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Roots Rock Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitalism
Capitalism is an economic system based on the private ownership of the means of production and their operation for Profit (economics), profit. Central characteristics of capitalism include capital accumulation, competitive markets, price system, private property, Property rights (economics), property rights recognition, voluntary exchange, and wage labor. In a market economy, decision-making and investments are determined by owners of wealth, property, or ability to maneuver capital or production ability in Capital market, capital and financial markets—whereas prices and the distribution of goods and services are mainly determined by competition in goods and services markets. Economists, historians, political economists and sociologists have adopted different perspectives in their analyses of capitalism and have recognized various forms of it in practice. These include ''Laissez-faire capitalism, laissez-faire'' or free-market capitalism, anarcho-capitalism, state capi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Tosh
Winston Hubert McIntosh, OM (19 October 1944 – 11 September 1987), professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion. Early music and with the Wailers Tosh was born in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives". When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica. He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Marley
Robert Nesta Marley (6 February 1945 – 11 May 1981; baptised in 1980 as Berhane Selassie) was a Jamaican singer, musician, and songwriter. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture to this day. Over the course of his career, Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican music and culture and identity, and was controversial in his outspoken support for democratic social reforms. In 1976, Marley survived an assassination attempt in his home, which was thought to be politically motivated. He also supported legalization of marijuana, and advocated for Pan-Africanism. Born in Nine Mile, Jamaica, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornell Campbell
Cornel Campbell aka Don Cornel or Don Gorgon (born 23 November 1945 in Kingston, Jamaica) is a reggae singer, best known for his trademark falsetto voice, and his recordings at Studio One in the late 1960s and his later work with Bunny Lee in the 1970s. Biography Campbell has one of Jamaican music's distinctive falsettos. His first name was mistakenly spelled with two L's on a record and has been commonly misquoted since. He prefers the correct spelling: Cornel Campbell. Campbell's singing career began in his local church choir. At age eleven, in 1956, he was introduced to trombonist Rico Rodriguez, who took him to Clement Dodd's studio, where he recorded his first single, "My Treasure".Katz, David (2003) ''Solid Foundation – an Oral History of Reggae'', Bloomsbury, Further singles followed, including "Turndown Date", as Jamaican music transformed from rhythm and blues to ska, with backing from The Skatalites. He later recorded for King Edwards backed by The Bell S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Clarke
Johnny Clarke (born 12 January 1955) is a Jamaican reggae musician, best known for his recordings with producer Bunny Lee in the 1970s. Biography Clarke grew up in the Kingston ghetto of Whitfield Town and attended Jamaica College.Unsung: Johnny Clarke, the hit machine , '''', 23 November 2012. Retrieved 25 November 2012 In 1971 he won a talent contest in , his prize a meeting with producer |
The Abyssinians
The Abyssinians are a Jamaican roots reggae group, famous for their close harmonies and promotion of the Rastafari movement in their lyrics. History The vocal trio was originally formed in 1968 by Bernard Collins and Donald Manning. Their first song was "Satta Massagana", which was strongly influenced by Carlton Manning's "Happy Land". "Satta Massagana" is a Rastafarian hymn sung partly in the Ethiopian Amharic language. They recruited a third vocalist, who was still at school and often unable to attend rehearsals; he was soon replaced by Donald's brother Lynford Manning, who had previously been a member of their brother Carlton Manning's group Carlton and The Shoes. "Satta Massagana" was first recorded for producer Clement "Coxsone" Dodd in March 1969, but he decided against releasing it, seeing no commercial potential for what he saw as a song constituting cultural subversion. In 1971, the group purchased the master tapes from Dodd for £90 and released it on their own Clinch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture (band)
Culture are a Jamaican roots reggae group founded in 1976. Originally they were known as the African Disciples. The one constant member until his death in 2006 was Joseph Hill. History The group formed in 1976 as the vocal trio of Joseph Hill (formerly a percussionist in Studio One house band the Soul Defenders), his cousin Albert "Ralph" Walker, and Roy "Kenneth" Dayes, initially using the name The African Disciples.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 83-85 Roy Dayes also used the name "Kenneth Paley", which is the name that appears on the Culture records released by Virgin Records. The African Disciples soon changed their name to Culture, and auditioned successfully for the "Mighty Two": producer Joe Gibbs and engineer Errol Thompson. While at Gibbs' studio, they recorded a series of singles, starting with "See Dem a Come" and including "Two Sevens Clash" (which predicted the apocalypse on 7 July 1977), many of which ended up on their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Murvin
Junior Murvin (born Murvin Junior Smith, circa 1946 – 2 December 2013) was a Jamaican reggae musician. He is best known for the single "Police and Thieves", produced by Lee "Scratch" Perry in 1976. Early life He was born in Saint James Parish, Jamaica, probably in 1946 though some sources state 1949, and moved to Port Antonio after his father's death.Junior Murvin biography at Reggae-vibes.com . Retrieved 2 December 2013 He began singing as a child, influenced particularly by , and began performing in public after his family moved to |
Michael Manley
Michael Norman Manley (10 December 1924 – 6 March 1997) was a Jamaican politician who served as the fourth Prime Minister of Jamaica from 1972 to 1980 and from 1989 to 1992. Manley championed a democratic socialist program, and has been described as a populist. According to opinion polls, he remains one of Jamaica's most popular prime ministers. Early life Michael Manley was the second son of premier Norman Washington Manley and artist Edna Manley. He studied at Jamaica College between 1935 and 1943. He attended the Antigua State College and then served in the Royal Canadian Air Force during World War II. In 1945, he enrolled at the London School of Economics. At the LSE, he was influenced by Fabian socialism and the writings of Harold Laski. He graduated in 1949, and returned to Jamaica to serve as an editor and columnist for the newspaper ''Public Opinion''. At about the same time, he became involved in the trade union movement, becoming a negotiator for the National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yabby You
Vivian Jackson (14 August 1946 – 12 January 2010), better known as Yabby You (or sometimes Yabby U), was a reggae vocalist and producer, who came to prominence in the early 1970s through his uncompromising, self-produced work. Biography Jackson was born in the Waterhouse district of Kingston, Jamaica in 1946. One of seven children, Jackson left home at the age of twelve to find work at a furnace in Waterhouse. At seventeen, the effects of malnutrition had left him hospitalized, and on his release he was left with severe arthritis which had partially crippled his legs.Campbell, Howard (2012)Yabby You: Jesus Dread, ''Jamaica Observer'', 8 June 2012. Retrieved 8 June 2012 His physical condition meant that he was unable to return to his previous work, and he was forced into hustling a living on the streets of Kingston. His beliefs were markedly different from that of his Rastafarian contemporaries, believing in the divinity of Jesus rather than Haile Selassie I, earning him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winston Holness
Winston Holness, better known as Niney the Observer (born George Boswell, 1951, Montego Bay, Jamaica),Thompson, Dave (2002), ''Reggae & Caribbean Music'', Backbeat Books, . is a Jamaican record producer and singer who was a key figure in the creation of many classic reggae recordings dating from the 1970s and early 1980s. Biography Holness gained his nickname "Niney" after losing a thumb in a workshop accident. In the latter half of the 1960s he worked as an engineer at KG records, where he began producing. His first release was his own composition "Come on Baby" issued on his Destroyer label. He moved on to work with Bunny Lee in 1967, then for Lynford Anderson's studio, then working for Joe Gibbs as chief sound engineer, replacing his friend Lee "Scratch" Perry. While working for Gibbs he produced Dennis Alcapone and Lizzy's "Mr. Brown", and played a major role in launching the career of Dennis Brown. After leaving Gibbs' setup, his first major success as a producer was "Bloo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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