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Slap Tonguing
In music, the term ''slap tonguing'' refers to a musician playing a single-reed instrument such as a clarinet or a saxophone employing a technique to produce a popping sound along with the note. The technique The sound is created as a result of the release of suction in the mouth and the popping sound that the reed produces which amplifies as it travels through the horn. To create this effect, lay your tongue against a lot of the reed. Gently push upward so that the tip and rail of the reed is closed. Get rid of as much air in the oral cavity as you can and seal off the lip so that you have an airtight fit. The tongue is quickly released in a downward motion. When you release the tongue downward, you also drop your jaw and open your mouth in a "popping" motion. This is all done very quickly. Do not pull the tongue back towards your throat. It needs to pop downward away from the roof of the mouth to get the most volume, do not blow air through the horn and do not inhale when you r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musician
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-reed Instrument
A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmonic series caused by the shape of the corpus. E.g. the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed (instrument)
A reed (or lamella) is a thin strip of material that vibrates to produce a sound on a musical instrument. Most woodwind instrument reeds are made from ''Arundo donax'' ("Giant cane") or synthetic material. Tuned reeds (as in harmonicas and accordions) are made of metal or synthetics. Musical instruments are classified according to the type and number of reeds. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Single reeds Single reeds are used on the mouthpieces of clarinets and saxophones. The back of the reed is flat and is placed against the mouthpiece. These ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stump Evans
Paul "Stump" Evans (October 18, 1904 – August 29, 1928) was an American musician, who was one of the first jazz saxophonists. Evans experimented with several instruments: alto horn, trombone, and alto saxophone. In the 1920s, he played baritone saxophone in Chicago as a member of the Creole Jazz Band led by King Oliver and the Dixie Syncopators. He played C melody saxophone when he supported singer Priscilla Stewart. With Oliver he played soprano saxophone, then alto saxophone with the Red Hot Peppers led by Jelly Roll Morton. Evans also worked as a sideman for Erskine Tate and Jimmy Wade James F. Wade (c.1895 – 1957) was an American jazz trumpeter and bandleader. Wade began leading groups in the Chicago area about 1916. He played in California and Seattle, Washington with Lucille Hegamin, and then moved with her to New Yo .... He died at the age of 23 from tuberculosis. References 1904 births 1928 deaths 20th-century American saxophonists American jazz saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Melody Saxophone
The C melody saxophone, also known as the C tenor saxophone, is a saxophone pitched in the key of C one whole tone above the common B-flat tenor saxophone. The C melody was part of the series of saxophones pitched in C and F intended by the instrument's inventor, Adolphe Sax, for orchestral use. The instrument enjoyed popularity in the early 1900s, perhaps most prominently used by Rudy Wiedoeft and Frankie Trumbauer, but is now uncommon. A C melody saxophone is larger than an alto and smaller than a tenor. The bore on most models has a diameter and taper more like a 'stretched' alto than a tenor. When seen in profile, its shape bears some resemblance to a tenor saxophone, though it is smaller and the bell appears longer. Most C melody saxophones have curved necks (with a similar shape to that of the tenor saxophone) though C.G.Conn did make straight-necked C melody instruments (more similar to the alto). C melody saxophones are usually marked with a letter "C" above or below th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Wiedoeft
Rudolph Cornelius Wiedoeft (January 3, 1893 – February 18, 1940) was an American saxophonist. Biography Born in Detroit, Michigan, the son of German immigrants, at a young age Wiedoeft started playing with his family orchestra, first using a violin, then a clarinet. He relocated to New York City and, after a series of successful clarinet recordings with his Frisco Jass Band, switched to saxophone, then still an unusual instrument. He became known as a virtuoso saxophonist during the 1910s, made more than 300 recordings for many different record companies, and did much to popularize the saxophone as an instrument in both the U.S. and overseas. His main instrument was the C melody saxophone, a variety which was immensely popular from the 1910s until about 1930. He also played and recorded sometimes using E-flat alto and B-flat soprano saxophones as well. His style was noted for very rapid runs of well-articulated notes in between long legato phrases in a ragtime influenced styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fess Williams
Fess Williams ''(né'' Stanley R. Williams; April 10, 1894 – December 17, 1975) was an American jazz musician.''Biography Index, A Cumulative Index to Biographical Material in Books and Magazines, Volume 10: September 1973 — August 1976'', New York: H.W. Wilson Company, 1977 Early life As a child Williams played several instruments. He received his formal education from N. Clark-Smith at Tuskegee University. By his late teens he had settled on clarinet, and soon afterwards formed the first of many bands he was to lead over the coming years. Career From 1919 to 1923, he led his own band before moving to Chicago, Illinois, and joining Ollie Powers. In 1923, he formed a new group in order to back the variety act Dave and Tressie and traveled to New York with them in 1924. There he led a trio in Albany, New York, as well as a band that played at the Rosemont Ballroom. In 1926, Williams formed the Royal Flush Orchestra. The popular hot jazz outfit held residency at Harlem's Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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