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Sentimentalism (literature)
Sentimentalism is a practice of being sentimental, and thus tending toward basing actions and reactions upon emotions and feelings, in preference to reason."sentimentalism, n.", ''Oxford English Dictionary'' As a literary mode, sentimentalism has been a recurring aspect of world literature. Sentimentalism includes a variety of aspects in literature, such as sentimental poetry, the sentimental novel, and the German sentimentalist music movement, Empfindsamkeit. European literary sentimentalism arose during the Age of Enlightenment, partly as a response to sentimentalism in philosophy. In eighteenth-century England, the sentimental novel was a major literary genre. Its philosophical basis primarily came from Anthony Ashley Cooper, 3rd Earl of Shaftesbury, a pupil of John Locke. Philosophical influences Sentimentalism in philosophy and sentimentalism in literature are sometimes hard to distinguish. As the philosophical arguments developed, the literature soon tried to emulate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimentality
Sentimentality originally indicated the reliance on feelings as a guide to truth, but in current usage the term commonly connotes a reliance on shallow, uncomplicated emotions at the expense of reason. Sentimentalism in philosophy is a view in meta-ethics according to which morality is somehow grounded in moral sentiments or emotions. Sentimentalism in literature refers to techniques a writer employs to induce a tender emotional response disproportionate to the situation at hand (and thus to substitute heightened and generally uncritical feeling for normal ethical and intellectual judgments). The term may also characterize the tendency of some readers to invest strong emotions in trite or conventional fictional situations. "A sentimentalist", Oscar Wilde wrote, "is one who desires to have the luxury of an emotion without paying for it." In James Joyce's ''Ulysses'', Stephen Dedalus sends Buck Mulligan a telegram that reads "The sentimentalist is he who would enjoy without incu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Houdar De La Motte
Antoine Houdar de la Motte (18 January 167226 December 1731) was a French author. De la Motte was born and died in Paris. In 1693 his comedy, ''Les Originaux'' (Les originaux, ou, l'Italien), was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e.g. ''L'Europe galante'' (1697), and tragedies, one of which, ''Inès de Castro'' (1723), was an immense success at the Theâtre Français. He was a champion of the moderns in the revived controversy of the ancients and moderns. His ''Fables nouvelles'' (1719) was regarded as a modernist manifesto. Anne Dacier had published (1699) a translation of the ''Iliad'', and La Motte, who knew no Greek, made a translation (1714) in verse founded on her work. He said of his own work: "I have taken the liberty to change what I thought disagreeable in it." He defended the moderns in the ''Discours sur Homère'' prefixed to his translation, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietism
Pietism (), also known as Pietistic Lutheranism, is a movement within Lutheranism that combines its emphasis on biblical doctrine with an emphasis on individual piety and living a holy Christian life, including a social concern for the needy and disadvantaged. It is also related to its non-Lutheran (but largely Lutheran-descended) Radical Pietism offshoot that either diversified or spread into various denominations or traditions, and has also had a contributing influence over the interdenominational Evangelical Christianity movement. Although the movement is aligned exclusively within Lutheranism, it had a tremendous impact on Protestantism worldwide, particularly in North America and Europe. Pietism originated in modern Germany in the late 17th century with the work of Philipp Spener, a Lutheran theologian whose emphasis on personal transformation through spiritual rebirth and renewal, individual devotion, and piety laid the foundations for the movement. Although Spener did not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emmanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensitive Style
Empfindsamkeit ( en, sentimental style) or Empfindsamer Stil is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque ''Affektenlehre'' (doctrine of the affections), in which a composition (or movement) would have the same affect (e.g., emotion or musical mood) throughout. Etymology The German noun "Empfindsamkeit" is usually translated as "sensibility" (in the sense used by Jane Austen in her novel ''Sense and Sensibility''), while the adjective ''empfindsam'' is sometimes rendered as "sentimental" or "ultrasensitive". "Empfindsamkeit" is also sometimes translated, and may even be derived from the English word ''sentimentality'', since it is related to the then-contemporary English literature sentimentality literary movement. History The ''empfindsamer Stil'' is similar to and often considered a dialect of the international ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Sentimental Journey Through France And Italy
''A Sentimental Journey Through France and Italy'' is a novel by Laurence Sterne, written and first published in 1768, as Sterne was facing death. In 1765, Sterne travelled through France and Italy as far south as Naples, and after returning determined to describe his travels from a sentimental point of view. The novel can be seen as an epilogue to the possibly unfinished work ''The Life and Opinions of Tristram Shandy, Gentleman'', and also as an answer to Tobias Smollett's decidedly unsentimental '' Travels Through France and Italy''. Sterne had met Smollett during his travels in Europe, and strongly objected to his spleen, acerbity and quarrelsomeness. He modelled the character of Smelfungus on him. The novel was extremely popular and influential and helped establish travel writing as the dominant genre of the second half of the 18th century. Unlike prior travel accounts which stressed classical learning and objective non-personal points of view, ''A Sentimental Journey'' em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamela, Or Virtue Rewarded
''Pamela; or, Virtue Rewarded'' is an epistolary novel, epistolary novel first published in 1740 by English writer Samuel Richardson. Considered one of the first true English novels, it serves as Richardson's version of Conduct book, conduct literature about marriage. ''Pamela'' tells the story of a fifteen-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later in the novel, journal entries all addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults, and an extended period of kidnapping, the Rake (stock character), rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part Pamela marries Mr. B and tries to acclimatise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistolary Novel
An epistolary novel is a novel written as a series of letters. The term is often extended to cover novels that intersperse documents of other kinds with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they don't include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word ''epistolary'' is derived from Latin from the Greek word ἐπιστολή ''epistolē'', meaning a letter (see epistle). In German, this type of novel is known as a Briefroman. The epistolary form can add greater realism to a story, because it mimics the workings of real life. It is thus able to demonstrate differing points of view without recourse to the device of an omniscient narrator. An important strategic device in the epistolary novel for creating the impression of authenticity of the letters is the fictional editor. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Richardson
Samuel Richardson (baptised 19 August 1689 – 4 July 1761) was an English writer and printer known for three epistolary novels: ''Pamela; or, Virtue Rewarded'' (1740), '' Clarissa: Or the History of a Young Lady'' (1748) and ''The History of Sir Charles Grandison'' (1753). He printed almost 500 works, including journals and magazines, working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer, whose daughter he eventually married. He lost her along with their six children, but remarried and had six more children, of which four daughters reached adulthood, leaving no male heirs to continue the print shop. As it ran down, he wrote his first novel at the age of 51 and joined the admired writers of his day. Leading acquaintances included Samuel Johnson and Sarah Fielding, the physician and Behmenist George Cheyne, and the theologian and writer William Law, whose books he printed. At Law's request, Richardson printed some poems by J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Jacques Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'' and ''The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His '' Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished '' Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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