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Squillo
''Squillo'' is the resonant, trumpet-like sound in the voices of opera singers. It is also commonly called "singer's formant", "ring", "ping", "core", and other terms. ''Squillo'' enables an essentially lyric tone to be heard over thick orchestrations, e.g. in late Verdi, Puccini and Strauss operas. Achieving a proper amount of ''squillo'' in any performing context is imperative: too much and the tone veers towards the shrill; too little and the purpose of the ''squillo'' cannot be achieved. ''Squillo'' is recognizable by a distinctive brilliant, ringing quality in the timbre of the voice. This perception is caused by the presence of a peak in the 2 - 5 kHz frequency range, to which the human ear is particularly sensitive. The amplification of these particular harmonics is believed to be a result of a narrowing of the Aryepiglottic fold just above the larynx. Voices with naturally acquired ''squillo'', i.e. having naturally strong higher formants, are especially prized in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formant
In speech science and phonetics, a formant is the broad spectral maximum that results from an acoustic resonance of the human vocal tract. In acoustics, a formant is usually defined as a broad peak, or local maximum, in the spectrum. For harmonic sounds, with this definition, the formant frequency is sometimes taken as that of the harmonic that is most augmented by a resonance. The difference between these two definitions resides in whether "formants" characterise the production mechanisms of a sound or the produced sound itself. In practice, the frequency of a spectral peak differs slightly from the associated resonance frequency, except when, by luck, harmonics are aligned with the resonance frequency. A room can be said to have formants characteristic of that particular room, due to its resonances, i.e., to the way sound reflects from its walls and objects. Room formants of this nature reinforce themselves by emphasizing specific frequencies and absorbing others, as exploited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formants
In speech science and phonetics, a formant is the broad spectral maximum that results from an acoustic resonance of the human vocal tract. In acoustics, a formant is usually defined as a broad peak, or local maximum, in the spectrum. For harmonic sounds, with this definition, the formant frequency is sometimes taken as that of the harmonic that is most augmented by a resonance. The difference between these two definitions resides in whether "formants" characterise the production mechanisms of a sound or the produced sound itself. In practice, the frequency of a spectral peak differs slightly from the associated resonance frequency, except when, by luck, harmonics are aligned with the resonance frequency. A room can be said to have formants characteristic of that particular room, due to its resonances, i.e., to the way sound reflects from its walls and objects. Room formants of this nature reinforce themselves by emphasizing specific frequencies and absorbing others, as exploited, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilli Lehmann
Lilli Lehmann, born Elisabeth Maria Lehmann, later Elisabeth Maria Lehmann-Kalisch (24 November 1848 – 17 May 1929) was a German operatic soprano. She was also a voice teacher. Biography The future opera star's father, Karl-August Lehmann, was a singer (Heldentenor) while her mother, Maria Theresia Löw (1809–1885), was a soprano. Her younger sister, Marie, also went on to become an operatic soprano. Her first lessons were from her mother, who had been a prima donna under Spohr at the Cassel opera. After singing small parts on the stage, for example in Mozart's ''Magic Flute'' at Prague in 1866, and studies under Heinrich Laube in Leipzig, Lehmann made her proper debut in 1870 in Berlin as a light soprano in Meyerbeer's ''Das Feldlager in Schlesien''. She subsequently became so successful that she was appointed an Imperial Chamber Singer for life in 1876. Lehmann sang in the first Bayreuth Festival in 1876, singing in the first complete performances of The Ring Cycle as Wog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Nilsson
Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano. Although she sang a wide répertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner and Richard Strauss. Her voice was noted for its overwhelming force, bountiful reserves of power, and the gleaming brilliance and clarity in the upper register. Biography Early life Birgit Nilsson was born Märta Birgit Svensson on a farm at Västra Karup in Skåne (100 km/60 miles north of Malmö) to Nils Svensson and Justina Svensson (née Paulsson). When she was three years old she began picking out melodies on a toy piano her mother bought for her. She once told an interviewer that she could sing before she could walk, adding, "I even sang in my dreams". Her vocal talent was first noticed when she began to sing in her church choir. A choirmaster near her home heard her sing and advised her to take voice lessons. She studied w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luciano Pavarotti
Luciano Pavarotti (, , ; 12 October 19356 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for his tone, and gaining the Honorific nicknames in popular music, nickname "King of the High Cs". As one of the Three Tenors, who performed their first concert during the 1990 FIFA World Cup before a global audience, Pavarotti became well known for his televised concerts and media appearances. From the beginning of his professional career as a tenor in 1961 in Italy to his final performance of "Nessun dorma" at the 2006 Winter Olympics in Turin, Pavarotti was at his best in bel canto operas, pre-''Aida'' Giuseppe Verdi, Verdi roles, and Giacomo Puccini, Puccini works such as ''La bohème'', ''Tosca'', ''Turandot'' and ''Madama Butterfly''. He sold over 100 milli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jussi Björling
Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequently at the major European opera houses, including the Royal Opera House in London and La Scala in Milan. He sang the Italian, French and Russian opera repertory with taste. Early life Björling (surname also spelled as "Bjoerling" and "Bjorling" in English-language sources) was born in Stora Tuna, Borlänge, Dalarna, Sweden, in February 1911. The midwife's register shows he was born on 5 February, but the church baptism records erroneously show 2 February, and that was the day on which he celebrated his birthday throughout his whole life. He was known throughout his life by the name Jussi, which he received as a child from his Finnish-born grandmother (Henrika Matilda Björling née Lönnqvist, b. 1844 Pori, d. 1918 Borlänge). His father, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Di Stefano
Giuseppe Di Stefano (24 July 19213 March 2008) was an Italian operatic tenor who sang professionally from the mid-1940s until the early 1990s. Called Pippo by both fans and friends, he was known as the "Golden voice" or "The most beautiful voice", as the true successor of Beniamino Gigli. Luciano Pavarotti said he modeled himself after Di Stefano. In an interview Pavarotti said "Di Stefano is my idol. ''There'' is a solar voice...It was the most incredible, open voice you could hear. The musicality of Di Stefano is as natural and beautiful as the voice is phenomenal". Di Stefano was also the tenor who most inspired José Carreras. He died on 3 March 2008 as a result of injuries from an attack by unknown assailants. Early life and musical training Giuseppe Di Stefano was born in Motta Sant'Anastasia, a village near Catania, Sicily, in 1921. He moved to Milan with his parents when he was six. He was the only son of a carabiniere turned cobbler and his dressmaker wife. Di S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirsten Flagstad
Kirsten Malfrid Flagstad (12 July 1895 – 7 December 1962) was a Norwegian opera singer, who was the outstanding Wagnerian soprano of her era. Her triumphant debut in New York on 2 February 1935 is one of the legends of opera. Giulio Gatti-Casazza, the longstanding General Manager of the Metropolitan Opera said, “I have given America two great gifts — Caruso and Flagstad.” Called "the voice of the century", she ranks among the greatest singers of the 20th century. Desmond Shawe-Taylor wrote of her in the '' New Grove Dictionary of Opera'': "No one within living memory surpassed her in sheer beauty and consistency of line and tone." Early life and career Flagstad was born in Hamar, Norway, in her grandparents' home, now the Kirsten Flagstad Museum. Though she never actually lived in Hamar, she always considered it her home town. She was raised in Oslo within a musical family; her father Michael Flagstad was a conductor and her mother Maja Flagstad a pianist. Their othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel canto'' technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical ''opera seria'' to the ''bel canto'' operas of Gaetano Donizetti, Donizetti, Vincenzo Bellini, Bellini and Gioachino Rossini, Rossini and, further, to the works of Giuseppe Verdi, Verdi and Giacomo Puccini, Puccini; and, in her early career, to the music dramas of Richard Wagner, Wagner. Her musical and dramatic talents led to her being hailed as ''La Divina'' ("the Divine one"). Born in Manhattan, New York City, to Greek immigrant parents, she was raised by an overbearing mother who had wanted a son. Maria received her musical education in Greece at age 13 and later established her career in Italy. Forced to deal with the exigencies of 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirella Freni
Mirella Freni, OMRI (, born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's ''Don Giovanni'' and as Adina in Donizetti's ''L'elisir d'amore''. Freni is associated with the role of Mimi in Puccini's ''La bohème'', which featured in her repertoire from 1957 to 1999 and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan. She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965. In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from ''The New York Times'' describes he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bona Fide
In human interactions, good faith ( la, bona fides) is a sincere intention to be fair, open, and honest, regardless of the outcome of the interaction. Some Latin phrases have lost their literal meaning over centuries, but that is not the case with ''bona fides'', which is still widely used and interchangeable with its generally-accepted modern-day English translation of ''good faith''. It is an important concept within law and business. The opposed concepts are bad faith, ''mala fides'' (duplicity) and perfidy (pretense). In contemporary English, the usage of ''bona fides'' is synonymous with credentials and identity. The phrase is sometimes used in job advertisements, and should not be confused with the ''bona fide'' occupational qualifications or the employer's good faith effort, as described below. ''Bona fides'' ''Bona fides'' is a Latin phrase meaning "good faith". Its ablative case is ''bona fide'', meaning "in good faith", which is often used as an adjective to mean " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
