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Roneat
Roneat ( km, រនាត) is the generic Khmer word for referring to several types of xylophones used in traditional Cambodian music; the pinpeat and mohaori. Roneat may refers to several Cambodian xylophone types such as roneat thmor, roneat ek, roneat thung, roneat dek, and roneat thaong. Etymology The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat and mohaori orchestras. ''The Garland Handbook of Southest Asian Music'' edited by Terry E. Miller and Sean Williams, argued that the word ''roneat'' is a Khmer generic term that refers to xylophones or metallophones — idiophones, with bars of bamboo, wood, or metal. The word roneat d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roneat Thong
Roneat ( km, រនាត) is the generic Khmer word for referring to several types of xylophones used in traditional Cambodian music; the pinpeat and mohaori. Roneat may refers to several Cambodian xylophone types such as roneat thmor, roneat ek, roneat thung, roneat dek, and roneat thaong. Etymology The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat and mohaori orchestras. ''The Garland Handbook of Southest Asian Music'' edited by Terry E. Miller and Sean Williams, argued that the word ''roneat'' is a Khmer generic term that refers to xylophones or metallophones — idiophones, with bars of bamboo, wood, or metal. The word ron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roneat Dek
Roneat ( km, រនាត) is the generic Khmer word for referring to several types of xylophones used in traditional Cambodian music; the pinpeat and mohaori. Roneat may refers to several Cambodian xylophone types such as roneat thmor, roneat ek, roneat thung, roneat dek, and roneat thaong. Etymology The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat and mohaori orchestras. ''The Garland Handbook of Southest Asian Music'' edited by Terry E. Miller and Sean Williams, argued that the word ''roneat'' is a Khmer generic term that refers to xylophones or metallophones — idiophones, with bars of bamboo, wood, or metal. The word roneat der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roneat Thung
The ''roneat thung'' or ''roneat thum'' ( km, រនាតធុង) is a low-pitched xylophone used in the Khmer classical music of Cambodia. It is built in the shape of a curved, rectangular shaped boat. This instrument plays an important part in the ''Pinpeat'' ensemble. The ''roneat Thung'' is placed on the left of the ''roneat ek'', a higher-pitched xylophone. The ''Roneat Thung'' is analogous to the ''ranat thum'' of Thai. Etymology ''Roneat'' means xylophone where ''thung'' literally mean oodencontainer in Khmer. This may derived from the shape of this type of xylophone which shaped like a rectangular wooden container. Terry E. Miller and Sean Williams in their book ''The Garland Handbook of Southeast Asian Music'', Roneat Thung is better called ''Roneat thomm/ thum'' which literally means "large xylophone". This name may designates the fact that roneat thum's resonator and note bars are larger and longer than those of roneat ek. History Roneat Thung, the sister mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roneat Ek
The ''Roneat Ek'' or Roneat Aek ( km, រនាតឯក; also called ''Roneat Rut'') is a xylophone used in the Khmer classical music of Cambodia. It is built in the shape of a curved, rectangular shaped boat. It has twenty-one thick bamboo or hard wood bars that are suspended from strings attached to the two walls. They are cut into pieces of the same width, but of different lengths and thickness. Originally these instruments were highly decorated with inlay and carvings on the sides of the sound box. Now they are simpler. The Roneat is played in the ''Pinpeat'' ensemble. In that ensemble, sits on the right of the ''Roneat Thung'', a lower-pitched xylophone. The ''roneat ek'' is the analogous equivalent to the Thai xylophone called ''ranat ek'', and the Burmese bamboo xylophone called "pattala". Etymology The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinpeat
The ''Pinpeat'' ( km, ពិណពាទ្យ, ) is the largest Khmer traditional musical ensemble. It has performed the ceremonial music of the royal courts and temples of Cambodia since ancient times. The orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ... consists of approximately nine or ten instruments, mainly wind instrument, wind and percussion instrument, percussion (including several varieties of xylophone and Drum kit, drums). It accompanies Royal Ballet of Cambodia, court dances, Lakhon Khol, masked plays, Khmer shadow theatre, shadow plays, and religion, religious ceremonies. This ensemble is originated in Cambodia since before Angkorian era. The pinpeat is analogous to the pinphat adopted from the Khmer court by the Lao people and the piphat ensemble of Thail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kong Von Thom
The kong von thom or ''kong thom'' ( km, គងធំ) plays a melodic line in the Cambodian ''pinpeat'' ensemble almost identical to that of the roneat thung (large xylophone). The ''kong thom'' dwells more steadily on the pulse without pulling or delaying the beat (melody). The player uses soft mallets for indoor performance, hard ones for outdoors. The ''kong von thom'' is analogous to the ''khong wong yai'' used in Thailand. History The Khmer word ''korng/ kong'' "gong" is refers to all types of gong including the flat or bossed gong, single or in a set, suspended on cords from hooks, or a gong placed over a frame. The history of these gongs can be traced in part from the epigraphy and iconography of Funan-Chenla and Angkor periods, for many can be seen carved on ancient Khmer temple. Construction The gong circle-maker creates sixteen bossed gongs made of copper with bronze admixture. He suspends them on rattan frames in a circle around the player. He tunes the individua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Dieulefils Postcard 1662 Crop-Roneats
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skor Thom
The ''Skor thom'' ( km, ស្គរធំ) are Cambodian 2-headed barrel drums played with a pair of wooden drumsticks. They typically have skin heads made from oxen, cows or buffalos, and are played in pairs. The drums are tuned such that one will give a "tighter and louder" sound when struck, while the other gives a "loose and more flatter tone." The log is hollowed out to form a thin tube, about 1 centimeter thick, and the hide is stretched out on each side to create the drum. Dimensions for the instruments vary, as they are carved from logs; however they can measure 50 centimetres long and be 46 centimetres in across at the center of the drum, with the ends being about 40 centimetres wide. The instruments are used in the pinpeat orchestra, placed at the front of the orchestra as a lead or dominant instrument. They are also used with the sralay oboe in music for freestyle boxing music. Sometimes, the drummer will play a ''skor thom'' and a Samphor at the same time. Equivalent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayavarman II
Jayavarman II ( km, ជ័យវរ្ម័នទី២; c. 770 – 850) (reigned c. 802–850) was a Khmer prince who founded and became the ruler of the Khmer Empire (Cambodia) after unifying the Khmer civilization. The Khmer Empire was the dominant civilization in mainland Southeast Asia from the 9th century until the mid-15th century. Jayavarman II was a powerful Khmer king who declared independence from a polity inscriptions named "Java". Jayavarman II founded many capitals such as Mahendraparvata, Indrapura, Amarendrapura, and Hariharalaya. Before Jayavarman II came to power, there was much fighting among local overlords who ruled different parts of Cambodia. No inscriptions by Jayavarman II have been found. Future kings of the Khmer Empire described him as a warrior and the most powerful king from that time frame that they could recall. Historians formerly dated his reign as running from 802 AD to 835 AD. Universal monarch Jayavarman II is widely regarded as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
