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Redowa
A redowa () is a dance of Czech origin with turning, leaping waltz steps that was popular in European ballrooms. History The name comes from the Czech name rejdovák, derived from ''rej'' ("whirl"). Originally a folk dance, it first appeared into the salons in Prague in 1829 and fell out of fashion by 1840, though in the meantime it had spread beyond Bohemia. Thomas Hillgrove states that the redowa was introduced to London ballrooms in 1846. Like other popular ballroom dances of the mid-nineteenth century, including the polka, it was danced in Paris prior to its appearance in London. Meter Like most dances currently described as waltzes, the redowa is danced in time, with the couple performing a full rotation every six beats. Description A basic redowa step contains one long reaching step and two small leap-steps. The long reaching step can be danced on either the 1 or the 2 of each bar of music, depending on what feels best with the tune that is playing. Cellarius (1849) desc ...
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Redowa Polka (NYPL B19378349-5052840)
A redowa () is a dance of Czech origin with turning, leaping waltz steps that was popular in European ballrooms. History The name comes from the Czech name rejdovák, derived from ''rej'' ("whirl"). Originally a folk dance, it first appeared into the salons in Prague in 1829 and fell out of fashion by 1840, though in the meantime it had spread beyond Bohemia. Thomas Hillgrove states that the redowa was introduced to London ballrooms in 1846. Like other popular ballroom dances of the mid-nineteenth century, including the polka, it was danced in Paris prior to its appearance in London. Meter Like most dances currently described as waltzes, the redowa is danced in time, with the couple performing a full rotation every six beats. Description A basic redowa step contains one long reaching step and two small leap-steps. The long reaching step can be danced on either the 1 or the 2 of each bar of music, depending on what feels best with the tune that is playing. Cellarius (1849) de ...
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Historical Dance
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance, for pleasure at themed balls or dance clubs, as historical reenactment, or for musicological or historical research. Dances from the early 20th century can be recreated precisely, being within living memory and after the advent of film and video recording. Earlier dance types, however, must be reconstructed from less reliable evidence such as surviving notations and instruction manuals. For performance dancing, see History of dance. Categories Medieval dance Very little evidence survives about medieval dance except what can be gleaned from paintings and works of literature from this time period. Some names of the dances which we know existed during the Middle Ages include Carole, Ductia, Estampie ( Istampitta), Saltarello, and the Trotto. The farandole is also frequently pres ...
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The Original Redowa Waltz (NYPL B19606977-5096616)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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European Dances
European dances refers to various dances originating in Europe. Since Medieval ages, many European dances tend to be refined, as some are based on the court dances of aristocrats. History In ancient times, European dances were performed as either sacred dances in religious ceremonies or for popular entertainment. Greek dance included religious worship, education, religious or civil ceremonies and festivities. One famous Greek dance is the dithyramb, in honor of Dionysus. Originally Rome had exclusively religious dances. As Rome gained dominance, including conquering Greece, more dance traditions were absorbed. The Bacchanalia and Lupercalia festivals highlight the importance of dance in Rome. Under Christianity, dance fell under the control and condemnation of the Church. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance became more diverse. Country ...
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Varsovienne
The varsovienne, also known as the varsouvienne or varsoviana, is a slow, graceful dance in time with an accented downbeat in alternate measures. It combines elements of the waltz, mazurka, and polka. The dance originated around 1850 in Warsaw, Poland. The words ''varsovienne'' and ''varsoviana'' are French and Spanish feminine adjectives, respectively, meaning 'from Warsaw'. The dance was popular in 19th-century America, where it was danced to the tune ''Put Your Little Foot''. It quickly became a favorite folk dance in the Scandinavian countries as well. The unique armhold by the same name – also known as the promenade hold – is used in other dance styles such as the American square dance, contra dance, and some ballroom dances. Henry Ford's Dance Orchestra recorded a piece titled Varsovienne. The Albion Dance Band recorded a varsoviana tune on their 1977 album ''The Prospect Before Us''. A varsoviana tune plays an important role in Tennessee Williams' play ''A Streetc ...
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Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ...
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Vintage Dance
Vintage dance is the authentic recreation of historical dance styles. Vintage dancing styles include jazz, swing, blues, disco, and breakdancing. Societies Several vintage dance societies hold balls and events to promote and teach vintage dances. Connecticut * Hartford Underground is a vintage swing dance society in the greater Hartford area. * The community dance hall Vinnie's Jump & Jive in Middletown frequently hosts swing and blues dance nights. * Yale Swing, Blues, and Fusion is a "noncompetitive swing and blues dancing community" on Yale University's campus. Their "regular events include monthly swing dances, weekly swing, blues, and fusion practica on Sundays, weekly fusion practica on Tuesdays, and trips to local dancing events." They "offer Lindy Hop and Blues lessons every semester, for a nominal fee, and invite guest instructors for dance workshops at various points throughout the year. Their "events are open to everyone – undergraduate and graduate students, facul ...
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Closed Position
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other. Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact. Routine The most commonly used kind of closed position comes from the waltz, and is very commonly used in ballroom dance. The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height. Unlike the ballroo ...
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Culture Of The Czech Republic
Czech culture has been shaped by its geographical position in the middle of Europe. Influences from its neighbours, political and social changes, wars and times of peace have all left their marks on Czech culture. Prague's significance as a European cultural center rose and fell throughout history, but Czech culture remains distinct to this day. There are 16 cultural sites listed among the World Heritage Sites by UNESCO, six Czechs have been awarded a Nobel Prize and 173 have been nominated. History Architecture The Czech Republic has been home to many architectural jewels and renowned architects. Peter Parler's contributions to gothic Prague, Benedikt Rejt's late gothic deconstructivistic work, father and son Dietzenhofers' baroque works, Santini's unique baroque style, Fanta's and Polívka's Art Nouveau landmarks of the early 20th century Prague, Rondocubist attempts of Gočár and Janák at creating a distinct national style for the new Czechoslovak Republic – all ...
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Valse à Deux Temps
Valse à deux temps, waltz ''à deux temps'' ("waltz in two beats"), also Valse à deux pas ("waltz of two steps") or Valse Russe ("Russian waltz") (Russian name: вальс в "два па") was a waltz of Russian origin introduced in France in the mid-19th century. A French dance manual of the beginning of the 20th century (a copy is digitized by the '' American Ballroom Companion'' of the United States Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library ...) contains the following description by a contemporary witness: I know exactly what I am talking about when I speak of the Russian origin of the Two-step waltz, as my father was the second person to dance it in Paris in 1839-- I say "the second person" intentionally, for the first was one of his students. I can st ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ...
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