Regals
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Regals
The regal is a small portable Organ (music), organ, furnished with beating Reed (instrument), reeds and having two bellows. The instrument enjoyed its greatest popularity during the Renaissance (music), Renaissance. The name was also sometimes given to the reed stops of a pipe organ, and more especially the vox humana Organ stop, stop. History The sound of the regal is produced by brass reeds held in resonators. The length of the vibrating portion of the reed determines its pitch and is regulated by means of a wire passing through the socket, the other end pressing on the reed at the proper distance. The resonators in the regal are not intended to reinforce the vibrations of the beating reed or of its overtones (as in the reed pipes of the organ), but merely to form an attachment to keep the reed in place without interfering with its function. A common compass was C/E--c′′′ (four octaves, with a short octave in the bass), though this was by no means standardized. Most rega ...
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Renaissance (music)
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ...
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