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Shin-hanga
was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional ''ukiyo-e'' art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ''ukiyo-e'' collaborative system (''hanmoto'' system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the parallel ''sōsaku-hanga'' (creative prints) movement which advocated the principles of "self-drawn" (''jiga''), "self-carved" (''jikoku'') and "self-printed" (''jizuri''), according to which the artist, with the desire of expressing the self, is the sole creator of art. The movement was initiated and nurtured by publisher Watanabe Shozaburo (1885–1962), and flourished from around 1915 to 1942, resuming on a smaller scale after the Second World War through the 1950s and 1960s. Inspired by European Impressionism (which itself had drawn from ukiyo-e), the artists incorporated Western elements such as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goyō Hashiguchi (1915) Yokugo No Onna (cropped And Compressed) 01
was an artist in Japan. At the forefront of the ''shin-hanga'' ("new prints") movement, a revival of ''ukiyo-e'', he designed fourteen Woodblock printing in Japan, woodblock prints which are regarded as masterpieces of the genre. Early life Hashiguchi was born Hashiguchi Kiyoshi in Kagoshima Prefecture. His father Hashiguchi Kanemizu was a samurai and amateur painter in the Shijō school, Shijō style. His father hired a teacher in the Kano style of painting in 1899 when Kiyoshi was only ten. Kiyoshi took the name of Goyō while attending the Tokyo School of Fine Arts, from which he graduated best in his class in 1905. The name Goyō was chosen because of his fondness for the five needle pine in his father's garden. Early career His first commission was designing the layout and illustrations for Natsume Sōseki's novel ''I Am a Cat'' in 1905. This led to design of other books by Futabatei Shimei, , Morita Sōhei, Jun'ichirō Tanizaki, Nagai Kafū, and Kyōka Izumi. In 1907 Goy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sōsaku-hanga
was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 ''jiga''), "self-carved" (自刻 ''jikoku'') and "self-printed" (自摺 ''jizuri''). As opposed to the parallel ''shin-hanga'' ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor, creative print artists distinguished themselves as creators of art for art's sake. The birth of the ''sōsaku-hanga'' movement was signaled by Kanae Yamamoto's (1882–1946) small print ''Fisherman'' in 1904. Departing from the ukiyo-e collaborative system, Yamamoto made the print solely on his own: drawing, carving, and printing the image. Such principles of "self-drawn", "self-carved" and "self-printed" became the foundation of the movement, which struggled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinsui Itō
Shinsui Itō ( ja, 伊東 深水, Itō Shinsui; 4 February 1898 – 8 May 1972) was the pseudonym of a ''Nihonga'' painter and ''ukiyo-e'' woodblock printing, woodblock print artist in Taishō period, Taishō- and Shōwa period, Shōwa-period Japan. He was one of the great names of the ''shin-hanga'' art movement, which revitalized the traditional art after it began to decline with the advent of photography in the early 20th century. His real name was Itō Hajime ( ja, 伊東 一, links=no). Biography Itō was born in the Fukagawa (Tokyo), Fukagawa district of Tokyo. After unwise investments bankrupted his father's business, he was forced to drop out of elementary school in the third grade and became a live-in apprentice at a printing shop. It was in this manner that he became interested in printing techniques and also in the arts. In 1911, Itō was accepted as an apprentice under Kaburagi Kiyokata, (who gave him the pseudonym of "Shinsui") and issued his first woodblock p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunten
The is a Japanese art exhibition established in 1907. The exhibition consists of five art faculties: Japanese Style and Western Style Painting, Sculpture, Craft as Art, and Sho (calligraphy). During each exhibition, works of the great masters are shown alongside works of new but talented artists. It claims to be the largest combined art exhibition of its kind in the world and the most popular in Japan. Bunten In 1907, under the supervision of the Japanese Ministry of Education, Science, Sports and Culture, then called Mombushō (文部省), the first state art exhibition took place, the Monbushō Bijtsu Tenrankai (文部省 美術展 覧 会), abbreviated to "bunten" (文 展). It was held at the Tokyo Metropolitan Art Museum (東京都美術館, Tōkyō-to Bijutsukan.)It had the three faculties: Japanese Style Painting, Western Style Painting and Sculpture. Works were approved after being examined by a jury. The series of exhibitions took place twelve times under this name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōga (art)
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the Dutch via Nagasaki. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Paintings
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westernization
Westernization (or Westernisation), also Europeanisation or occidentalization (from the ''Occident''), is a process whereby societies come under or adopt Western culture in areas such as industry, technology, science, education, politics, economics, lifestyle, law, norms, mores, customs, traditions, values, mentality, perceptions, diet, clothing, language, writing system, religion, and philosophy. During colonialism it often involved the spread of Christianity. Westernization has been a growing influence across the world in the last few centuries, with some thinkers assuming Westernization to be the equivalent of modernization, a way of thought that is often debated. The overall process of Westernization is often two-sided in that Western influences and interests themselves are joined with parts of the affected society, at minimum, to become a more Westernized society, with the putative goal of attaining a Western life or some aspects of it, while Western societies are themselve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernization
Modernization theory is used to explain the process of modernization within societies. The "classical" theories of modernization of the 1950s and 1960s drew on sociological analyses of Karl Marx, Emile Durkheim and a partial reading of Max Weber, and were strongly influenced by the writings of Harvard sociologist Talcott Parsons. Modernization theory was a dominant paradigm in the social sciences in the 1950s and 1960s, then went into a deep eclipse. It made a comeback after 1991, when Francis Fukuyama wrote about the end of the Cold War as confirmation on modernization theory and more generally of universal history. But the theory remains a controversial model. Modernization refers to a model of a progressive transition from a "pre-modern" or "traditional" to a "modern" society. Modernization theory suggests that traditional societies will develop as they adopt more modern practices. Proponents of modernization theory claim that modern states are wealthier and more powerful and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japonisme
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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