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Star-crossed Lovers
"Star-crossed" or "star-crossed lovers" is a phrase describing a pair of lovers who, for some external reason, cannot be together. The term also has other meanings, but originally means that the pairing is being "thwarted by a malign star" or that the stars are working against the relationship.Levenson (ed.), Jill L. (2000). Romeo and Juliet, The Oxford Shakespeare (Oxford World's Classics). Oxford: Oxford University Press. page 142 . Astrological in origin, the phrase stems from the belief that the positions of the stars ruled over people's fates, and is best known from the play '' Romeo and Juliet'' by the Elizabethan playwright William Shakespeare. Such pairings are often said to be doomed from the start. Definitions The phrase was coined in the prologue of Shakespeare's '' Romeo and Juliet'': It also refers to destiny and the inevitability of the two characters' paths crossing. It usually but not always refers to ''unlucky'' outcomes, since Romeo and Juliet's affair ende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dido
Dido ( ; , ), also known as Elissa ( , ), was the legendary founder and first queen of the Phoenician city-state of Carthage (located in modern Tunisia), in 814 BC. In most accounts, she was the queen of the Phoenician city-state of Tyre (today in Lebanon) who fled tyranny to found her own city in northwest Africa. Known only through ancient Greek and Roman sources, all of which were written well after Carthage's founding, her historicity remains uncertain. The oldest references to Dido are attributed to Timaeus, who was active around 300 BC, or about five centuries after the date given for the foundation of Carthage. Details about Dido's character, life, and role in the founding of Carthage are best known from the account given in Virgil's epic poem, the ''Aeneid,'' written around 20 BC, which tells the legendary story of the Trojan hero Aeneas. Dido is described as a clever and enterprising woman who flees her ruthless and autocratic brother, Pygmalion, after discovering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Maeterlinck
Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949), also known as Count (or Comte) Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who was Flemish but wrote in French. He was awarded the Nobel Prize in Literature in 1911 "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations". The main themes in his work are death and the meaning of life. He was a leading member of La Jeune Belgique group and his plays form an important part of the Symbolist movement. In later life, Maeterlinck faced credible accusations of plagiarism. Biography Early life Maeterlinck was born in Ghent, Belgium, to a wealthy, French-speaking family. His mother, Mathilde Colette Franço ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas And Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The work never achieved great success on the stage, apart from in the operatic setting by Claude Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, Jean Sibelius, and Mel Bonis. Synopsis Golaud finds Mélisande by a stream in the woods. She has lost her crown in the water but does not wish to retrieve it. They marry, and she instantly wins the favor of Arkël, Golaud's grandfather and king of Allemonde, who is ill. She begins to be drawn to Pelléas, Golaud's brother. They meet by the fountain, where Mélisande loses her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and discov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Myth
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the ''Iliad'' and the ''Odyssey''. Two poems by Homer's near contemporary Hesiod, the ''Theogony'' and the ''Works and Days'', contain accounts of the genesis of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hero And Leander
Hero and Leander is the Greek myth relating the story of Hero ( grc, Ἡρώ, ''Hērṓ''; ), a priestess of Aphrodite (Venus in Roman mythology) who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander ( grc, Λέανδρος, ''Léandros''), a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her. Hero would light a lamp at the top of her tower to guide his way. Succumbing to Leander's soft words and to his argument that Aphrodite, as the goddess of love and sex, would scorn the worship of a virgin, Hero succumbed to his charms and they made love. Their secret love affair lasted through a warm summer. They had agreed to part during winter and resume in the spring due to the nature of the waters. One stormy winter night, Leander saw the torch at the top of Hero's tower. The strong winter wind blew out Hero's light and Leander lost his way and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inês De Castro
Inês de Castro (; in Castilian: Inés; 1325 – 7 January 1355) was a Galician noblewoman and courtier, best known as lover and posthumously-recognized wife of King Peter I of Portugal. The dramatic circumstances of her relationship with Peter (at the time Prince of Portugal), which was forbidden by his father King Afonso IV, her murder at the orders of Afonso, Peter's bloody revenge on her killers, and the legend of the coronation of her exhumed corpse by Peter, have made Inês de Castro a frequent subject of art, music, and drama through the ages. Biography Inês was the natural daughter of Pedro Fernández de Castro, Lord of Lemos and Sarria, and his noble Portuguese mistress Aldonça Lourenço de Valadares. Her family descended both from the Galician and Portuguese nobilities. She was also well connected to the Castilian royal family, by illegitimate descent. Her stepmother was Infanta Beatrix of Portugal, the youngest daughter of Afonso of Portugal, Lord of Portalegre and V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter I Of Portugal
Peter I (Portuguese: ''Pedro I'', ; 8 April 1320 – 18 January 1367), called the Just (''o Justiceiro'') or the Cruel (''o Cruel''), was King of Portugal from 1357 until his death. He was the third but only surviving son of Afonso IV of Portugal and his wife, Beatrice of Castile. Early life In 1328, Peter's father, Afonso IV arranged for the marriage of his eldest daughter, Maria, to Alfonso XI of Castile. However, soon after their marriage Alfonso began a long affair with the beautiful and newly widowed Leonor de Guzman. Maria bore Alfonso a son in 1334, who ultimately became Peter of Castile, but after the Castilian king refused to end his affair Maria returned home to Portugal in 1335. Alfonso had been married once before, to his cousin's daughter, Constanza Manuel (granddaughter of James II of Aragon). Alfonso had the marriage annulled in 1327, after only two years, to clear the way for marriage to Maria. This angered his cousin Juan Manuel, Prince of Villena, a powerful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan And Iseult
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them. The story has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the courtly and common branches. The former begins with the 12th-century poems of Thomas of Britain and Béroul, while the latter reflects a now-lost original version. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose ''Tris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camelot
Camelot is a castle and court associated with the legendary King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, since the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world. The stories locate it somewhere in Great Britain and sometimes associate it with real cities, though more usually its precise location is not revealed. Most scholars regard it as being entirely fictional, its unspecified geography being perfect for chivalric romance writers. Nevertheless, arguments about the location of the "real Camelot" have occurred since the 15th century and continue today in popular works and for tourism purposes. Etymology The name's derivation is uncertain. It has numerous different spellings in medieval French Arthurian romances, including ''Camaalot'', ''Camalot'', ''Chamalot'', ''Camehelot'' (sometimes read as ''Camchilot''), ''Camaaloth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinevere
Guinevere ( ; cy, Gwenhwyfar ; br, Gwenivar, kw, Gwynnever), also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale. The earliest datable appearance of Guinevere is in Geoffrey of Monmouth's pseudo-historical British chronicle ''Historia Regum Britanniae'', in which she is seduced by Mordred during his ill-fated rebellion against Arthur. In a later medieval Arthurian romance tradition from France, a prominent story arc is the queen's tragic love affair with her husband's chief knight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Round Table
The Round Table ( cy, y Ford Gron; kw, an Moos Krenn; br, an Daol Grenn; la, Mensa Rotunda) is King Arthur's famed table in the Arthurian legend, around which he and his knights congregate. As its name suggests, it has no head, implying that everyone who sits there has equal status, unlike conventional rectangular tables where participants order themselves according to rank. The table was first described in 1155 by Wace, who relied on previous depictions of Arthur's fabulous retinue. The symbolism of the Round Table developed over time; by the close of the 12th century it had come to represent the chivalric order associated with Arthur's court, the Knights of the Round Table. Origins Though the Round Table is not mentioned in the earliest accounts, tales of King Arthur having a marvellous court made up of many prominent warriors are ancient. Geoffrey of Monmouth, in his ''Historia Regum Britanniae'' (composed c. 1136) says that, after establishing peace throughout Britain, Arth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
