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Sandaishū
The {{nihongo, Sandaishū, 三代集} are the first three imperial anthologies of Japanese '' waka'' poetry. The ''Sandaishū'' provided both the language and organizational principles for the rest of the anthologies thereafter. They are: * '' Kokin Wakashū'' * '' Gosen Wakashū'' * '' Shūi Wakashū'' Japanese poetry anthologies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Anthologies
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * ''Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartment of a coa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gosen Wakashū
The , often abbreviated as ''Gosenshū'' ("Later Collection"), is an imperial anthology of Japanese waka compiled in 951 at the behest of Emperor Murakami by the Five Men of the Pear Chamber: Ōnakatomi no Yoshinobu (922-991), Kiyohara no Motosuke (908-990), Minamoto no Shitagō (911-983), Ki no Tokibumi (flourished ~950), and Sakanoue no Mochiki (flourished ~950). It consists of twenty volumes containing 1,426 poems. The collection has no preface and there are no contemporary writings that explain the compilers' intentions, nor is there any evidence that it was formally presented to the Emperor. In comparison to the ''Kokin Wakashū'' which preceded it, the ''Gosenshū'' focuses more on private poems, particularly poetry exchanges. It has a large number of poems that seem more like fictional poem tales, and even the poems by named authors frequently have long prose prefaces. References * pg. 482-483 of ''Japanese Court Poetry'', Earl Miner, Robert H. Brower. 1961, Stanford Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūi Wakashū
The , often abbreviated as ''Shūishū'', is the third imperial anthology of waka from Heian period Japan. It was compiled by Emperor Kazan in about 1005.Keene 1999 : 283 Its twenty volumes contain 1,351 poems. The details of its publication and compilation are unclear. believed to be a revision and enlargement by Kazan of Kintō's manuscript." Miner, Earl, Brower, Robert H. ''Japanese Court Poetry''. Stanford University Press, 1961. LCCN 61-10925 p483 They further describe it as conservative and "dominated by Kintō's preference for smooth, inoffensive style, by attenuation". --> The ''Shūishū'' was an expansion of Fujiwara no Kintō , also known as Shijō-dainagon, was a Japanese poet, admired by his contemporaries "... Fujiwara no Kinto (966–1008), the most admired poet of the day." pg 283 of Donald Keene's ''Seeds in the Heart''. and a court bureaucrat of the Heian pe ...'s earlier anthology, the , compiled between 996 and 999. Until the early nineteenth century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
