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Red-figure Painting
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cup Apatouria Louvre G138
A cup is an open-top used to hold hot or cold liquids for pouring or drinking; while mainly used for drinking, it also can be used to store solids for pouring (e.g., sugar, flour, grains, salt). Cups may be made of glass, metal, china, clay, wood, stone, polystyrene, plastic, aluminium or other materials, and are usually fixed with a stem, handles, or other adornments. Cups are used for quenching thirst across a wide range of cultures and social classes, and different styles of cups may be used for different liquids or in different situations. Cups of different styles may be used for different types of liquids or other foodstuffs (e.g. teacups and measuring cups), in different situations (e.g. at water stations or in ceremonies and rituals), or for decoration. Rigby 2003: p. 573–574. History Cups are an improvement on using cupped hands or feet to hold liquids. They have almost certainly been used since before recorded history, and have been found at archaeological site ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redox
Redox (reduction–oxidation, , ) is a type of chemical reaction in which the oxidation states of substrate (chemistry), substrate change. Oxidation is the loss of Electron, electrons or an increase in the oxidation state, while reduction is the gain of electrons or a decrease in the oxidation state. There are two classes of redox reactions: * ''Electron-transfer'' – Only one (usually) electron flows from the reducing agent to the oxidant. This type of redox reaction is often discussed in terms of redox couples and electrode potentials. * ''Atom transfer'' – An atom transfers from one substrate to another. For example, in the rusting of iron, the oxidation state of iron atoms increases as the iron converts to an oxide, and simultaneously the oxidation state of oxygen decreases as it accepts electrons released by the iron. Although oxidation reactions are commonly associated with the formation of oxides, other chemical species can serve the same function. In hydrogen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronios Krater Antikensammlung Berlin
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilingual Pottery
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new red-figure style, although that style subsequently became dominant rather fast. History Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belly Amphora By The Andokides Painter (Munich 2301)
The Belly Amphora in the Staatliche Antikensammlungen at Munich (inventory number 2301) is one of the most famous works by the Andokides Painter. The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria. As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques. It is signed by the potter Andokides, who probably made it. Some scholars assume that the black-figure side was painted by the Lysippides Painter, while others suggest that he is identical with the Andokides Painter. Description The Andokides Painter is generally considered to be the inventor of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadelph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides Painter
Andokides was an ancient Athenian vase painter, active from approximately 530 to 515 B.C. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are " bilingual", meaning they display both red-figure and black-figure scenes. Biography Several details regarding the artistic biography of the Andokides Painter have been suggested through connoisseurial studies of his work. As mentioned, he is widely thought to be the creator of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Italian
, altname = , states = Italy , region = Abruzzo, Apulia, Basilicata, Calabria, Campania, Lazio, Marche, Molise , ethnicity = ''Mezzogiorno'' Ethnic Italians , speakers = 5.7 million , date = 2002 , ref = e18 , familycolor = Indo-European , fam2 = Italic , fam3 = Romance , fam4 = Italo-Dalmatian , iso2 = nap , iso3 = nap , glotto = neap1235 , glottorefname = Continental Southern Italian , glottoname = Continental Southern Italian , glotto2 = sout3126 , glottorefname2 = South Lucanian , glottoname2 = South Lucanian = (Vd) Lausberg , map = Neapolitan_languages-it.svg , mapcaption = Intermediate Neapolitan dialects , map2 = Romance_languages.png , mapcaption2 = Neapolitan as part of the European Romance languages Neapolitan (autonym: ; it, napoletan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fight Andokides Louvre G1
Combat ( French for ''fight'') is a purposeful violent conflict meant to physically harm or kill the opposition. Combat may be armed (using weapons) or unarmed ( not using weapons). Combat is sometimes resorted to as a method of self-defense, or can be used as a tool to impose one's will on others. An instance of combat can be a stand-alone confrontation or a small part of a much larger violent conflict. Instances of combat may also be benign and recreational, as in the cases of combat sports and mock combat. Combat may comply with, or be in violation of local or international laws regarding conflict. Examples of rules include the Geneva Conventions (covering the treatment of people in war), medieval chivalry, the Marquess of Queensberry rules (covering boxing) and several forms of combat sports. Hand-to-hand combat Hand-to-hand combat (melee) is combat at very close range, attacking the opponent with the body ( striking, kicking, strangling, etc.) and/or with a melee we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exekias
Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias. Background The works of Exekias are distinguished by their innovative compositions, precise draughtsmanship, and subtle psychological characterization, all of which transcend the inherent challenges of the black-figure technique. John Boardman, the eminent historian of Greek art, described Exekias' style as follows: "The hallmark of his style is a near statuesque dignit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinth
Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part of the municipality of Corinth, of which it is the seat and a municipal unit. It is the capital of Corinthia. It was founded as Nea Korinthos (), or New Corinth, in 1858 after an earthquake destroyed the existing settlement of Corinth, which had developed in and around the site of ancient Corinth. Geography Located about west of Athens, Corinth is surrounded by the coastal townlets of (clockwise) Lechaio, Isthmia, Kechries, and the inland townlets of Examilia and the archaeological site and village of ancient Corinth. Natural features around the city include the narrow coastal plain of Vocha, the Corinthian Gulf, the Isthmus of Corinth cut by its canal, the Saronic Gulf, the Oneia Mountains, and the monolithic rock of Acrocorinth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exekias Dionysos Staatliche Antikensammlungen 2044
Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Pottery of Ancient Greece, Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure pottery, black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias. Background The works of Exekias are distinguished by their innovative compositions, precise draughtsmanship, and subtle psychological characterization, all of which transcend the inherent challenges of the black-figure technique. John Boardman (art historian), John Boardman, the eminent historian of Greek art, described Exe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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