Religious Architecture
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Religious Architecture
Sacral architecture (also known as sacred architecture or religious architecture) is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public. Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, prior to the modern skyscraper. While the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise ...
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Sri Mariamman Temple Singapore 3 Amk
Shri (; , ) is a Sanskrit term denoting resplendence, wealth and prosperity, primarily used as an honorific. The word is widely used in South and Southeast Asian languages such as Marathi, Malay (including Indonesian and Malaysian), Javanese, Balinese, Sinhala, Thai, Tamil, Telugu, Hindi, Nepali, Malayalam, Kannada, Sanskrit, Pali, Khmer, and also among Philippine languages. It is usually transliterated as ''Sri'', ''Sree'', ''Shri'', Shiri, Shree, ''Si'', or ''Seri'' based on the local convention for transliteration. The term is used in Indian subcontinent and Southeast Asia as a polite form of address equivalent to the English "Mr." in written and spoken language, but also as a title of veneration for deities or as honorific title for local rulers. Shri is also another name for Lakshmi, the Hindu goddess of wealth, while a ''yantra'' or a mystical diagram popularly used to worship her is called Shri Yantra. Etymology Monier-Williams Dictionary gives the meaning of ...
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Princes Road Synagogue Nave
A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word ''prince'', from the Latin noun , from (first) and (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince". Historical background The Latin word (older Latin *prīsmo-kaps, literally "the one who takes the first lace/position), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the ''princeps senatus''. Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, for ...
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Sumerian Architecture
The architecture of Mesopotamia is ancient architecture of the region of the Tigris–Euphrates river system (also known as Mesopotamia), encompassing several distinct cultures and spanning a period from the 10th millennium BC (when the first permanent structures were built) to the 6th century BC. Among the Mesopotamian architectural accomplishments are the development of urban planning, the courtyard house, and ziggurats. No architectural profession existed in Mesopotamia; however, scribes drafted and managed construction for the government, nobility, or royalty. The study of ancient Mesopotamian architecture is based on available archaeological evidence, pictorial representation of buildings, and texts on building practices. According to Archibald Sayce, the primitive pictographs of the Uruk period era suggest that "Stone was scarce, but was already cut into blocks and seals. Brick was the ordinary building material, and with it cities, forts, temples and houses were const ...
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Ancient Egyptian Architecture
Spanning over three thousand years, ancient Egypt was not one stable civilization but in constant change and upheaval, commonly split into periods by historians. Likewise, ancient Egyptian architecture is not one style, but a set of styles differing over time but with some commonalities. The best known example of ancient Egyptian architecture are the Egyptian pyramids, while excavated temples, palaces, tombs, and fortresses have also been studied. Most buildings were built of locally available mud brick and limestone by levied workers. Monumental buildings were built using the post and lintel method of construction. Many buildings were aligned astronomically. Columns were typically adorned with capitals decorated to resemble plants important to Egyptian civilization, such as the papyrus plant. Ancient Egyptian architectural motifs have influenced architecture elsewhere, reaching the wider world first during the Orientalizing period and again during the nineteenth-century ...
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Neolithic Architecture
The Neolithic period, or New Stone Age, is an Old World archaeological period and the final division of the Stone Age. It saw the Neolithic Revolution, a wide-ranging set of developments that appear to have arisen independently in several parts of the world. This "Neolithic package" included the introduction of farming, domestication of animals, and change from a hunter-gatherer lifestyle to one of settlement. It began about 12,000 years ago when farming appeared in the Epipalaeolithic Near East, and later in other parts of the world. The Neolithic lasted in the Near East until the transitional period of the Chalcolithic (Copper Age) from about 6,500 years ago (4500 BC), marked by the development of metallurgy, leading up to the Bronze Age and Iron Age. In other places the Neolithic followed the Mesolithic (Middle Stone Age) and then lasted until later. In Ancient Egypt, the Neolithic lasted until the Protodynastic period, 3150 BC.Karin Sowada and Peter Grave. Egypt in ...
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Florin George Călian
Florin George Călian is a Romanian historian of religion and philosophy. He is a researcher at the Institute for Ecumenical Research, Lucian Blaga University. Educational background Florin George Călian studied psychology, philosophy and classical languages in Bucharest. He had a MA degree in Archeology and Greek-Roman History from Bucharest University, and another MA in Medieval Studies from Central European University. He obtained his doctoral degree from Central European University, with a dissertation on Plato's ontology of numbers, under the supervision of Gabor Betegh. Professional background Călian had several research stays at the Departement für Philosophie of Université Fribourg (Switzerland), Trinity College (University of Oxford), Plato Center ( Trinity College Dublin), Tübinger Stift (Eberhard Karls Universität Tübingen), New Europe College (Bucharest), Robarts Library (Toronto), Department of Incunabula, Old and Precious Books, Österreichisch ...
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Richard Kieckhefer
Richard Kieckhefer (born 1946) is an American medievalist, religious historian, scholar of church architecture, and author. He is Professor of History and John Evans Professor of Religious Studies at Northwestern University. Education After an undergraduate education at Saint Louis University, Kieckhefer earned a PhD in history from the University of Texas in 1972, spending a year in Munich at the Monumenta Germaniae Historica Institute with the support of the German Academic Exchange Service (DAAD). Career Kieckhefer has written on sainthood, medieval ritual magic, witchcraft, medieval and contemporary church architecture, hoopoes, and mystical literature; he has also edited and translated important texts from medieval Latin. He has taught at Northwestern University since 1975. His ''Magic in the Middle Ages'', first published in 1989, has been translated into Spanish, German, Polish, Czech, Italian, and Greek, and is forthcoming in Turkish, Portuguese, and Korean. He wa ...
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Robert Schuller
Robert Harold Schuller (September 16, 1926 – April 2, 2015) was an American Christian televangelist, pastor, motivational speaker, and author. In his five decades of television, Schuller was principally known for the weekly '' Hour of Power'' television program, which he began hosting in 1970 until his retirement in 2010. His grandson, Bobby Schuller, carries on the '' Hour of Power'' now airing for over fifty years. Schuller began broadcasting the program from the Neutra Sanctuary, with the encouragement of longtime friend Billy Graham after Schuller visited him in 1969. He was also the founder of the Crystal Cathedral in Garden Grove, California, where the ''Hour of Power'' program was later broadcast. Early years Robert Harold Schuller was born on September 16, 1926, near Alton, Iowa, the second son of Jennie (née Beltman; 1891–1970) and Anthony Schuller (1882–1964). He was the youngest of five children. All of his grandparents were Dutch immigrant ...
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Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes (semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes the ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semioti ...
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