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Setomono
, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony. Japanese ceramic history records distinguished many potter names, and some were artist-potters, e.g. Hon'ami Kōetsu, Ogata Kenzan, and Aoki Mokubei.Henry Trubner 1972, p. 18. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another characteristically Japanese aspect of the art is the continuing popularity of unglazed high-fired stonewa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anagama Kiln
The ''anagama'' kiln (Japanese Kanji: 穴窯/ Hiragana: あながま) is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the ''noborigama'' kiln. An ''anagama'' (a Japanese term meaning "cave kiln") consists of a firing chamber with a firebox at one end and a flue at the other. Although the term "firebox" is used to describe the space for the fire, there is no physical structure separating the stoking space from the pottery space. The term ''anagama'' describes single-chamber kilns built in a sloping tunnel shape. In fact, ancient kilns were sometimes built by digging tunnels into banks of clay. The anagama is fueled with firewood, in contrast to the electric or gas-fueled kilns commonly used by most modern potters. A continuous supply of fuel is needed for f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayoi Pottery
Yayoi pottery (弥生土器 Yayoi doki) is earthenware pottery produced during the Yayoi period, an Iron Age era in the history of Japan, by an Island which was formerly native to Japan traditionally dated 300 BC to AD 300. The pottery allowed for the identification of the Yayoi period and its primary features such as agriculture and social structure. History Distinguishing characteristics of the Yayoi period include the appearance of new pottery styles that distinguishes it from the earlier Jōmon pottery. A point of difference is evident in the way Yayoi pottery is technically superior but artistically less advanced due to the way Jōmon pottery featured greater freedom of design and more variety of shape. The Yayoi pottery is believed to be traded with a former island native to Japan, but wasn't successful due to war in spiritual beliefs. It was followed by the Haji pottery of the Kofun period The is an era in the history of Japan from about 300 to 538 AD (the date ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayoi Period
The started at the beginning of the Neolithic in Japan, continued through the Bronze Age, and towards its end crossed into the Iron Age. Since the 1980s, scholars have argued that a period previously classified as a transition from the Jōmon period should be reclassified as Early Yayoi. The date of the beginning of this transition is controversial, with estimates ranging from the 10th to the 3rd centuries BC. The period is named after the Yayoi, Tokyo, neighbourhood of Tokyo where Archaeology, archaeologists first uncovered artifacts and features from that era in the late 19th century. Distinguishing characteristics of the Yayoi period include the appearance of new Yayoi pottery styles and the start of an intensive rice agriculture in paddy fields. A hierarchical social class structure dates from this period and has its origin in China. Techniques in metallurgy based on the use of bronze and iron were also introduced from China via Korea to Japan in this period. The Yayoi foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōmon Pottery
The is a type of ancient earthenware pottery which was made during the Jōmon period in Japan. The term "Jōmon" () means "rope-patterned" in Japanese, describing the patterns that are pressed into the clay. Outline Oldest pottery in Japan The pottery vessels crafted in Ancient Japan during the Jōmon period are generally accepted to be the oldest pottery in Japan and among the oldest in the world. Dating Odai Yamamoto I site in Aomori Prefecture currently has the oldest pottery in Japan. Excavations in 1998 uncovered forty-six earthenware fragments which have been dated as early as 14,500 BCE (ca 16,500 BP); this places them among the earliest pottery currently known. This appears to be plain, undecorated pottery. Such a date puts the development of pottery before the warming at the end of the Pleistocene. 'Linear-relief' pottery was also found at Fukui Cave Layer III dating to 13,850–12,250 BCE. This site is located in Nagasaki Prefecture, Kyushu. Both linear-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coiling (pottery)
Coiling is a method of creating pottery. It has been used to shape clay into vessels for many thousands of years. It is found across the cultures of the world, including Africa, Greece, China, and Native American cultures of New Mexico. Using the coiling technique, it is possible to build thicker or taller walled vessels, which may not have been possible using earlier methods. The technique permits control of the walls as they are built up and allows building on top of the walls to make the vessel look bigger and bulge outward or narrow inward with less danger of collapsing. To do this, the potter takes a pliable material (usually clay) then rolls it until it forms a coil, or long pliable cylinder. By placing one coil on top of another, different shapes can be formed. As this is done while the clay is still fresh and soft, individual coils can be joined seamlessly with simple pressure, rather than by scoring and/or applying slip Slip or SLIP may refer to: Science and technol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Porcelain
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islamic world, and then from around the 16th century to Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raku Ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of ''chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air. The Western version of raku was developed in the 20th century by studio potters. Typically wares are fired at a high temperature, and after removing pieces from the kiln, the wares are placed in an open-air container filled with combustible material, which is not a traditional Raku practice in Japan. The Western process can give a great variety of colors and surface effects, making it very popular with studio and amateur potters. History In the 16th century, Sen no Rikyū, the Japanese tea master, was involved wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabi-sabi
In traditional Japanese aesthetics, is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. It is prevalent throughout all forms of Japanese art. is a composite of two interrelated aesthetic concepts, and . According to the Stanford Encyclopedia of Philosophy, may be translated as "subdued, austere beauty," while means "rustic patina." is derived from the Buddhist teaching of the , specifically , and , however, originally the concepts were seen as two distinct concepts. Characteristics of aesthetics and principles include asymmetry, roughness, simplicity Simplicity is the state or quality of being simple. Something easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we ..., economy, austerity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zen Buddhism
Zen ( zh, t=禪, p=Chán; ja, text= 禅, translit=zen; ko, text=선, translit=Seon; vi, text=Thiền) is a school of Mahayana Buddhism that originated in China during the Tang dynasty, known as the Chan School (''Chánzong'' 禪宗), and later developed into various sub-schools and branches. From China, Chán spread south to Vietnam and became Vietnamese Thiền, northeast to Korea to become Seon Buddhism, and east to Japan, becoming Japanese Zen. The term Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (''chán''), an abbreviation of 禪那 (''chánnà''), which is a Chinese transliteration of the Sanskrit word ध्यान ''dhyāna'' ("meditation"). Zen emphasizes rigorous self-restraint, meditation-practice and the subsequent insight into nature of mind (見性, Ch. ''jiànxìng,'' Jp. '' kensho,'' "perceiving the true nature") and nature of things (without arrogance or egotism), and the personal expression of this insight in daily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toto Ltd
Toto may refer to: Arts and entertainment Fictional characters Pets * Toto (''Oz''), a dog in the novel and film ''The Wonderful Wizard of Oz'' * Toto, in Japanese ''The Cat Returns'' Characters of agency * a character in '' Le château à Toto'' (Toto’s castle), 1868 opéra bouffe * the title character of ''Princess Toto'', 1876 comic opera by W. S. Gilbert and Frederic Clay * the title character of ''Toto of Arabia'', 1965 Italian-Spanish adventure-comedy film * Toto, the main character of ''Toto Forever'', 2010 short film * Toto, a Gamera character from ''Gamera the Brave'' * Toto, the main character in ''Stories Toto Told Me'' and ''In His Own Image'' by Frederick Rolfe Other uses in arts and entertainment * ''Toto'' (1933 film), a 1933 French film directed by Jacques Tourneur * Toto (band) ** ''Toto'' (album), their debut album * '' Toto!: The Wonderful Adventure'', Japanese manga series Gaming and gambling * Football pools, called "toto" in several languages * T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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