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Skor Daey
The skor daey (ស្គរដៃ "hand drum" or "clay drum") is a short goblet drum from Cambodia, approximately 40 centimeters tall and 15 centimeters wide at the top. There are two common goblet drums there, the skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ), a very long goblet drum, resembling some from Burma, and the skor daey. Alternative spellings in English include skor dai (hand) and skor dei (clay, also alternative in Khmer: ស្គរដី). Other Khmer names included skor arak, skor kar (ស្គរការ), skor ayai (ស្គរអាយ៉ៃ។). The name skor areak or skor arak or skor aaroksa (Khmer:ស្គរអារក្ស) links this variant to the Arak music it is used to play. Skor kar linked it to ''kar boran'' music for weddings, where two drums are used, representing male and female. Skor ayai refers to ''ayai'' repartee singing, in which a man and woman alternate quick, witty comments or replies back and forth, accompanied by an e ...
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Khmer Drum 01
Khmer(s) may refer to: Cambodia *''Srok Khmer'' (lit. "Khmer land" or "Land of the Khmer(s)"), a colloquial exonym used to refer to Cambodia by Cambodians; see * *Khmer people, the ethnic group to which the great majority of Cambodians belong **Khmer Americans, Americans of Khmer (Cambodian) ancestry **Khmer Krom, Khmer people living in the Mekong Delta and Southeast Vietnam **Khmer Loeu, the Mon-Khmer highland tribes in Cambodia **Northern Khmer people, ethnic Khmer people of Northeast Thailand *Khmer (Unicode block), a block of Unicode characters of the Khmer script *Khmer architecture, the architecture of Cambodia *Khmer cuisine, the dominant cuisine in Cambodia *Khmer Empire, which ruled much of Indochina from the 9th to the 13th centuries *Khmer Issarak, anti-French, Khmer nationalist political movement formed in 1945 *Khmer language, the language of the Khmers, also the official and national language of Cambodia **Khmer Khe dialect, a Khmeric language spoken in Stung Treng P ...
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Skor Daey
The skor daey (ស្គរដៃ "hand drum" or "clay drum") is a short goblet drum from Cambodia, approximately 40 centimeters tall and 15 centimeters wide at the top. There are two common goblet drums there, the skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ), a very long goblet drum, resembling some from Burma, and the skor daey. Alternative spellings in English include skor dai (hand) and skor dei (clay, also alternative in Khmer: ស្គរដី). Other Khmer names included skor arak, skor kar (ស្គរការ), skor ayai (ស្គរអាយ៉ៃ។). The name skor areak or skor arak or skor aaroksa (Khmer:ស្គរអារក្ស) links this variant to the Arak music it is used to play. Skor kar linked it to ''kar boran'' music for weddings, where two drums are used, representing male and female. Skor ayai refers to ''ayai'' repartee singing, in which a man and woman alternate quick, witty comments or replies back and forth, accompanied by an e ...
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Tro Sau Thom
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ...
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Tro Sau Toch
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ...
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Thon-rammana
The ''thon and rammana'' ( th, โทนรำมะนา, ) are hand drums played as a pair in Thai classical music. It consists of two drums: the ''thon'' (โทน), a goblet drum with a ceramic or wooden body and the ''rammana'' (รำมะนา), a small rebana-typed frame drum or tambourine. They are used usually in the ''khruang sai'' ensemble. The ''thon'' gives a low pitch and the ''rammana'' gives a high pitch. Earlier in the 20th century, the ''thon'' and ''rammana'' were sometimes played separately. The instruments are also used in Cambodian music in the mohori ensemble. See also *Skor daey, article compares Cambodian goblet drums *Traditional Thai musical instruments Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments ... * Cambodian folk and classical music, mohori ...
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Skor Chhaiyam
The skor chhaiyam (Khmer: ស្គរឆៃយ៉ាំ) is a tall Cambodian goblet drum, slung over the shoulder with a string, so it can be played at waist level while walking. Only the top has skin, leaving a sound-hole at the bottom of a narrowed drum body. The instrument is used to "celebrate happy events." There are 4-5 different varieties of Sklor chhaiyam, designed for different volume levels (quiet or loud). See also *Music of Cambodia The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid W ... References External linksUNESCO document, Traditional Musical Instruments of Cambodia. PDF.
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Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ...
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Ayai
''Ayai'' ( km, អាយ៉ៃខ្មែរ) is one of the four main musical styles of Khmer traditional culture, along with ''pinpeat, mahori,'' and ''phleng khmer''. It can be more specifically defined as "repartee singing, usually the theatrical alternation of a man and a woman, accompanied by an ensemble of the same name." Along with '' smot'', while in a very different style, ''ayai'' singing has been described as "one of the most fascinating folk music traditions in Cambodia." History The ''Ayai'' art form originated from popular routines, like many other Khmer traditions. In the past, Cambodian people would perform traditional games - which often included singing and dancing - in their villages, most often during the Khmer New Year festival and other celebrations. Because of the ribaldry of the language used, ''ayai'' singing was considered lewd and this type popular leisure was not recommended for well-bred women in the traditional code of the '' Chbab Srey.'' Before ...
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Hand Drums
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is rope strung. This drum is ea ...
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