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Son Mexicano
Son mexicano () is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called ''son''. The term son literally means "sound" in Spanish, and is also applied to other unrelated genres, most notably son cubano. Major son traditions are located in the La Huasteca region, the Gulf coast, the Pacific coast of Guerrero and Oaxaca, Michoacán and Jalisco (where it morphed into mariachi). The music is based on string instruments such as guitars and violins, with elements which have not changed since the Spanish Baroque music that was introduced into Mexico during the colonial period. The dance associated with this music is social and often includes a stomping rhythm on a raised platform to provide percussion. Definition The term "son" is given to a category of Mexican folk music which covers a variety of styles that vary by region. However, these styles share a number of common characteristics in its rhythms, lyrics and dance. The music is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Huasteco
Son huasteco is one of eight Mexican song styles and is a traditional Mexican musical style originating in the six state area of Northeastern Mexico called La Huasteca. It dates back to the end of the 19th century and is influenced by Spanish and indigenous cultures. Usually it is played by a '' Trio Huasteco'' composed of a guitarra quinta huapanguera (a five course, eight stringed guitar-like instrument) a Jarana huasteca (a stringed instrument related to the jarana) and a violin. Singers will often use the falsetto register. The son huasteco is particularly noteworthy for its flamboyant and virtuoso violin parts, although the style varies from state to state. Footwork often danced to son huasteco is the Zapateado. Improvisation plays a strong role in the style, with musicians creating their own lyrics and arrangements to a standard repertoire. Typical ''sones huastecos'' are "''Cielito Lindo''", "''La huazanga''", "''La sirena''", "''El querreque''" and "''La cigarra''".Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpa Jarocha
The arpa jarocha is a large wooden harp that is normally played while standing, although early examples from the 16th through the first three or four decades of the 19th centuries were smaller and were played while seated. It has a wooden frame, a resonator, a flat soundboard, 32-36 nylon strings (originally, gut strings), and does not have pedals. This harp is tuned diatonically over five octaves. The top of its soundboard sometimes arches outward due to the tension of the strings. Unlike other Mexican harps, the arpa jarocha has its sound holes located on the back of the sound board instead of on the front. Play style As previously stated, the arpa jarocha was once commonly played while seated, similarly to its ancestor the Spanish harp from the 16th century. In modern times, since approximately the 1940s, the arpa jarocha has been built in a larger scale, following the general pattern of the Western Mexican harps from Jalisco and Michoacan. One of the first recording artists o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tololoche
The tololoche is a traditional musical instrument from southern Mexico. Its name comes from "tolo loch", from the Mayan language: tolo (bull) and loch (embraced), which would later become tololoche. It is similar to but smaller than the European double bass, and still large enough to produce low-pitched sounds. It has three or four strings, and is plucked with the fingers (pizzicato). It is purely a folk instrument, and not used in classical music. In northern Mexico it is used in Fara Fara and norteño music. These styles include the accordion, snare drum, tololoche, saxophone, guitar or bajo sexto. It is also used by musicians playing in bars and taverns in northern cities. The tololoche became established in the north of Mexico as indispensable to the interpretation of regional music and less awkward than the classical double-bass to transport. The instrument is purely acoustic, and its role is endangered by electric instruments such as the electric bass. In the 1950s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitarra Panzona
The guitarra panzona, guitarra túa or guitarra blanca is a Mexican guitar with six strings and deep body. This guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strin ... is sometimes substituted by a guitarron. It provides a tubby sounding rhythm for calentano music, accompanying violin, guitar and tamborita.https://stringedinstrumentdatabase.aornis.com/g.htm The Stringed Instrument Database: G References * External links PhotosAll Things Strings Guitars Mexican musical instruments {{guitar-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapanguera
The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper structure, the huapanguera is able provide a much deeper sound compared to a regular acoustic guitar. Here it takes on the role of the bass instrument using a rhythmical strumming technique. Its physical construction features a large resonating body with a short neck. It normally has around 10 frets which stop at the point where the fingerboard meets the top. The stringing and tuning arrangement consists of 8 nylon strings in 5 courses. Standard tuning is G2+G2 – D3+D3 – G3+G3 – B3+ – E4 (GG – dd – gg – b – e in Helmholtz pitch notation Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale. Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requinto Jarocho
The requinto jarocho or guitarra de son is plucked string instrument, played usually with a special pick. It is a four- or five-stringed instrument that has originated from Veracruz, Mexico. The ''requinto'' is used in conjunto jarocho ensembles. In the absence of the '' arpa'', the requinto typically introduces the melodic theme of the ''son'' and then continues by providing a largely improvised counterpoint to the vocal line. Characteristics The requinto jarocho is shaped like a guitar with a small body. The body, neck and tuning head is made from one piece of wood. It has a shallow body, and a slightly raised fingerboard. It also has 12 frets. The four-stringed requinto jarocho can follow the standard tuning of (ADGc), but is also commonly tuned to GADg and CDGc. The five-stringed requinto, however, adds a string above the standard tuning 5 half-steps below the initial first string, making it EADGc. The requinto jarocho strings are made of nylon; when played it sounds like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitarra De Golpe
The Guitarra de golpe is a stringed musical instrument from Mexico. It has 5 nylon strings in 5 courses. The headstock traditionally has a traditional shape that is designed to look like a stylised owl with wooden pegs, but nowadays this is sometimes replaced with a guitar or vihuela style headstock with machine heads. For a while during the 20th century, the Guitarra De Golpe fell into disuse in traditional Mariachi groups, and was replaced by the Classical guitar. It has now however been revived. It is still an essential part of the "conjuntos de arpa" from Michoacán. Like the vihuela The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of t ..., it often only has a few frets, but unlike the Vihuela, the frets are made of metal or wood, instead of the vihuela's tied on nylon. Tuning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitarrón Mexicano
The guitarrón mexicano (the Spanish name of a "big Mexican guitar", the suffix ''-ón'' being a Spanish augmentative) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass played traditionally in Mariachi groups. Although similar to the guitar, it is not a derivative of that instrument, but was independently developed from the sixteenth-century Spanish ''bajo de uña'' ("fingernail pluckedbass"). Because its great size gives it volume, it does not require electric amplification for performances in small venues. The guitarrón is fretless with heavy gauge strings, most commonly nylon for the high three and wound metal for the low three. The guitarrón is usually played by doubling notes at the octave, a practice facilitated by the standard guitarrón tuning . Unlike a guitar, the pitch of the guitarrón strings does not always rise as strings move directionally downward from the lowest-pitched string (the 6th string from the lowest-pitched strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarana
A jarana is a guitar-like string instrument from Mexico. There are different regional versions of the jarana, notably: * Jarana huasteca, string instrument of the Huastec region, Mexico * Jarana jarocha, string instrument of Veracruz, Mexico * Jarana yucateca, dance and musical form of Yucatán, Mexico It can also refer to: *Harana (serenade) The harana is a serenade tradition in rural areas of the Philippines in which young men may formally meet single lady visitors.Proceedings of the 2nd Conference on History and Culture 1993 - Page 12 "Harana" is the Filipino term tor serenade. Bu ..., a serenade tradition in rural areas in the Philippines * A traditional Mexican couples dance, typical of Yucatán and Campeche, on the music which accompanies it * The noun jarana in Spanish translates to "revelry" or "animated party". References {{Reflist Mexican musical instruments Guitar family instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
