Recording Session
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Recording Session
The term studio recording means any recording made in a studio, as opposed to a live recording, which is usually made in a concert venue or a theatre, with an audience attending the performance. Studio cast recordings In the case of Broadway musicals, the term studio cast recording applies to a recording of the show which does not feature the cast of either a stage production or film version of the show. The practice has existed since before the advent of Broadway cast albums in 1943. That year the songs from Rodgers and Hammerstein's ''Oklahoma!'', performed by the show's cast, were released on a multi-record 78-RPM album by American Decca. (London original cast albums have existed since the early days of recording, however, and there are recordings in existence of excerpts from such shows as ''The Desert Song'', '' Sunny'', and ''Show Boat'', all performed by their original London stage casts.) History Before 1943, musicals were recorded in the U.S. with what might be termed s ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Knickerbocker Holiday
''Knickerbocker Holiday'' is a 1938 musical written by Kurt Weill (music) and Maxwell Anderson (book and lyrics); based loosely on Washington Irving's ''Knickerbocker's History of New York'' about life in 17th-century New Netherland (old New York). The musical numbers include "September Song", now considered a pop standard. History ''Knickerbocker Holiday'' is both a romantic comedy and a thinly veiled allegory equating the New Deal of Franklin D. Roosevelt with fascism. (A Roosevelt ancestor is one of the characters on the corrupt New Amsterdam council in the play.) Playwright Anderson believed that government was necessary in society, but that it must always be watched because it is swayed by the self-interests of those in power. He saw FDR's New Deal as an American version of the corporatism and concentration of political power which had given rise to Nazism and Stalinism. Plot summary The action is narrated by 19th-century author Washington Irving, who announces ...
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A Connecticut Yankee (musical)
''A Connecticut Yankee'' is a musical based on the 1889 novel ''A Connecticut Yankee in King Arthur's Court'' by American writer Mark Twain. Like most adaptations of the Twain novel, it focuses on the lighter aspects of the story. The music was written by Richard Rodgers, the lyrics by Lorenz Hart, and the book by Herbert Fields. It was produced by Lew Fields and Lyle D. Andrews. It enjoyed an original run on Broadway in 1927 of 421 performances and a number of revivals. The 1931 film of the same name starring Will Rogers was not adapted from this musical, nor was the 1949 musical film ''A Connecticut Yankee in King Arthur's Court'', which starred Bing Crosby. The Rodgers and Hart ''Connecticut Yankee'', like many of the team's earlier musicals, has never been filmed for the big screen though a scene was staged for the 1948 biographical movie of the lives of Richard Rodgers and Lorenz Hart, '' Words and Music''. Productions ''A Connecticut Yankee'' opened on Broadway at the Vand ...
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Rodgers And Hart
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.Rodgers and Hart Biography
Guide to Musical Theatre, accessed April 5, 2009


History

Richard Rodgers and Lorenz Hart were introduced in 1919; Rodgers was still in high school while Hart had already graduated from . Their first collaboration together was at Columbia, and resulted in the 1920

Goddard Lieberson
Goddard Lieberson (April 5, 1911 – May 29, 1977) was the president of Columbia Records from 1956 to 1971, and again from 1973 to 1975. He became president of the Recording Industry Association of America in 1964. He was also a composer, and studied with George Frederick McKay, at the University of Washington, Seattle. He married Vera Zorina in 1946 and with her had 2 children. Biography Lieberson was born to a Jewish family on April 5, 1911, in Hanley in Staffordshire; his father was a manufacturer of rubber shoe heels who took his family to the United States when Lieberson was a child. He studied classical piano and composition at the Eastman School of Music in the 1930s and after graduating he wrote classical concert reviews under the pseudonym "Johann Sebastian".Dannen, Frederic, ''Hit Men: Power Brokers and Fast Money Inside The Music Business'', Vintage Books, 1991 (), p. 58 He was married to actress/dancer Vera Zorina from 1946 until his death in 1977. They had two s ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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Allegro (musical)
''Allegro'' is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital. After the immense successes of the first two Rodgers and Hammerstein musicals, ''Oklahoma!'' and ''Carousel'', the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations. After a disastrous tryout in New Haven, Connecticut, the musical opened on Broadway ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This ha ...
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Paul Robeson
Paul Leroy Robeson ( ; April 9, 1898 â€“ January 23, 1976) was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances. In 1915, Robeson won an academic scholarship to Rutgers College. While at Rutgers, he was twice named a consensus All-American in football and was the class valedictorian. He received his LL.B. from Columbia Law School while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance with performances in ''The Emperor Jones'' and '' All God's Chillun Got Wings''. Robeson performed in Britain in a touring melodrama, ''Voodoo'', in 1922, and in ''Emperor Jones'' in 1925. In 1928, he scored a major success in the London premiere of ''Show Boat''. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred ...
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Anything Goes
''Anything Goes'' is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "You're the Top", and "I Get a Kick Out of You." Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and has been filmed three times. The musical has long been a popular choice for school and community productions. History The original idea for a musical set on board an ocean liner came from producer ...
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Panama Hattie
''Panama Hattie'' is a 1940 American musical with music and lyrics by Cole Porter and book by Herbert Fields and B. G. DeSylva. The musical is about a nightclub owner, Hattie Maloney, who lives in the Panama Canal Zone and ends up dealing with both romantic and military intrigue. The title is a play on words, referring to the popular Panama hat. The musical was adapted as the 1942 Metro-Goldwyn-Mayer musical film ''Panama Hattie'', and again in 1954 as an episode of the CBS TV series ''The Best of Broadway''. Productions Pre-Broadway tryouts started at the Shubert Theatre, New Haven on October 3, 1940, and then at the Shubert Theatre, Boston on October 8, 1940."'Panama Hattie' production listing"
sondheimguide.com, accessed January 11, 2011
The musical premiered on