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Superpartient Number
In mathematics, a superpartient ratio, also called superpartient number or epimeric ratio, is a rational number that is greater than one and is not superparticular. The term has fallen out of use in modern pure mathematics, but continues to be used in music theory and in the historical study of mathematics. Superpartient ratios were written about by Nicomachus in his treatise ''Introduction to Arithmetic''. Overview Mathematically, a superpartient number is a ratio of the form : \frac\, , where ''a'' is greater than 1 (''a'' > 1) and is also coprime to (shares no prime factor with) ''n''. Ratios of the form \tfrac are also greater than one and fully reduced, but are called superparticular ratios and are not superpartient. Etymology "Superpartient" comes from Greek ἐπιμερής ''epimeres'' "containing a whole and a fraction," literally "superpartient". See also * Mathematics of musical scales Further reading *Partch, Harry (1979). ''Genesis of a Music ''Genesis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rational Number
In mathematics, a rational number is a number that can be expressed as the quotient or fraction of two integers, a numerator and a non-zero denominator . For example, is a rational number, as is every integer (e.g. ). The set of all rational numbers, also referred to as "the rationals", the field of rationals or the field of rational numbers is usually denoted by boldface , or blackboard bold \mathbb. A rational number is a real number. The real numbers that are rational are those whose decimal expansion either terminates after a finite number of digits (example: ), or eventually begins to repeat the same finite sequence of digits over and over (example: ). This statement is true not only in base 10, but also in every other integer base, such as the binary and hexadecimal ones (see ). A real number that is not rational is called irrational. Irrational numbers include , , , and . Since the set of rational numbers is countable, and the set of real numbers is uncountable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superparticular Number
In mathematics, a superparticular ratio, also called a superparticular number or epimoric ratio, is the ratio of two consecutive integer numbers. More particularly, the ratio takes the form: :\frac = 1 + \frac where is a positive integer. Thus: Superparticular ratios were written about by Nicomachus in his treatise ''Introduction to Arithmetic''. Although these numbers have applications in modern pure mathematics, the areas of study that most frequently refer to the superparticular ratios by this name are music theory and the history of mathematics. Mathematical properties As Leonhard Euler observed, the superparticular numbers (including also the multiply superparticular ratios, numbers formed by adding an integer other than one to a unit fraction) are exactly the rational numbers whose continued fraction terminates after two terms. The numbers whose continued fraction terminates in one term are the integers, while the remaining numbers, with three or more terms in their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Mathematics
The history of mathematics deals with the origin of discoveries in mathematics and the mathematical methods and notation of the past. Before the modern age and the worldwide spread of knowledge, written examples of new mathematical developments have come to light only in a few locales. From 3000 BC the Mesopotamian states of Sumer, Akkad and Assyria, followed closely by Ancient Egypt and the Levantine state of Ebla began using arithmetic, algebra and geometry for purposes of taxation, commerce, trade and also in the patterns in nature, the field of astronomy and to record time and formulate calendars. The earliest mathematical texts available are from Mesopotamia and Egypt – '' Plimpton 322'' ( Babylonian c. 2000 – 1900 BC), the ''Rhind Mathematical Papyrus'' ( Egyptian c. 1800 BC) and the '' Moscow Mathematical Papyrus'' (Egyptian c. 1890 BC). All of these texts mention the so-called Pythagorean triples, so, by inference, the Pythagorean theorem seems to be the most anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicomachus
Nicomachus of Gerasa ( grc-gre, Νικόμαχος; c. 60 – c. 120 AD) was an important ancient mathematician and music theorist, best known for his works ''Introduction to Arithmetic'' and ''Manual of Harmonics'' in Greek. He was born in Gerasa, in the Roman province of Syria (now Jerash, Jordan). He was a Neopythagorean, who wrote about the mystical properties of numbers.Eric Temple Bell (1940), ''The development of mathematics'', page 83.Frank J. Swetz (2013), ''The European Mathematical Awakening'', page 17, Courier Life Little is known about the life of Nicomachus except that he was a Pythagorean who came from Gerasa.} Historians consider him a Neopythagorean based on his tendency to view numbers as having mystical properties. The age in which he lived (c. 100 AD) is only known because he mentions Thrasyllus in his ''Manual of Harmonics'', and because his ''Introduction to Arithmetic'' was apparently translated into Latin in the mid 2nd century by Apuleius.Henrietta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction To Arithmetic
The book ''Introduction to Arithmetic'' ( grc-gre, Ἀριθμητικὴ εἰσαγωγή, ''Arithmetike eisagoge'') is the only extant work on mathematics by Nicomachus (60–120 AD). Summary The work contains both philosophical prose and basic mathematical ideas. Nicomachus refers to Plato quite often, and writes that philosophy can only be possible if one knows enough about mathematics. Nicomachus also describes how natural numbers and basic mathematical ideas are eternal and unchanging, and in an abstract realm. It consists of two books, twenty-three and twenty-nine chapters, respectively. Although he was preceded by the Babylonians and the Chinese, Nicomachus provided one of the earliest Greco-Roman multiplication tables, whereas the oldest extant Greek multiplication table is found on a wax tablet dated to the 1st century AD (now found in the British Museum). Influence The ''Introduction to Arithmetic'' of Nicomachus was a standard textbook in Neoplatonic schools an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratio
In mathematics, a ratio shows how many times one number contains another. For example, if there are eight oranges and six lemons in a bowl of fruit, then the ratio of oranges to lemons is eight to six (that is, 8:6, which is equivalent to the ratio 4:3). Similarly, the ratio of lemons to oranges is 6:8 (or 3:4) and the ratio of oranges to the total amount of fruit is 8:14 (or 4:7). The numbers in a ratio may be quantities of any kind, such as counts of people or objects, or such as measurements of lengths, weights, time, etc. In most contexts, both numbers are restricted to be Positive integer, positive. A ratio may be specified either by giving both constituting numbers, written as "''a'' to ''b''" or "''a'':''b''", or by giving just the value of their quotient Equal quotients correspond to equal ratios. Consequently, a ratio may be considered as an ordered pair of numbers, a Fraction (mathematics), fraction with the first number in the numerator and the second in the denom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coprime
In mathematics, two integers and are coprime, relatively prime or mutually prime if the only positive integer that is a divisor of both of them is 1. Consequently, any prime number that divides does not divide , and vice versa. This is equivalent to their greatest common divisor (GCD) being 1. One says also '' is prime to '' or '' is coprime with ''. The numbers 8 and 9 are coprime, despite the fact that neither considered individually is a prime number, since 1 is their only common divisor. On the other hand, 6 and 9 are not coprime, because they are both divisible by 3. The numerator and denominator of a reduced fraction are coprime, by definition. Notation and testing Standard notations for relatively prime integers and are: and . In their 1989 textbook ''Concrete Mathematics'', Ronald Graham, Donald Knuth, and Oren Patashnik proposed that the notation a\perp b be used to indicate that and are relatively prime and that the term "prime" be used instead of coprime (as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prime Number
A prime number (or a prime) is a natural number greater than 1 that is not a product of two smaller natural numbers. A natural number greater than 1 that is not prime is called a composite number. For example, 5 is prime because the only ways of writing it as a product, or , involve 5 itself. However, 4 is composite because it is a product (2 × 2) in which both numbers are smaller than 4. Primes are central in number theory because of the fundamental theorem of arithmetic: every natural number greater than 1 is either a prime itself or can be factorized as a product of primes that is unique up to their order. The property of being prime is called primality. A simple but slow method of checking the primality of a given number n, called trial division, tests whether n is a multiple of any integer between 2 and \sqrt. Faster algorithms include the Miller–Rabin primality test, which is fast but has a small chance of error, and the AKS primality test, which always pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Sixth
In music from Western culture, a sixth is a musical interval encompassing six note letter names or staff positions (see Interval number for more details), and the major sixth is one of two commonly occurring sixths. It is qualified as ''major'' because it is the larger of the two. The major sixth spans nine semitones. Its smaller counterpart, the minor sixth, spans eight semitones. For example, the interval from C up to the nearest A is a major sixth. It is a sixth because it encompasses six note letter names (C, D, E, F, G, A) and six staff positions. It is a major sixth, not a minor sixth, because the note A lies nine semitones above C. Diminished and augmented sixths (such as C to A and C to A) span the same number of note letter names and staff positions, but consist of a different number of semitones (seven and ten, respectively). A commonly cited example of a melody featuring the major sixth as its opening is "My Bonnie Lies Over the Ocean".Blake Neely, ''Piano For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Seventh
The harmonic seventh interval, also known as the septimal minor seventh, or subminor seventh, is one with an exact 7:4 ratio (about 969 cents). This is somewhat narrower than and is, "particularly sweet", "sweeter in quality" than an "ordinary" just minor seventh, which has an intonation ratio of 9:5 (about 1018 cents). The harmonic seventh arises from the harmonic series as the interval between the fourth harmonic (second octave of the fundamental) and the seventh harmonic; in that octave, harmonics 4, 5, 6, and 7 constitute a purely consonant major chord with added seventh (root position). When played on the natural horn, as a compromise the note is often adjusted to 16:9 of the root (for C maj7, the substituted note is B, 996.09 cents), but some pieces call for the pure harmonic seventh, including Britten's ''Serenade for Tenor, Horn and Strings''. Composer Ben Johnston uses a small "7" as an accidental to indicate a note is lowered 49 cents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Sixth
In Western classical music, a minor sixth is a musical interval encompassing six staff positions (see Interval number for more details), and is one of two commonly occurring sixths (the other one being the major sixth). It is qualified as ''minor'' because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions, but consist of a different number of semitones (seven and ten respectively). Equal temperament In 12-tone equal temperament (12-ET), the minor sixth is enharmonically equivalent to the augmented fifth. It occurs in first inversion major and dominant seventh chords and second inversion minor chords. It is equal to eight semitones, i.e. a ratio of 28/12:1 or simplified to 22/3:1 (about 1.587), or 800 cents. Just temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
