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Sugar Painting
Sugar painting (糖画) is a form of traditional Chinese folk art using hot, liquid sugar to create two dimensional objects on a marble or metal surface. Melted sugar is carried by a small ladle made by bronze or copper. After it cools, it will be stuck to a bamboo stick and removed using a spatula. Three dimensional objects can be created by laying solidified sugar. History Sugar painting may have originated during the Ming dynasty when aristocratic families or government officials molded small animals made of sugar for religious rituals. This art form then became popular. After that period, as techniques improved, Chinese folk artists combined the molded sugar with other arts, like shadow play and paper cutting, to create a more diverse range of patterns. In Sichuan, during the Qing dynasty, further developments were made in production seeing the replacement of the molds with the now-common small ladle. Nowadays, sugar painting is considered as a representation of the wisdom a ...
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Chinese Sugar Painting 01
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chi ...
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Emperor Of China
''Huangdi'' (), translated into English as Emperor, was the superlative title held by monarchs of China who ruled various imperial regimes in Chinese history. In traditional Chinese political theory, the emperor was considered the Son of Heaven and the autocrat of all under Heaven. Under the Han dynasty, Confucianism replaced Legalism as the official political theory and succession in most cases theoretically followed agnatic primogeniture. The lineage of emperors descended from a paternal family line constituted a dynasty. The absolute authority of the emperor came with a variety of governing duties and moral obligations; failure to uphold these was thought to remove the dynasty's Mandate of Heaven and to justify its overthrow. In practice, emperors sometimes avoided the strict rules of succession and dynasties' ostensible "failures" were detailed in official histories written by their successful replacements. The power of the emperor was also limited by the imperia ...
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Chinese Desserts
Chinese desserts () are sweet foods and dishes that are served with tea, along with meals"Chinese Desserts."Kaleidoscope - Cultural China
. Accessed June 2011.
or at the end of meals in . The desserts encompass a wide variety of ingredients commonly used in East Asian cuisines such as powdered or whole

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Sugar People
Sugar people (糖人: ''Tángrén'') is a traditional Chinese form of folk art using hot, liquid sugar to create three-dimensional figures. These fragile, plump figures have a distinct brownish-yellow colour, usually with yellow or green pigment added. They are mainly purchased for ornamental purposes and not for consumption, due to sanitary concerns. Popular figures include animals such as dragons, roosters and pigs, and such objects as machetes and spears. Similar to the trade of producing sugar paintings, this art form has been practiced in public places for hundreds of years, and can still be seen today. Traditionally, artists set up their point of production and sale in areas such as markets, and outside schools, as the figures appeal to children. These days, this art form is practiced in tourist areas. Prices can range from one or two, to tens of RMB, depending on the piece. However, during difficult economic times, artists would exchange figures for metal scraps, broken s ...
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List Of Desserts
A dessert is typically the sweet course that, after the entrée and main course, concludes a meal in the culture of many countries, particularly Western culture. The course usually consists of sweet foods, but may include other items. The word "dessert" originated from the French word ''desservir'' "to clear the table" and the negative of the Latin word ''servire''. There are a wide variety of desserts in western cultures, including cakes, cookies, biscuits, gelatins, pastries, ice creams, pies, puddings, and candies. Fruit is also commonly found in dessert courses because of its natural sweetness. Many different cultures have their own variations of similar desserts around the world, such as in Russia, where many breakfast foods such as blini, oladyi, and syrniki can be served with honey and jam to make them popular as desserts. By type Brand name desserts A * Angel Delight B * Bird's Custard * Bompas & Parr * Butter Braid C * Cherrybrook Kitchen * Chicoo * Cool Whip ...
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List Of Chinese Desserts
Chinese desserts are sweet foods and dishes that are served with tea, along with meals"Chinese Desserts."Kaleidoscope - Cultural China
. Accessed June 2011.
or at the end of meals in . The desserts encompass a wide variety of ingredients commonly used in East s such as powdered or whole
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Fenghuang
''Fènghuáng'' (, ) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called ''fèng'' and the females ''huáng'', but such a distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages ( Japanese: ; vi, phượng hoàng, italics=no or ; Korean: ). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. Appearance A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the ''Erya'''s chapter 17 ''Shiniao'', fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise ...
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Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue ope ...
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Chinese Gods And Immortals
Chinese traditional religion is polytheistic; many deities are worshipped in a pantheistic view where divinity is inherent in the world. The gods are energies or principles revealing, imitating and propagating the way of Heaven ('' Tian'' ), which is the supreme godhead manifesting in the northern culmen of the starry vault of the skies and its order. Many gods are ancestors or men who became deities for their heavenly achievements; most gods are also identified with stars and constellations. Ancestors are regarded as the equivalent of Heaven within human society, and therefore as the means connecting back to Heaven, which is the "utmost ancestral father" ( ''zēngzǔfù''). Gods are innumerable, as every phenomenon has or is one or more gods, and they are organised in a complex celestial hierarchy. Besides the traditional worship of these entities, Confucianism, Taoism and formal thinkers in general give theological interpretations affirming a monistic essence of divinity. ...
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Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ...
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Classic Chinese Novels
Classic Chinese Novels () are the best-known novels of pre-modern Chinese literature. These are among the world's longest and oldest novels. They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and sophisticated critics. They include the ''Romance of the Three Kingdoms'', ''Water Margin'', ''Journey to the West'', and '' The Plum in the Golden Vase'' of the Ming dynasty and '' Dream of the Red Chamber (Story of the Stone)'' and '' The Scholars'' of the Qing dynasty. The scholar C. T. Hsia wrote that these six "remain the most beloved novels among the Chinese." Nomenclature and subgroupings The scholar Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's ''The Classic Chinese Novel''. He adds that he is not s ...
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