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Sonnet 20
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence (which comprises sonnets 1- 126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author. In this sonnet (as in, for example, Sonnet 53) the beloved's beauty is compared to both a man's and a woman's. Structure Sonnet 20 is a typical English or Shakespearean sonnet, containing three quatrains and a couplet for a total of fourteen lines. It follows the rhyme scheme of this type of sonnet, ABAB CDCD EFEF GG. It employs iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. "Only this sonnet about gender has feminine rhymes throughout." The first line exemplifies regular iambic pentameter with a final extrametrical syllable or ''feminine ending'': × / × / × / × / × / (×) A woman's face wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel ''The Picture of Dorian Gray'', and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at age 46. Wilde's parents were Anglo-Irish intellectuals in Dublin. A young Wilde learned to speak fluent French and German. At university, Wilde read Literae Humaniores#Greats, Greats; he demonstrated himself to be an exceptional Classics, classicist, first at Trinity College Dublin, then at Magdalen College, Oxford, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Poems
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9 Shakespeare Sonnets
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufus Wainwright
Rufus McGarrigle Wainwright (born July 22, 1973) is a Canadian-American singer, songwriter, and composer. He has recorded 10 studio albums and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare's sonnets to music for a theatre piece by Robert Wilson. Wainwright's self-titled debut album was released through DreamWorks Records in May 1998. His second album, '' Poses'', was released in June 2001. Wainwright's third and fourth studio albums, ''Want One'' (2003) and ''Want Two'' (2004), were repackaged as the double album ''Want'' in 2005. In 2007, Wainwright released his fifth studio album, ''Release the Stars'', and his first live album, ''Rufus Does Judy at Carnegie Hall''. His second live album, ''Milwaukee at Last!!!'', was released in 2009, followed by the studio albums '' All Days Are Nights: Songs for Lulu'' (2010) and ''Out of the Game'' (2012). The double album ''Prima Donna'' (2015) was a recording of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet 87
Sonnet 87 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It is part of the Fair Youth sequence, and sometimes included as the last sonnet in the Rival Poet group. Synopsis The poet admits that he no longer possesses the love of the youth, whose worth is too great for the poet, who could only possess him while the youth did not recognise his own worth. His time with the youth was like a dream of greatness from which he has now woken. Shakespeare says, in essence, that the Fair Youth is so much better than he is that Shakespeare can't possibly deserve him. Being unworthy, Shakespeare wants to release the Youth from the relationship so that "he can have the better life that he deserves".(Nelles, William. "Sexing Shakespeare's Sonnets: Reading beyond Sonnet 20." English Literary Renaissance, 2009.) In the closing couplet, Shakespeare says that while the relationship lasted, he felt like a king, but now he realizes it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phallus
A phallus is a penis (especially when erect), an object that resembles a penis, or a mimetic image of an erect penis. In art history a figure with an erect penis is described as ithyphallic. Any object that symbolically—or, more precisely, iconically—resembles a penis may also be referred to as a phallus; however, such objects are more often referred to as being phallic (as in "phallic symbol"). Such symbols often represent fertility and cultural implications that are associated with the male sexual organ, as well as the male orgasm. Etymology The term is a loanword from Latin ''phallus'', itself borrowed from Greek (''phallos''), which is ultimately a derivation from the Proto-Indo-European root *''bʰel''- "to inflate, swell". Compare with Old Norse (and modern Icelandic) ''boli'' "bull", Old English ''bulluc'' "bullock", Greek "whale". Archaeology The Hohle phallus, a 28,000-year-old siltstone phallus discovered in the Hohle Fels cave and reassembled in 2005, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminine Rhyme
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gelding
A gelding is a castrated male horse or other equine, such as a pony, donkey or a mule. Castration, as well as the elimination of hormonally driven behavior associated with a stallion, allows a male equine to be calmer and better-behaved, making the animal quieter, gentler and generally more suitable as an everyday working animal. The gerund and participle "gelding" and the infinitive "to geld" refer to the castration procedure itself. Etymology The verb "to geld" comes from the Old Norse , from the adjective 'barren'. The noun "gelding" is from the Old Norse . History The Scythians are thought to have been the first people to geld their horses. They valued geldings as war horses because they were quiet, lacked mating urges, were less prone to call out to other horses, were easier to keep in groups, and were less likely to fight with one another. Reasons for gelding A male horse is often gelded to make him better-behaved and easier to control. Gelding can also remove lower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford English Dictionary
The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. Work began on the dictionary in 1857, but it was only in 1884 that it began to be published in unbound fascicles as work continued on the project, under the name of ''A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society''. In 1895, the title ''The Oxford English Dictionary'' was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in 10 bound volumes. In 1933, the title ''The Oxford English Dictionary'' fully replaced the former name in all occurrences in its reprinting as 12 volumes with a one-v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Hughes
William Hughes is one potential candidate for the person on whom the "Fair Youth" of Shakespeare's ''Sonnets'' is based (if the sonnets are autobiographical). The "Fair Youth" is a handsome, effeminate young man to whom the poet addresses many passionate sonnets. Some sonnets can be interpreted as puns on the name "William Hughes". However, no real life person of that name can easily be identified with the character. Thomas Tyrwhitt theory The identification was first proposed by Thomas Tyrwhitt in the eighteenth century, who noted a line in the 20th Sonnet "A man in hue, all ''Hues'' in his controlling", in which the word Hues is both italicised and capitalised in the original edition. When this is combined with various puns in the Sonnets on the name 'Will', and the fact that the sonnets are dedicated to one " Mr W.H.", it can be argued that the Sonnets covertly reveal that they are written to someone called William Hughes. Since music plays an important role in the sonnets, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Portrait Of Mr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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