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Shatpadi
Shatpadi ( ) is a native meter in Kannada prosody that has been used extensively in Kannada poetry. It meter can usually have six padas of syllables, divided into groups of various fixed number of matra (beats) in each line. It was most efficiently employed by the great medieval Kannada poets such as Raghavanka, Kumaravyasa and Lakshmeesha. # Shara Shatpadi: None # Kusuma Shatpadi: None # Bhoga Shatpadi: ''Tirukana Kanasu'' by Shadaksharadeva (Muppina Shadakshari) # Bhamini Shatpadi: ''Karnata Bharata Kathamanjari'' by Kumaravyasa (c.1425), ''Prabhulingleele'' by Chamarasa (c.1425), ''Torave Ramayana'' by Kumara Valmiki (c.1500), ''Nalacharite'' by Kanakadasa (16th century) # Parivardhini Shatpadi: 'ಬಡೆಕೊಳ್ಳ ಮಠದ ಶಿವಯೋಗಿ ಶ್ರೀ ನಾಗೇಂದ್ರ ಮಹಾಸ್ವಾಮಿಗಳವರ ಚರಿತ್ರೆ' - ಮಹಾ ಕಾವ್ಯ. ರಚನೆ - ಶ್ರೀಶೈಲಪ್ಪ ಕಳಸದ. ಬೆಳಗಾವಿ, ಕರ್ನಾ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Meter (poetry)
Kannada prosody (ಕನ್ನಡ ಛಂದಸ್ಸು (''Kannada Chhandassu'')) is the study of metres used in Kannada poetry, describing the rhythmic structure of a verse. The metres used include some metres borrowed from other traditions, and indigenous metres. Kannada literature, especially Old Kannada poetry, clearly exhibits the importance poets placed on metre. This can be seen in the number of types of metre used in Kannada poetry. History The earliest Kannada work on prosody was the ''Guṇagānkiyam'', which has been lost. Nagavarma I wrote a fairly complete work on prosody , called Chandombudhi. With a few additions by later writers, it still remains a standard work on Kannada prosody. Subdivisions Kannada metres are categorised as Amsha and Maatra (syllabic and quantitative), or as Vaidika and Laukika metres.Prof. T. V. Venkatachala Shastri, Kannada Chandaswaroopa, DVK Murthy Publication, Mysore 3rd Edition 2008 p.267-315 Amsha metres Amsha metres are based on Ams ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumaravyasa
Narayanappa ( kn, ನಾರಾಯಣಪ್ಪ), known by his pen name Kumara Vyasa ( kn, ಕುಮಾರವ್ಯಾಸ), was an influential and classical Vaishnava poet of early 15th century in the Kannada language. His pen name is a tribute to his ''magnum opus'', a rendering of the ''Mahabharata'' in Kannada. ''Kumara Vyasa'' literally means "Little Vyasa" or "Son of Vyasa" (Vyasa is the title of Krishna Dwaipayana, the author of Mahabharata). He was the contemporary and archrival of the famous Veerashaiva poet laureate Chamarasa who wrote the seminal work ''Prabhulingaleele'' covering the lives of Allama Prabhu and other Shiva Sharanas, circa 1435. Both poets worked in the court of Deva Raya II. Works Kumara Vyasa's most famous work, the ''Karnata Bharata Kathamanjari'' (the ''Mahabharata'' of Karnataka) is popularly known as ''Gadugina Bharata'' and ''Kumaravyasa Bharata''. It is an adaptation of the first ten ''parvas'' (chapters) of the ''Mahabharata''. A devotee of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamarasa
Chamarasa (c. 1425) was a 15th century Virashaiva poet in the Kannada language, during the reign of Vijayanagar Empire, a powerful empire in Southern India during 14th - 16th centuries. A contemporary and competitor to a noted Brahmin Kannada poet Kumara Vyasa, Chamarasa was patronised by King Deva Raya II. The work is in 25 chapters (''gatis'') comprising 1111 six-line verses (''shatpadi'').Dalal (2011), p309 Magnum Opus His magnum opus, "Prabhulinga Leele", written in 1430 AD, described Allama Prabhu as an early apostle of Veerashaivism and an incarnation of the god Shiva. Chamarasa and other noted Kannada writers such as Lakkanna Dandesa and Jakkanarya flourished under the patronage of King Deva Raya II.Narasimhacharya (1988), p. 69Rice E.P. (1921), pp. 68, 70 Chamarasa was a champion of the Veerashaiva faith and was a rival of Kumara Vyasa in the king's court. His ''Prabhulinga Lile'', written in the native ''Bhamini Shatpadi'' metrical composition form (six line verse or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; el, δάκτυλος, ''dáktylos'', “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the Iliad and the Odyssey. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem ''Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature Of Karnataka
This is a list of historical and modern Karnataka literature, arranged in chronological order of the historical polity or era from which the works originated. Karnataka literature originates from the Karnataka region of South India, which roughly corresponds to the modern state of Karnataka. This list includes, but is not limited to, works written in the Sanskrit and Kannada languages. Where information is available, the author or authors of the text are listed, followed by the title of the text and the language or languages in which the text is written. Multiple works by the same author are listed separately. Western Ganga Dynasty (350–1000) * Pūjyapāda – ''Sarvārthasiddhi'' (Sanskrit) * Jinasena II – '' Ādipurāṇa'' (Sanskrit) * Madhava II – ''Dattaka Sutrain'' (Sanskrit) * Sripurusha – ''Gajasastra'' * Shivamara II – ''Gajashtaka'' (Kannada) *Shivamara II – ''Sethubandha'' (Prakrit) * Hemasena or Vidya Dhananjaya – ''Raghavpandaviya'' * Vidhibhasimh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Systems Of Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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