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String Quintet
A string quintet is a musical composition for five string players. As an extension to the string quartet (two violins, a viola, and a cello), a string quintet includes a fifth string instrument, usually a second viola (a so-called "viola quintet") or a second cello (a "cello quintet"), or occasionally a double bass. Notable examples of classic "viola quintets", in four movement form include those of Wolfgang Amadeus Mozart. Other examples were written by composers including Johannes Brahms and Felix Mendelssohn. A famous "cello quintet" is Franz Schubert's Quintet in C major. Antonín Dvořák's Quintet Op. 77 uses a double bass, and Mozart's famous '' Eine kleine Nachtmusik'' may be performed with this instrumentation (the double bass being optional). Alternative additions include clarinet or piano (see clarinet quintet, piano quintet); and other closely related chamber music genres include the string quartet (much more common), the string trio, and the string sextet. A ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ...
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String Trio
A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio. Early History The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata. Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type.Tilmouth, Michael (2001). “String trio”. ''Grove Music Online.'' Oxford University Press, 2001. String trios scored for two violins and viola were also used, although much less frequently.Brook, Barry S. (1983). “Haydn's String Trios: A Misunderstood Genre. ...
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Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and ''galante'' style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote librettos for Antonio ...
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Piano Trio No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Octet (Beethoven)
The Octet in E-flat major by Ludwig van Beethoven, Op. 103, is a work for two oboes, two clarinets, two bassoons, and two horns. Beethoven wrote the work in 1792 in Bonn before he established himself in Vienna. He reworked and expanded the Octet in 1795 as his first String Quintet, Op. 4. The Octet was not published until 1834 by Artaria, thus explaining the high opus number despite its date of composition. The frontispiece of the autograph score contains the phrase "in a concert", proving that the piece was destined (at least at one stage) for a concert. Structure The composition is in four movements: #''Allegro'' #''Andante'' #''Menuetto A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompa ...'' #''Presto'' References ;Notes ;Sources * * * External links * Chamber music ...
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Fugue For String Quintet, Op
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main ...
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String Quintet, Op
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Frank Bridge
Frank Bridge (26 February 187910 January 1941) was an English composer, violist and conductor. Life Bridge was born in Brighton, the ninth child of William Henry Bridge (1845-1928), a violin teacher and variety theatre conductor, formerly a master lithographic printer from a family of cordwainers, and his second wife, Elizabeth (née Warbrick; 1849-1899). His father "ruled the household with a rod of iron", and was insistent that his son spend regular long hours practising the violin; when Frank became sufficiently skilled, he would play with his father's pit bands, conducting in his absence, also arranging music and standing in for other instrumentalists. He studied at the Royal College of Music in London from 1899 to 1903 under Charles Villiers Stanford and others. He played in a number of string quartets, including second violin for the Grimson Quartet and viola for the English String Quartet (along with Marjorie Hayward). He also conducted, sometimes deputising for Henr ...
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Arnold Bax
Sir Arnold Edward Trevor Bax, (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral music. In addition to a series of symphonic poems, he wrote seven symphonies and was for a time widely regarded as the leading British symphonist. Bax was born in the London suburb of Streatham to a prosperous family. He was encouraged by his parents to pursue a career in music, and his private income enabled him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he came to be regarded in musical circles as an important but isolated figure. While still a student at the Royal Academy of Music Bax became fascinated with Ireland and Celtic culture, which became a strong influence on his early development. In the years before the First World War he lived in Ireland and became a member of Dublin literary ...
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Franz Joseph Aumann
Franz Joseph Aumann (also ''Auman'', ''Aumon''; 24 February 1728, Traismauer – 30 March 1797, Sankt Florian) was an Austrian composer. Before his voice broke, he sang in the same Viennese choir as Michael Haydn and Johann Georg Albrechtsberger, composers with whom he later in life traded manuscripts. In view of this circulation, it is not surprising that some of his music has been incorrectly attributed to Haydn. However, his ''Missa Profana,'' satirizing the stuttering and bad singing of a schoolmaster, was once attributed to Wolfgang Amadeus Mozart. Aumann was ordained a priest in the Augustinian Order in St. Florian in 1757, essentially staying there for the rest of his life. He wrote many mass settings. Aumann's music was a large part of the repertoire at St. Florian in the 19th century, and Anton Bruckner availed himself of this resource for his studies of counterpoint. Bruckner focused a lot of his attention on Aumann's Christmas responsories and an ''Ave Maria'' in D majo ...
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Johann Georg Albrechtsberger
Johann Georg Albrechtsberger (3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist, and one of the teachers of Ludwig van Beethoven. He was a friend of Haydn and Mozart. Biography Albrechtsberger was born at Klosterneuburg, near Vienna. He originally studied music at Melk Abbey and philosophy at a Benedictine seminary in Vienna, and became one of the most learned and skilful contrapuntists of his age. Albrechtsberger's earliest classmates included Michael Haydn and Franz Joseph Aumann. After being employed as organist at Raab in 1755 and Maria Taferl in 1757, he was appointed Thurnermeister back at Melk Abbey. In 1772 he was appointed organist to the court of Vienna, and in 1792 Kapellmeister of St. Stephen's Cathedral. His fame as a theorist attracted to him in the Austrian capital a large number of pupils, some of whom afterwards became eminent musicians. Among these were Johann Nepomuk Hummel, Ignaz Moscheles, Josef Weigl, Ludwig-Wilhelm Te ...
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