Rondò
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Rondò
Rondò () is a type of operatic vocal solo, popular in the late 18th century. The name identifies both a musical form and the type of materials used. History The rondò became the most fashionable showpiece aria type in Italian opera during the last three decades of the 18th century. Although Mozart was far from being the first composer to use the rondò, he was certainly the most important. He refined and deepened the form, particularly by creating smoother transitions between the slow and fast sections. He first adopted it for Belmonte’s "Wenn der Freude Tränen fliessen" in his 1782 Singspiel ''Die Entführung aus dem Serail''. Subsequently he began using them in ''opera seria'', first in the 1786 revival of ''Idomeneo'', when he inserted a new aria, "Non temer, amato bene", in rondò form. In the same year he provided another one for ''Der Schauspieldirektor'', and initially sketched (but ultimately rejected using) a rondò for Susanna's garden aria in ''Le nozze di Figaro''. ...
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Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ...
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