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Reed Instrument
Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion. 422 Reed aerophones :422.1 Double reed instruments - There are two lamellae which beat against one another. ::422.11 (Single) oboes. :::422.111 With cylindrical bore. ::::422.111.1 Without fingerholes. ::::422.111.2 With fingerholes. :::::*Duduk :::::* Piri :::422.112 With conical bore. ::::*Bassoon ::::*Hne ::::*Oboe ::::**Oboe d'amore ::::*Shawm ::::* Taepyeongso ::422.12 Sets of oboes. :::422.121 With cylindrical bore. :::422.122 With conical bore. :422.2 Single reed instruments - The pipe has a single 'reed' consisting of a percussion lamella. ::422.21 (Single) clarinets. :::422.211 With cylindrical bore. ::::422.211.1 Without fingerhole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Clarinet
The clarinet family is a musical instrument family of various sizes and types of clarinets, including the well-known B clarinet, the bass clarinet, and the slightly less familiar E and A clarinets among others. Clarinets other than the standard B and A clarinets are sometimes known as harmony clarinets. There are many differently-pitched clarinet types, some of which are very rare. They may be grouped into sub-families, but grouping and terminology vary; the list below reflects popular usage and compares it with systems advocated by a few influential authors. List of instruments * Octave clarinets — Very rare. Pitched around an octave higher than the B clarinet. ** A piccolo clarinet. *** Rendall uses the term ''octave clarinet'' and includes also obsolete instruments in C, B, and G.F. Geoffrey Rendall. ''The Clarinet.'' Third Edition. London: Ernest Benn Limited, 1971, pp. 3-4. *** Shackleton lists also rare instruments in C, B, and A.Nicholas Shackleton. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pibgorn (instrument)
The pibgorn is a Welsh species of idioglot reed aerophone. The name translates literally as "pipe-horn". It is also historically known as cornicyll and pib-corn. It utilises a single reed (Welsh: "cal", or "calaf"), cut from elder (''Sambucus nigra'') or reed (''Arundo phragmites''), like that found in the drone of a bagpipe, which is an early form of the modern clarinet reed. The single chambered body of the elder pipe has a naturally occurring parallel bore, into which are drilled six small finger-holes and a thumb-hole giving a diatonic compass of an octave. The body of the instrument is traditionally carved from a single piece of wood or bone (See photograph right). Playable, extant historical examples in the Museum of Welsh Life have bodies cut and shaped of elder. Another, unplayable instrument at the Museum, possibly of a later date, is made from the leg bone of an unspecified ungulate (See photograph right). Contemporary instruments are turned and bored from a variety of f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornpipe (instrument)
The hornpipe can refer to a specific instrument or a class of woodwind instruments consisting of a single reed, a small diameter melody pipe with finger holes and a bell traditionally made from animal horn. Additionally, a reed cap of animal horn may be placed around the reed to contain the breath and allow circular breathing for constant play, although in many cases the reed is placed directly in the mouth. It was also known as the pibcorn, pibgorn, or piccorn. One rare Scottish example, called the '' stock-and-horn'', is referred to by Robert Burns among others. Other hornpipes include the Spanish '' gaita gastoreña'', the Basque '' alboka'' and the Eastern European '' zhaleika''. When joined with a bag, Baines refers to the instruments as "bag-hornpipes". and Baines, Anthony C. 1995 ''Bagpipes'', 3rd ed. Occasional Papers on Technology. Oxford: Pitt Rivers Museum. Construction The traditional hornpipe has one or two narrow internal bores between 4 mm and 12 mm ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diplica
Diplica or diplice is a single-reed instrument from the Balkans, which has been playing in different forms through many parts of Croatia, but now survives mainly in the Baranya Baranya or Baranja may refer to: * Baranya (region) or Baranja, a region in Hungary and Croatia * Baranya County, a county in modern Hungary * Baranya County (former), a county in the historic Kingdom of Hungary * Baranya, Hungarian name of villag ... region. Diplicas are double-clarinets. The widespread practice of playing wind instruments in pairs led to the development of the double, or even triple or quadruple, clarinets. Most were double clarinets, with two tubes of reed firmly tied or glued together in a parallel position where one of the tubes functions as a drone. Instruments of this kind can be traced back to approximately 2700 BCE in Egypt, where they were originally called ‘memet’. During the Old Kingdom in Egypt (2778-2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqarra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subcontrabass Clarinet
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭, D or C. This gives a tessitura written range, notated in treble clef, of C – F, which sounds B♭ – E♭. Some early instruments were pitched in C; Arnold Schoenberg's '' Fünf Orchesterstücke'' specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed. The smaller E♭ contra-alto clarinet is sometimes referred to as the "E♭ contrabass clarinet" and is pitched one octave lower than the E♭ alto clarinet. Two models of subcontrabass clarinet (the octocontralto and octocontrabass), lowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass Clarinet
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭, D or C. This gives a tessitura written range, notated in treble clef, of C – F, which sounds B♭ – E♭. Some early instruments were pitched in C; Arnold Schoenberg's '' Fünf Orchesterstücke'' specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed. The smaller E♭ contra-alto clarinet is sometimes referred to as the "E♭ contrabass clarinet" and is pitched one octave lower than the E♭ alto clarinet. Two models of subcontrabass clarinet (the octocontralto and octocontrabass), l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra-alto Clarinet
The contra-alto clarinet, E♭ contrabass clarinet, is a large clarinet pitched a perfect fifth below the B♭ bass clarinet. It is a transposing instrument in E♭ sounding an octave and a major sixth below its written pitch, between the bass clarinet and the B♭ contrabass clarinet. The contra-alto clarinet is often used in clarinet choirs and ensembles of clarinets and saxophones. It may also be present in a wind band. The repertoire for contra-alto clarinet in the symphony orchestra is limited. In ensembles it is usually used in unison with the other woodwind instruments, such as (bassoon, bass clarinet and contrabass clarinet), or it plays the lower octave in addition. History The contra-alto clarinet is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: * In 1829, , an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Clarinet
The alto clarinet is a woodwind instrument of the clarinet family. It is a transposing instrument pitched in the key of E, though instruments in F have been made. In size it lies between the soprano clarinet and the bass clarinet. It bears a greater resemblance to the bass clarinet in that it typically has a straight body (made of grenadilla or other wood, hard rubber, or plastic), but a curved neck and bell made of metal. All-metal alto clarinets also exist. In appearance it strongly resembles the basset horn, but usually differs in three respects: it is pitched a whole step lower, it lacks an extended lower range, and it has a wider bore than many basset horns. The range of the alto clarinet is from the concert G2 or G2 (in the second octave below middle C, bottom line of the bass clef) to E6 (in the second octave above middle C), with the exact upper end of the range depending on the skill of the player. Despite the broad range, the instrument is always scored in the treb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basset-horn
The basset horn (sometimes hyphenated as basset-horn) is a member of the clarinet family of musical instruments. Construction and tone Like the clarinet, the instrument is a wind instrument with a single reed and a cylindrical bore. However, the basset horn is larger and has a bend or a kink between the mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G). Finally, the basset horn has additional keys for an extended range down to written C, which sounds F at the bottom of the bass staff. In comparison, the alto clarinet typically extends down to written E♭, which sounds G♭, one semitone higher than the basset horn. The timbre of the basset horn is similar to the alto clarinet's, but darker. Basset horns in A, G, E, E, and D were also made; the first of these is closely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinette D'amour
The clarinet d'amore or clarinet d'amour is a musical instrument, a member of the clarinet family. Construction and tone In comparison with the B and A soprano clarinets, the clarinet d'amore has a similar shape and construction, but is generally larger, usually pitched in G. The clarinet d'amore has proportionally smaller tone holes and a proportionally smaller bore compared to the soprano clarinet, generally around the same size as the bore and tone holes found on the soprano clarinet itself. The instrument also has a pear-shaped or globular bell (called Liebesfuss) similar to that of the cor anglais; these features give the instrument its distinctive timbre. Due to their large size, they also feature a curved metal neck to bring the instrument to a more comfortable playing position, though instruments with curved wooden necks exist. Fingerings are generally the same as other members of the clarinet family, however modern examples often have an extension, like the basse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
