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Subtone
Subtone is an advanced technique of tone generation on woodwind instruments, particularly the saxophone and clarinet. It is often described as a soft, breathy timbre that is usually produced in the lowest range of the instrument with low volume. Popular use The subtone is used predominantly in jazz, where it has been characteristic of saxophone and clarinet playing since the Swing era with players like Ben Webster and Benny Goodman. Other early practitioners from the 1930s and 1940s include Lester Young, Harry Carney, Woody Herman, Johnny Hodges and Coleman Hawkins. More modern examples of the 1950s, 1960s and beyond include Stan Getz, Paul Desmond, Gerry Mulligan, and Grover Washington Jr. Its unique timbre and quiet temperament lends itself well to jazz ballads, where it has been historically utilized. However, the subtone is regularly employed in virtually every genre of jazz, whether the tempo be fast or slow. The diversity of the below list demonstrates this, as there is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tone
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation. A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise. The Fourier theorem states that any periodic waveform can be approximated as closely as desired as the sum of a series of sine waves with frequencies in a harmonic series and at specific phase relationships to each other. The common denominator frequency, which is also often the lowest of these frequencies is the fundamental frequency, and is also the inverse of the period of the waveform. The fundamental frequency determines the pitch of the tone, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Webster Meets Oscar Peterson
''Ben Webster Meets Oscar Peterson'' is a 1960 studio album featuring a jazz trio, led by the Canadian jazz pianist Oscar Peterson, with the tenor saxophonist Ben Webster. Reception Writing for AllMusic, critic Stephen Cook wrote "Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio... to reassure Peterson fans worried about scant solo time for their hero, the pianist lays down a healthy number of extended runs, unobtrusively shadowing Webster's vaporous tone and supple phrasing along the way. Not only a definite first-disc choice for Webster newcomers, but one of the jazz legend's all-time great records." Track listing #"The Touch of Your Lips" (Ray Noble) – 6:20 #"When Your Lover Has Gone" (Einar Aaron Swan) – 3:59 #"Bye Bye Blackbird" (Mort Dixon, Ray Henderson) – 6:45 #" How Deep Is the Ocean?" (Irving Berlin) – 2:36 #"In the Wee Small Hours of the Morning" (Bob Hilliard, David Mann) – 3:13 #"Sunday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Out (album)
''Time Out'' is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as , and . The album is a subtle blend of cool and West Coast jazz. The album peaked at No. 2 on the ''Billboard'' pop albums chart, and was the first jazz album to sell a million copies. The single "Take Five" off the album was also the first jazz single to sell one million copies. By 1963, the record had sold 500,000 units, and in 2011 it was certified double platinum by the RIAA, signifying over two million records sold. The album was inducted in the Grammy Hall of Fame in 2009. The album was selected, in 2005, for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Background The album was intended as an experime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take Five
"Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album ''Time Out'' at Columbia Records' 30th Street Studios in New York City on July 1, 1959. Two years later it became a sleeper hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996. Musical style "Take Five" is known for its distinctive two- chord piano/bass vamp; catchy, cool-jazz saxophone melodies; inventive, jolting drum solo; and unorthodox quintuple () time, from which Dave Brubeck derived its name. Helped by native symphony musicians, the classically-trained Brubeck had recently enhanced his knowledge of more complex forms of music during the Quartet's U.S. State Department-sponsored tour of Eurasia in the spring of 1958. The odyssey inspired him to create an experimental al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Autumn (song)
"Early Autumn" (1949) is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. The song grew out of the fourth segment of Burns' “Summer Sequence” concert piece and was originally recorded by the Herman band on December 27, 1947 with an outstanding eight-bar solo by saxophonist Stan Getz. Herman asked Johnny Mercer to write lyrics in 1952 and he re-recorded the song taking the vocal duties himself. Charted versions were by Woody Herman and by Jo Stafford, both in 1952. Notable recordings *Woody Herman - an instrumental version (1949). *Woody Herman - a single release in 1952 for the Mars label (catalog No. 300). *Ted Heath and His Music, vocal by Lita Roza (1952). *Jo Stafford - a single release in 1952. *Ella Fitzgerald – a single release for Decca Records (catalog No. 29810) in 1956 (recorded in 1952) *Ella Fitzgerald – new version for her album ''Ella Fitzgerald Sings the Johnny Mercer Songbook'' (1964) *Johnny Mathis – '' Wonderful, Wonderfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington At Fargo, 1940 Live
''Duke Ellington at Fargo, 1940 Live'' is a live album by the Duke Ellington Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 1980. The album was recorded at a dance in Fargo, North Dakota. Background In 1939, two cooperative extension service workers and former South Dakota State College students, Jack Towers and Richard Burris, sought permission from the William Morris Agency representing Duke Ellington to record an upcoming concert in Fargo, North Dakota.Martin FredricksThe Duke was Here". ''NDSU Magazine''. Fall 2001. Retrieved 1 January 2011. Permission was granted to the two Ellington fans provided they receive permission from Ellington and the venue's manager before the show. The show was held on 7 November 1940 at the Crystal Ballroom on the second floor of the Fargo City Auditorium at the corner of First Avenue South and Broadway. (The building was demolished in 1962). The concert was a dance, a normal venue for jazz bands at that time but an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body And Soul (1930 Song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue ''Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool Jazz
Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of izzy Gillespie and his followers could be compared to fiery red colors." The term ''cool'' started being applied to this music around 1953, when Capitol Records released the album ''Classics in Jazz: Cool and Quiet''. Mark C. Gridley, writing in the ''All Music Guide to Jazz'', identifies four overlapping sub-categories of cool jazz: # "Soft variants of bebop," including the Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Ballad
A sentimental ballad is an emotional style of music that often deals with romance (love), romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop music, pop, contemporary R&B, R&B, soul music, soul, country music, country, folk music, folk, rock music, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmony, harmonies. Characteristically, ballads use Musical acoustics, acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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