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Scandals In Art
Scandals in art occur when members of the public are shocked or offended by a work of art at the time of its first exhibition or publication, (e.g. visual art, literature, scenic design or music). The provocativeness of the scandal may relate to a controversial subject or style, being context-sensitive, according to the personality of the artist, along with transient political, religious, social, and moral factors. ''The Gleaners'' by Jean-François Millet seems innocuous today, but the large size of a painting, generally reserved for religious and mythological subjects, depicting the rural poor was seen by the upper class as an endorsement of the type of grievances that had erupted in the revolutionary violence of 1848, just 9 years earlier. In contrast, the 90 cans of '' Artist's Shit'' (Italian: ''Merda d'artista'', 1961), each labeled as containing 30 grams of feces of the artist Piero Manzoni, were regarded as social commentary rather than scandal. Collectors began buying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Paul III
Pope Paul III ( la, Paulus III; it, Paolo III; 29 February 1468 – 10 November 1549), born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death in November 1549. He came to the papal throne in an era following the sack of Rome in 1527 and rife with uncertainties in the Catholic Church following the Protestant Reformation. His pontificate initiated the Counter-Reformation with the Council of Trent in 1545, as well as the wars of religion with Emperor Charles V's military campaigns against the Protestants in Germany. He recognized new Catholic religious orders and societies such as the Jesuits, the Barnabites, and the Congregation of the Oratory. His efforts were distracted by nepotism to advance the power and fortunes of his family, including his illegitimate son Pier Luigi Farnese. Paul III was a significant patron of artists including Michelangelo, and it is to him that Nicolaus Copernicus dedicated his h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Scala
Santa Maria della Scala (English: Mary of the Staircase) is a titular church in Rome, Italy, located in the Trastevere rione. Cardinal Ernest Simoni took possession of the titular church on 11 February 2017. Santa Maria della Scala is a titular church. History The church Santa Maria della Scala is located on the square of the same name. It was built under the patronage of Pope Clement VIII between 1593 and 1610 to house a miraculous icon of the Madonna. Tradition holds that a midwife with a dying child in her arms prayed under the stairs of a house where the image of the Madonna was present, and the child was immediately revived. Consecrated to Mary, mother of Jesus, the church enshrines that icon in the north transept, alongside a baroque statue of St John of the Cross. The church was built on the site of a house once bequeathed to a ''Casa Pia'' founded by Pope Pius IV in 1563 for reformed prostitutes. In 1597, the church was granted to the Discalced Carmelites. Bronze statu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Of The Virgin (Caravaggio)
''Death of the Virgin'' (1606) is a painting by the Italian Baroque master Caravaggio depicting the death of the Virgin Mary. It is part of the permanent collection of the Musée du Louvre, in Paris. History When he painted ''The Death of the Virgin'' (c. 1601–06), Caravaggio had been working in Rome for fifteen years. The painting was commissioned by Laerzio Cherubini, a papal lawyer, for his chapel in the Carmelite church of Santa Maria della Scala in Trastevere, Rome; the painting could not have been finished before 1605–06. The depiction of the Death of the Virgin caused a contemporary stir, and was rejected as unfit by the parish. Giulio Mancini thought Caravaggio modelled a prostitute, possibly his mistress, as the Virgin. Giovanni Baglione and Gian Pietro Bellori attributed the rejection to the appearance of the Virgin. The breach of decorum led to a rejection of the painting by the fathers of Santa Maria della Scala and its replacement by a picture by Carlo Saraceni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Conversion Of Saint Paul (Caravaggio)
''The Conversion of Saint Paul'' (or ''Conversion of Saul''), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is '' The Conversion of Saint Paul on the Road to Damascus'', in the Cerasi Chapel of Santa Maria del Popolo. Background The painting, together with a '' Crucifixion of Saint Peter'', was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. The dates of completion and rejection are determined from the death of Cerasi in May 1601. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Inspiration Of Saint Matthew
''The Inspiration of Saint Matthew'' (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy. It is one of three Caravaggio canvases in the chapel: hanging between the larger earlier canvases of '' The Martyrdom of Saint Matthew'', and '' The Calling of Saint Matthew''. This was not an easy commission for Caravaggio, and at least two of the three paintings had to be either replaced or repainted to satisfy his patron, the Cardinal Del Monte. It is instructive to compare the two versions of the latter painting to see how provocative and controversial Caravaggio was in his time. The first, rejected, version of this theme was destroyed in World War II, and we only have black and white and enhanced color reproductions. In the first version, ''Saint Matthew and the Angel'', the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contarelli Chapel
The Contarelli Chapel or Cappella Contarelli is located within the church of San Luigi dei Francesi in Rome. It is famous for housing three paintings on the theme of Saint Matthew the Evangelist by the Baroque master Caravaggio. The paintings were Caravaggio's first major public commission and one that cemented his reputation as a master artist. The chapel commemorates the French cardinal Matthieu Cointerel. History The chapel owes its existence to an endowment left by the French cardinal, Matthieu Cointerel (Contarelli in Italian), who died in 1585. He left instructions for the decoration of the chapel, the first one to the left of the apse, which he had purchased within San Luigi dei Francesi ("Saint Louis of the French"), the church of the French community in Rome in 1565. The cardinal was rich and he had already paid for part of the construction of the church facade. He put a large sum towards the high altar and specified that his chapel be decorated with scenes from the lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Matthew And The Angel
''Saint Matthew and the Angel'' (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions. Style Caravaggio was known for painting very realistically, using models instead of standard convention and idealization. He made his figures lifelike and relatable, as opposed to portraying unrealistic or phony poses. In this instance, however, the patrons wanted an idealization of the beloved Saint, someone who its viewers could admire and strain to be like. They did not want a bumbling peasant who looked as if he just walked in off the street. With the angel sweeping down and the Saint's stool teetering in movement, it is arguably one of Caravaggio's earliest examples of his dynamic style. It was a much more exciting composition than his first submission. Even thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio MatthewAndTheAngel ByMikeyAngels
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Inquisition
The Roman Inquisition, formally the Supreme Sacred Congregation of the Roman and Universal Inquisition, was a system of partisan tribunals developed by the Holy See of the Roman Catholic Church, during the second half of the 16th century, responsible for prosecuting individuals accused of a wide array of crimes according to Roman Catholic law and doctrine, relating to catholic religious life or alternative religious or secular beliefs. It was established in 1542 by the leader of the Roman Catholic Church, Pope Paul III. In the period after the Medieval Inquisition, it was one of three different manifestations of the wider Catholic Inquisition along with the Spanish Inquisition and Portuguese Inquisition. Function and functioning Main function of the institution was to maintain and implement papal bulls and other church rulings, in addition to their function of administering legalistic ramifications upon deviants of Catholic orthodoxy within states that cooperated with the pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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