the newspaper ''The Asahi Shimbun is one of the four largest newspapers in Japan. Founded in 1879, it is also one of the oldest newspapers in Japan and Asia, and is considered a newspaper of record for Japan. Its circulation, which was 4.57 million for its morning edition and ...''. In 1987 she founded and was the first secretary of the , later serving as its honorary president. She was a Catholic. Inahata died in Ashiya, Hyōgo Prefecture on 27 February 2022, at the age of 91. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
