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Rod-and-ring Symbol
The Rod and ring symbol is a symbol that is depicted on Mesopotamian stelas, cylinder seals and reliefs. It is held by a god or goddess and in most cases is being offered to a king who is standing, often making a sacrifice, or otherwise showing respect. The symbol dates from the Ur III period to the Neo-Assyrian period, and is commonly explained as a coil of measuring string and a yardstick.Jacobsen, 1987 Other theories are that they are a shepherd's crook and a nose rope, or that the ring is no rope at all. The best known example of the symbol is seen on the Code of Hammurabi stela. The symbol is also illustrated in the 'Investiture Scene' painted at the palace of Mari. The most elaborate depiction is found on the Ur-Nammu-stela, where the winding of the cords has been detailed by the sculptor. This has also been described as a "staff and a chaplet of beads". There is discussion whether the Ur-Nammu-stela is showing the same thing. Scepter, throne, and ring: Enuma Elish Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilith Periodo De Isin Larsa Y Babilonia
Lilith ( ; he, Wiktionary:לילית, לִילִית, Līlīṯ) is a female figure in Mesopotamian Mythology, Mesopotamian and Jewish mythology, Judaic mythology, alternatively the first wife of Adam and supposedly the primordial she-demon. Lilith is cited as having been "banished" from the Garden of Eden for not complying with and obeying Adam. She is thought to be mentioned in Biblical Hebrew in the Book of Isaiah, and in Late Antiquity in Mandaean mythology and Jewish mythology sources from 500 CE onward. Lilith appears in historiolas (incantations incorporating a short Mythology, mythic story) in various concepts and localities that give partial descriptions of her. She is mentioned in the Babylonian Talmud ( 100b, 24b, 151b, 73a), in the ''Book of Adam and Eve'' as Adam's first wife, and in the Zohar Book of Leviticus, Leviticus 19a as "a hot fiery female who first cohabited with man". Many Orthodox Judaism, traditional rabbinic authorities, including Maimonides and Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marduk
Marduk (Cuneiform: dAMAR.UTU; Sumerian: ''amar utu.k'' "calf of the sun; solar calf"; ) was a god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BC), Marduk slowly started to rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BCE. In the city of Babylon, Marduk was worshipped in the temple Esagila. Marduk is associated with the divine weapon Imhullu. His symbolic animal and servant, whom Marduk once vanquished, is the dragon Mušḫuššu. "Marduk" is the Babylonian form of his name. The name ''Marduk'' was probably pronounced ''Marutuk''. The etymology of the name ''Marduk'' is conjectured as derived from ''amar-Utu'' ("immortal son of Utu" or "bull calf of the sun god Utu"). The origin of Marduk's name may reflect an earlier genealogy, or have had cultural ties to the anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enūma Eliš
The ' (Akkadian Cuneiform: , also spelled "Enuma Elish") is the Babylonian creation myth (named after its opening words). It was recovered by English archaeologist Austen Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq). A form of the myth was first published by English Assyriologist George Smith in 1876; active research and further excavations led to near completion of the texts and improved translation. The ''Enūma Eliš'' has about a thousand lines and is recorded in Akkadian on seven clay tablets, each holding between 115 and 170 lines of Sumero-Akkadian cuneiform script. Most of Tablet V has never been recovered, but, aside from this lacuna, the text is almost complete. This epic is one of the most important sources revealing the Babylonian worldview. Over the seven tablets, it describes the creation of the world, a battle between gods focused on the supremacy of Marduk, the creation of man destined for the servic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuneiform
Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-shaped impressions (Latin: ) which form its signs. Cuneiform was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq). Cuneiform is the earliest known writing system. Over the course of its history, cuneiform was adapted to write a number of languages in addition to Sumerian. Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record. Akkadian cuneiform was itself adapted to write the Hittite language in the early second millennium BC. The other languages with significant cuneiform corpora are Eblaite, Elamite, Hurrian, Luwian, and Urartian. The Old Persian and Ugaritic alphabets feature cuneiform-style signs; however, they are unrelated to the cuneiform lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thurisaz (rune)
The rune is called Thurs (Old Norse '' Þurs'', a type of entity, from a reconstructed Common Germanic ') in the Icelandic and Norwegian rune poems. In the Anglo-Saxon rune poem it is called thorn, whence the name of the letter þ derived. It is transliterated as ''þ'', and has the sound value of a voiceless dental fricative (the English sound of ''th'' as in ''thing''). The rune is absent from the earliest Vimose inscriptions, but it is found in the Thorsberg chape inscription, dated to ca. AD 200. Name In Anglo-Saxon England, the same rune was called ''Thorn'' or "Þorn" and it survives as the Icelandic letter Þ (þ). An attempt has been made to account for the substitution of names by taking "thorn" to be a kenning (metaphor) for "giant". It is disputed as to whether a distinct system of Gothic runes ever existed, but it is clear that most of the names (but not most of the shapes) of the letters of the Gothic alphabet correspond to those of the Elder Futhark. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tartessos
Tartessos ( es, Tarteso) is, as defined by archaeological discoveries, a historical civilization settled in the region of Southern Spain characterized by its mixture of local Paleohispanic and Phoenician traits. It had a proper writing system, identified as Tartessian, that includes some 97 inscriptions in a Tartessian language. In the historical records Tartessos ( el, Ταρτησσός) or Tartessus appears as a antecessor semi-mythical harbor city and the surrounding culture on the south coast of the Iberian Peninsula (in modern Andalusia, Spain), at the mouth of the Guadalquivir River. It appears in sources from Greece and the Near East starting during the first millennium BC. Herodotus, for example, describes it as beyond the Pillars of Heracles (Strait of Gibraltar). Roman authors tend to echo the earlier Greek sources but from around the end of the millennium there are indications that the name Tartessos had fallen out of use and the city may have been lost to flooding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zalamea De La Serena
Zalamea de la Serena is a municipality in the province of Badajoz, Extremadura, Spain. According to the 2014 census A census is the procedure of systematically acquiring, recording and calculating information about the members of a given population. This term is used mostly in connection with national population and housing censuses; other common censuses incl ..., Instituto Nacional de Estadística (INE) the municipality has a population of 3797 inhabitants. Zalamea is the setting of the play, “El Alcalde de Zalamea,” or the “ Mayor of Zalamea.” Monuments include: the dystile, and church called ´El Cristo.´ There is a small village called Docenario close to Zalamea. Monuments There is a Dystile from Roman times. There is a castle and it is about 2,400 years old. There are two churches from Roman times. Nine km to the north is Cancho Roano, a temple/ritual site of the Tartessian period, now with a Visitor centre Other buildings and facilities in Zalamea Ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cancho Roano
Cancho Roano (sometimes Cancho Ruano) is an archaeological site located in the municipality of Zalamea de la Serena, in the province of Badajoz, Spain. It is located three miles from Zalamea de la Serena in the direction of Quintana de la Serena Quintana, in a small valley along the stream Cagancha. History Cancho Roano is the best preserved Tartessian site. It dates back to at least the sixth century BCE, although the building was expanded and modified in later centuries. Based on the dating of objects found on the site, Cancho Roano is estimated to date from 550 BCE. The site was destroyed in a fire no later than 370 BCE. The building appears to have been ritually burned and sealed in rammed earth in a manner similar to Etruscan. The main body of the building is square and oriented toward the east. The building is surrounded by a deep moat, which was permanently filled with water. Although Cancho Roano's exact function is unknown, the religious character of the site is und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankh
Progressive ankylosis protein homolog (ANK ilosis H omolog) is a protein that in humans is encoded by the ''ANKH'' gene. This gene encodes a multipass transmembrane protein that is expressed in joints and other tissues and controls pyrophosphate levels in cultured cells. Mutation at the mouse 'progressive ankylosis' (ank) locus causes a generalized, progressive form of arthritis accompanied by mineral deposition, formation of bony outgrowths, and joint destruction. The human homolog is virtually identical to the mouse protein and ANKH-mediated control of pyrophosphate levels has been suggested as a possible mechanism regulating tissue calcification Calcification is the accumulation of calcium salts in a body tissue. It normally occurs in the formation of bone, but calcium can be deposited abnormally in soft tissue,Miller, J. D. Cardiovascular calcification: Orbicular origins. ''Nature Mat ... and susceptibility to arthritis in higher animals. References External linksGeneR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroastrianism
Zoroastrianism is an Iranian religions, Iranian religion and one of the world's History of religion, oldest organized faiths, based on the teachings of the Iranian peoples, Iranian-speaking prophet Zoroaster. It has a Dualism in cosmology, dualistic cosmology of good and evil within the framework of a Monotheism, monotheistic ontology and an eschatology which predicts the ultimate conquest of evil by good. Zoroastrianism exalts an uncreated and benevolent deity of wisdom known as ''Ahura Mazda'' () as its supreme being. Historically, the unique features of Zoroastrianism, such as its monotheism, messianism, belief in Free will in theology, free will and Judgement (afterlife), judgement after death, conception of heaven, hell, Angel, angels, and Demon, demons, among other concepts, may have influenced other religious and philosophical systems, including the Abrahamic religions and Gnosticism, Southern, Eastern and Northern Buddhism, Northern Buddhism, and Ancient Greek philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faravahar
The Faravahar ( fa, فروهر), also known as the Foruhar () or the Farre Kiyâni ( fa, فر کیانی, label=none), is one of the best-known symbols of Zoroastrianism, an Iranian religion. There are various interpretations of what the Faravahar symbolizes, and there is no concrete universal consensus on its meaning. However, it is commonly believed that the Faravahar serves as a Zoroastrian depiction of the ''fravashi'', or personal spirit. The Faravahar is one of the best-known and most used pre-Islamic symbols of Iran and is often worn as a pendant. Despite its traditionally religious nature, it has become a secular and cultural symbol for Iranians. Etymology The New Persian word is read as ''foruhar'' or ''faravahar'' (pronounced as ''furōhar'' or ''furūhar'' in Classical Persian). The Middle Persian forms were ''frawahr'' (Book Pahlavi: plwʾhl, Manichaean: prwhr), ''frōhar'' (recorded in Pazend as ; it is a later form of the previous form), and ''fraward'' (Book P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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