Roman De Laurin
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Roman De Laurin
The Old French Seven Sages cycle is a cycle of seven prose romances based on the legend of the Seven Sages of Rome The ''Seven Wise Masters'' (also called the ''Seven Sages'' or ''Seven Wise Men'') is a cycle of stories of Sanskrit, Persian or Hebrew origins. Story and plot The Sultan sends his son, the young Prince, to be educated away from the court in t .... The seven are: #''Roman des Sept Sages'' #''Roman de Marques de Rome'' #''Roman de Laurin'' #''Roman de Cassidorus'' #''Roman de Helcanus'' #''Roman de Pelyarmenus'' #''Roman de Kanor'' The ''Roman des Sept Sages'' and ''Roman de Marques de Rome'' can be found in the Chansonnier d'Arras. Bibliography * * * * * {{refend Old French texts ...
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Roman De Marques De Rome
The Old French Seven Sages cycle is a cycle of seven prose romances based on the legend of the Seven Sages of Rome The ''Seven Wise Masters'' (also called the ''Seven Sages'' or ''Seven Wise Men'') is a cycle of stories of Sanskrit, Persian or Hebrew origins. Story and plot The Sultan sends his son, the young Prince, to be educated away from the court in t .... The seven are: #''Roman des Sept Sages'' #''Roman de Marques de Rome'' #''Roman de Laurin'' #''Roman de Cassidorus'' #''Roman de Helcanus'' #''Roman de Pelyarmenus'' #''Roman de Kanor'' The ''Roman des Sept Sages'' and ''Roman de Marques de Rome'' can be found in the Chansonnier d'Arras. Bibliography * * * * * {{refend Old French texts ...
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Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ...
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Literary Cycle
A literary cycle is a group of stories focused on common figures, often (though not necessarily) based on mythical figures or loosely on historical ones. Cycles which deal with an entire country are sometimes referred to as matters. A fictional cycle is often referred to as a mythos. Examples from folk and classical literature * The Anansi tales, which center on the Ashanti of Ghana trickster spider-spirit Anansi, and its variations in the Americas as Ti Malice and Bouki in Haiti, Br'er Rabbit or John and Old Master in the Southern United States. * The tales of the One Thousand and One Nights, brought together by the frame story of the tale of Scheherazade and Shahryār. * The four troubadours Bernart d'Auriac, Pere Salvatge, Roger Bernard III of Foix, and Peter III of Aragon composed a cycle of four ''sirventes'' in the summer of 1285 concerning the Aragonese Crusade. * The Matter of Britain (or the "Arthurian cycle"), which centers on King Arthur and the Knights of the Round ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Seven Sages Of Rome
The ''Seven Wise Masters'' (also called the ''Seven Sages'' or ''Seven Wise Men'') is a cycle of stories of Sanskrit, Persian or Hebrew origins. Story and plot The Sultan sends his son, the young Prince, to be educated away from the court in the seven liberal arts by Seven Wise Masters. On his return to court, his stepmother, the empress, attempts to seduce him. To avert danger he is bound over to a week's silence by Sindibad, leader of the Seven Wise Masters. During this time, the empress accuses him to her husband, and seeks to bring about his death by seven stories which she relates to the emperor; but her narrative is each time confuted by the Seven Wise Masters led by Sindibad. Finally the prince's lips are unsealed, the truth exposed, and the wicked empress is executed. The frame narrative served as the flexible way to transmit tales to other listeners. Origins The cycle of stories, which appears in many European languages, is of Eastern origin. An analogous collection ...
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Chansonnier D'Arras
The Chansonnier d'Arras is an illuminated manuscript of the late 13th century containing a variety of religious and philosophical texts and songs in 220 folios. It is written in the Picard dialect of Old French. It is now manuscript 657 (formerly 139) in the municipal library of Arras. In trouvère studies, it is known by the conventional ''siglum'' A. Production and provenance Two scribal hands are responsible for the text and one for the musical notation, which was added last. A scribe named Jehans d'Amiens li petis signed and dated the last work in August 1278. It is possible that the chansonnier section was only added in the early 14th century. The manuscript is a product of Artois, possibly Amiens. It belonged to the Abbey of Saint-Vaast by about 1625, but was seized by the government during the French Revolution in 1790. A facsimile of the manuscript was published in 1926 by Alfred Jeanroy, who detected that some pages were out of order. The manuscript was rebound by the Bibli ...
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