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Surautomatism
Surautomatism is any theory or act in practice of surrealist creative production taking, or purporting to take, automatism to its most absurd limits. In their 1945 statement '' Dialectique de la Dialectique'', Romanian surrealists Gherashim Luca and Dolfi Trost wrote, :We have returned to the problem of knowledge through images... by establishing a clear distinction between images produced by artistic means and images resulting from rigorously applied scientific procedures, such as the operation of chance or of automatism. We stand opposed to the tendency to reproduce, through symbols, certain valid theoretical contents by the use of pictorial techniques, and believe that the unknown that surrounds us can find a staggering materialization of the highest order in indecipherable images. In generally accepting until now pictorial reproductive means, surrealist painting will find that the way to its blossoming lies in the absurd use of aplastic, objective and entirely non-artistic ...
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Surrealist Techniques
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism. The Surrealist movement has been a fractious one since its inception. The value and role of the various techniques has been one of many subjects of disagreement. Some Surrealists consider automatism and games to be sources of inspiration only, while others consider them starting points for finished works. Others consider the items created through automatism to be finished works themselves, needing no further refinement. Aerography Aerography is a technique in which a 3-dimensional object is used as a stencil with spraypainting. Automatism Automatism was used in different ways for each art : * Automatic drawing * Automatic painting * Automatic writing * Automatic poetry is po ...
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Surrealist Automatism
Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it '' Les Champs Magnétiques'' (The Magnetic Fields) in 1919.Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 45-46. . '' The Automatic Message'' (1933) was one of Breton's significant theoretical works about automatism. Origins Automatism has taken on many forms: the automatic writing and drawing initially (and still to this day) explored by the surrealists can be compared to similar or parallel phenomena, such as the non-idiomatic improvisation. "Psychi ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Dialectique De La Dialectique
''Dialectique de la dialectique'' is a 1945 text publication by Romanian surrealists Gherasim Luca and Dolfi Trost. Its subtitle was ''Message to the International Surrealist Movement''. Like the artists previous work it was largely based on surrealist theory and the sustainance of the surrealist movement. It called for the preservation of the surrealist movement in a "constantly revolutionary state" to counter the decline of the movement. It begins by criticising the then movement's "artistic deviation" and "the petrification of its revolutionary effort". Following this it makes a statement as to how artists can counter this: by "constantly surpass ngitself". Love is declared to be the "principal method of knowledge and action" for the artists. Finally the artists declare the need to ''"revolt against nature and dissolving the oedipal complex in order to liberate love"''. See also * Surautomatism Surautomatism is any theory or act in practice of surrealist creative production ta ...
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Romania
Romania ( ; ro, România ) is a country located at the crossroads of Central Europe, Central, Eastern Europe, Eastern, and Southeast Europe, Southeastern Europe. It borders Bulgaria to the south, Ukraine to the north, Hungary to the west, Serbia to the southwest, Moldova to the east, and the Black Sea to the southeast. It has a predominantly Temperate climate, temperate-continental climate, and an area of , with a population of around 19 million. Romania is the List of European countries by area, twelfth-largest country in Europe and the List of European Union member states by population, sixth-most populous member state of the European Union. Its capital and largest city is Bucharest, followed by Iași, Cluj-Napoca, Timișoara, Constanța, Craiova, Brașov, and Galați. The Danube, Europe's second-longest river, rises in Germany's Black Forest and flows in a southeasterly direction for , before emptying into Romania's Danube Delta. The Carpathian Mountains, which cross Roma ...
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Gherashim Luca
Gherasim Luca (; 23 July 1913 – 9 February 1994) was a Romanian surrealist theorist and poet. Born Salman Locker in Romania and also known as Costea Sar, and Petre Malcoci, he became an apatrid after leaving Romania in 1952. Biography Born in Bucharest the son of Jewish tailor Berl Locker (died 1914), he spoke Yiddish, Romanian, German, and French. During 1938, he traveled frequently to Paris where he was introduced to surrealists. World War II and the official antisemitism in Romania forced him into local exile. During the pre- Communist period of Romanian independence, he founded a surrealist artists group with Gellu Naum, Paul Păun, Virgil Teodorescu and Dolfi Trost. His first publications, including poems in French followed. He was the inventor of cubomania and, in 1945 with Dolfi Trost, authored " Dialectic of Dialectic", a manifesto of the surrealist movement Surautomatism. Harassed in Romania and caught while trying to flee the country, he left Romania in 1952, a ...
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Dolfi Trost
Dolfi or Dolphi Trost (1916 in Brăila – 1966 in Chicago, Illinois) was a Romanian surrealist poet, artist, and theorist, and the instigator of entopic graphomania. Together with Gherasim Luca, he was the author of ''Dialectique de la dialectique'' (1945). He also authored a work entitled ''Le même du même''. He also wrote the book, '' Vision dans le cristal. Oniromancie obsessionelle. Et neuf graphomanies entoptiques.'' as part of his surrealist art theory. In 1941, Trost and Luca were among the founders of the Bucharest group of surrealists, which also included Gellu Naum, Paul Păun, and Virgil Theodorescu Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: t .... External links * Petre Răileanua"D. Trost: decalogul visului" Revista Sud-Est, 2006/3 Romanian illustrator ...
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Cubomania
Cubomania is a Surrealist technique of making collages by cutting an image into squares and reassembling without regard for the original image at random to create something new. The technique was invented by the Romanian surrealist Gherasim Luca Gherasim Luca (; 23 July 1913 – 9 February 1994) was a Romanian surrealist theorist and poet. Born Salman Locker in Romania and also known as Costea Sar, and Petre Malcoci, he became an apatrid after leaving Romania in 1952. Biography Born .... Luca introduced cubomania at two exhibitions in Bucharest, in 1945 and 1946, and in small publications. Luca positioned cubomania as a mix of Karl Marx's and André Breton's ideas. It was a critique of the alleged objectivity of social conditions and rejected the tyranny over liberty. It has been described as a "statistical method". Penelope Rosemont and Joseph Jablonski have suggested that cubomania can "subvert the enslaving 'message' of advertising and to free images from repr ...
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Dialectique De La Dialectique
''Dialectique de la dialectique'' is a 1945 text publication by Romanian surrealists Gherasim Luca and Dolfi Trost. Its subtitle was ''Message to the International Surrealist Movement''. Like the artists previous work it was largely based on surrealist theory and the sustainance of the surrealist movement. It called for the preservation of the surrealist movement in a "constantly revolutionary state" to counter the decline of the movement. It begins by criticising the then movement's "artistic deviation" and "the petrification of its revolutionary effort". Following this it makes a statement as to how artists can counter this: by "constantly surpass ngitself". Love is declared to be the "principal method of knowledge and action" for the artists. Finally the artists declare the need to ''"revolt against nature and dissolving the oedipal complex in order to liberate love"''. See also * Surautomatism Surautomatism is any theory or act in practice of surrealist creative production ta ...
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Writing
Writing is a medium of human communication which involves the representation of a language through a system of physically Epigraphy, inscribed, Printing press, mechanically transferred, or Word processor, digitally represented Symbols (semiotics), symbols. Writing systems do not themselves constitute human languages (with the debatable exception of computer languages); they are a means of rendering language into a form that can be reconstructed by other humans separated by time and/or space. While not all languages use a writing system, those that do can complement and extend capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. Letter (message), written correspondence) and stored over time (e.g. libraries or other public records). It has also been observed that the activity of writing itself can have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect ...
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