|
Sheets Of Sound
Sheets of sound was a term coined in 1958 by ''DownBeat'' magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. Gitler first used the term on the liner notes for ''Soultrane (album), Soultrane'' (1958).Porter 1999, p. 319. Style Coltrane, a saxophonist, employed extremely dense improvisational yet patterned lines consisting of high speed arpeggios and scale patterns played in rapid succession: hundreds of notes running from the lowest to highest registers.Porter 1999, p. 111. The lines are often faster than sixteenth notes, consisting of quintuplets, septuplets, etc., and can sound like glissandos. Coltrane invented this style while playing with Thelonious Monk and developed it further when he returned to Miles Davis' group. Vertical approach Coltrane used the "sheets of sound" lines to liquidise and loosen the strict chords, modes, and harmonies of Hard Bop, whilst still adhering to them (at this stage in his musical development).Coltr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DownBeat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the " downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coltrane Changes
Coltrane changes (Coltrane Matrix or cycle, also known as chromatic third relations and multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were first demonstrated by jazz musician John Coltrane on the albums ''Bags & Trane'' (on the track "Three Little Words") and '' Cannonball Adderley Quintet in Chicago'' (on "Limehouse Blues"). Coltrane continued his explorations on the 1960 album ''Giant Steps'' and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation. Function The changes serve as a pattern of chord substitutions for the ii–V–I progression (supertonic– dominant– tonic) and are noted for the tonally unusual root movement by major thirds (either up or down by a major third int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'58 Miles Featuring Stella By Starlight
''1958 Miles'' is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. ''1958 Miles'' consists of three songs featured on side two of the LP album ''Jazz Track'', which was released in November 1959, one song from the same session not appearing in the album ("Love for Sale"), and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group. The sessions for tracks on the album in mid-1958, along with the ''Milestones'' sessions from earlier that year, were seen by many music writers as elemental in Miles Davis' transition from bebop to the modal style of jazz and were viewed as precursors to his best-known w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles & Monk At Newport
''Miles & Monk at Newport'' is a split album featuring separate performances by the Miles Davis sextet and the Thelonious Monk quartet at the Newport Jazz Festival, recorded in 1958 and 1963, respectively, and released in June 1964 by Columbia records. Despite the album's title, the two artists do not perform together at either date. On the first side of the LP was a series of high tempo performances of bebop tunes and other staples of the Davis live repertoire from 1958. The performance was contemporaneous with Davis' ''Milestones'' album. Aside from the 1973 release '' Jazz at the Plaza'' (also a 1958 concert) during the LP era, this was the only legitimate (non-bootleg) recording of a live Davis combo performance earlier than the 1960 Blackhawk recordings. As such, this performance and ''Jazz at the Plaza'' were the only legitimate live recordings representing the ''Kind of Blue'' sextet. On the second side were a few numbers by Thelonious Monk's combo, from a 1963 Newpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bags & Trane
''Bags & Trane'' is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the two, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's first issue. However, like Prestige Records, as Coltrane's profile grew after he had stopped recording for the label, Atlantic released them with Coltrane's name more prominently displayed. Reception The contemporaneous '' DownBeat'' reviewer blamed the rhythm section for Jackson and Coltrane not gelling, and concluded: "the general impression is one of a session that could have been better, though it is still above ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Steps
''Giant Steps'' is the fifth studio album by jazz musician John Coltrane as leader. It was released in February 1960 on Atlantic Records. This was his first album as leader for Atlantic Records, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It attained gold record status in 2018, having sold 500,000 copies. Two tracks, "Naima" and "Syeeda's Song Flute", are respectively named after Coltrane's wife at the time and her daughter, whom he adopted. A third, " Mr. P.C.", takes its name from the initials of bassist Paul Chambers, who played on the album. A fourth, "Cousin Mary", is named in honor of Mary Lyerly, Coltrane's younger cousin. Background In 1959, Miles Davis's business manager Haro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kind Of Blue
''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album ''Milestones'' (1958). Basing ''Kind of Blue'' entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milestones (Miles Davis Album)
''Milestones'' is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records. Composition Tenor saxophonist John Coltrane's return to Davis' group in 1958 coincided with the "modal phase" albums: ''Milestones'' and ''Kind of Blue'' (1959) are both considered essential examples of 1950s modern jazz. Davis at this point was experimenting with modes – scale patterns other than major and minor. Davis plays both trumpet and piano on "Sid's Ahead", a blues which is reminiscent of "Walkin'". He plays trumpet in the ensemble passages and solos on trumpet but moves to the piano to accompany the saxophonists in Garland's absence. "Billy Boy" is a solo feature for Garland and the rhythm section. Critical reception In a five-star review, AllMusic's Thom Jurek called ''Milestones'' a classic album with blues material in both bebop and post-bop veins, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane With The Red Garland Trio
''John Coltrane with the Red Garland Trio'' is the third studio album by jazz musician John Coltrane. It was issued in early 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey. In 1961 it was reissued as ''Traneing In'', Prestige catalogue 7651, with a different cover design. The album was reissued on compact disc in 2007 as part of the Concord Music Group remastering series by original recording engineer Rudy Van Gelder. Track listing Side one Side two Personnel * John Coltrane – tenor saxophone * Red Garland – piano * Paul Chambers – bass * Art Taylor – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... References 1958 albums John Coltrane albums Prestige Records albums Albums produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Complete Columbia Recordings Of Miles Davis With John Coltrane
''The Complete Columbia Recordings of Miles Davis with John Coltrane'' is a box set featuring jazz musicians Miles Davis and John Coltrane. It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions, some of which have made it to the 50th Anniversary 2-disc CD version of '' Kind of Blue''. Originally issued on April 11, 2000 in a limited-edition metal slipcase, it was reissued in 2004 in an oversized book format. In conjunction with Sony, Mosaic Records released the 9 LP set. Albums Davis' and Coltrane's work together for Columbia produced three studio albums, two tracks from a fourth, and two live albums, all of which are contained in this box set: *'''Round About Midnight'' (released March 4, 1957) *''Milestones'' (released September 2, 1958) *'' Kind of Blue'' (released August ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk With John Coltrane
''Thelonious Monk with John Coltrane'' is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right. The original LP was assembled by the label with material from three different sessions. The impetus for the album was the discovery of three usable studio tracks recorded by the Monk Quartet with Coltrane in July 1957 at the beginning of the band's six-month residency at New York's legendary Five Spot club near Cooper Square. To round out the release, producer Keepnews included two outtakes from the ''Monk's Music'' album recorded the previous month, and one additional outtake from ''Thelonious Himself'' recorded in April. The original LP contained the first 6 tracks, and was reissued in 2000 on Fantasy Records as part of its series for back catalogue using the JVC 20-bit K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octatonic Scale
An octatonic scale is any eight-note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the ''octatonic scale'' (or the ''octatonic collection''), although there are a total of 42 enharmonically non-equivalent, transpositionally non-equivalent eight-note sets. The earliest systematic treatment of the octatonic scale was in Edmond de Polignac's unpublished treatise "Étude sur les successions alternantes de tons et demi-tons (Et sur la gamme dite majeure-mineure)" (''Study of the Succession of Alternating Whole Tones and Semitones (and of the so-called Major-Minor Scale)'') from c. 1879, which preceded Vito Frazzi's ''Scale alternate per pianoforte'' of 1930 by a full half-century. Nomenclature In Saint Petersburg at the turn of the 20th century, this scale had become so familiar in the circle of comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
