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Rajaz (prosody)
Rajaz (, literally 'tremor, spasm, convulsion as may occur in the behind of a camel when it wants to rise') is a metre used in classical Arabic poetry. A poem composed in this metre is an ''urjūza''. The metre accounts for about 3% of surviving ancient and classical Arabic verse. Form This form has a basic foot pattern of , ⏓ ⏓ ⏑ – , (where '–' represents a long syllable, '⏑' a short syllable, and '⏓' a syllable that can be long or short), as exemplified through the mnemonic (''Tafā'īl'') ' (). It is exceptional, but possible, for both anceps syllables to be short. Rajaz lines also have a catalectic version with the final foot , ⏓ – – , . Lines are most often of three feet (trimeter), but can also be of two feet (dimeter). Thus the possible forms are: :, ⏓ ⏓ ⏑ – , ⏓ ⏓ ⏑ – , ⏓ ⏓ ⏑ – , (trimeter) :, ⏓ ⏓ ⏑ – , ⏓ ⏓ ⏑ – , ⏓ – – , ( trimeter catalectic) :, ⏓ ⏓ ⏑ – , ⏓ ⏓ ⏑ – , (dimeter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qaṣīda
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hind Bint Utbah
Hind bint ʿUtba ( ar, هند بنت عتبة), was an Arab woman who lived in the late 6th and early 7th centuries CE; she was the wife of Abu Sufyan ibn Harb, a powerful man of Mecca, in western Arabia. She was the mother of Mu'awiya I, the founder of the Umayyad dynasty, and of Hanzala, Juwayriya and Umm Hakam. Ramla bint Abi Sufyan, who became one of Muhammad's wives, was her stepdaughter. Both Abu Sufyan and Hind originally opposed the Islamic prophet Muhammad before their conversion to Islam in 630. She is especially praised in Islamic sources for her military role at the Battle of Yarmouk.Islamic Conquest of Syria A translation of Fatuhusham by al-Imam al-Waqidi Translated by Mawlana Sulayman al-Kindi Page 325 al-Baladhuri 892 9Islamic Conquest of Syria A translation of Fatuhusham by al-Imam al-Waqidi Translated by Mawlana Sulayman al-Kindi Page 331 to 334 Life She was born in Mecca, daughter of one of the most prominent leaders of the Quraysh, Utba ibn Rabi'a, and of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badr Shakir Al-Sayyab
Badr Shakir al Sayyab ( ar, بدر شاكر السياب) (December 24, 1926 in Jaykur, near Basra – December 24, 1964 in Kuwait) was a leading Iraqi poet, well known throughout the Arab world and one of the most influential Arab poets of all time. His works have been translated in more than 10 languages including English, Persian, Somali and Urdu. Early life and career He was born in Jaykur, a town south of Basra, the eldest child of a date grower and shepherd. He graduated from the Higher Teacher Training College of Baghdad in 1948 but was later dismissed from his teaching position for being a member of the Iraqi Communist Party. Banned from teaching because of his political views, he next found employment as a taster, working for the Iraqi Date Company in Basra. He soon returned to Baghdad however, where he worked as a security guard for a road paving company. He was actively involved in the 1952 Iraqi Intifada, in which he joined his fellow workers in sacking the offices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias Abu Shabaki
Elias Abu Shabaki (also spelled ''Ilyas Abu Shabaka''; ar, الياس أبو شبكة, May 3, 1903 – January 27, 1947) was a Lebanese writer, poet, editor, translator and literary critic, he was one of the founders of the literary League of Ten and is considered as one of the leading figures of the Arabic Nahda Movement. Born into a well-to-do Lebanese family, Abu Shabaki became interested in poetry at a young age. The son of a merchant, he was left fatherless in his youth, an experience that would mark his earlier works. Elias worked as a teacher, translator and -in addition to publishing several volumes of poetry- as a journalist writing for many Arabic newspapers and literary magazines. Being an adherent to the Romantic school, Abu Shabki believed in inspiration and denounced conscious control in poetry. His poems were gloomy, deeply personal and often contained biblical overtones centering on his internal moral conflicts. Some of Abu Shabaki's work was very controver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
‘Ali Maḥmūd Ṭāhā
ʿAlī ibn Abī Ṭālib ( ar, عَلِيّ بْن أَبِي طَالِب; 600 – 661 common era, CE) was the last of four Rashidun, Rightly Guided Caliphs to rule Islam (r. 656 – 661) immediately after the death of Muhammad, and he was the first Shia Imam. The issue of his succession caused a major rift between Muslims and divided them into Shia Islam, Shia and Sunni Islam, Sunni groups. Ali was assassinated in the Grand Mosque of Kufa in 661 by the forces of Mu'awiya I, Mu'awiya, who went on to found the Umayyad Caliphate. The Imam Ali Shrine and the city of Najaf were built around Ali's tomb and it is visited yearly by millions of devotees. Ali was a cousin and son-in-law of Muhammad, raised by him from the age of 5, and accepted his claim of divine revelation by age 11, being among the Chronological list of early Muslims, first to do so. Ali played a pivotal role in the early years of Islam while Muhammad was in Mecca and under severe persecution. After Muhammad's Hij ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abū Nuwās
Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī (variant: Al-Ḥasan ibn Hānī 'Abd al-Awal al-Ṣabāḥ, Abū 'Alī (), known as Abū Nuwās al-Salamī () or just Abū Nuwās Garzanti ( ''Abū Nuwās''); 756814) was a classical Arabic poet, and the foremost representative of the modern (''muhdath'') poetry that developed during the first years of Abbasid Caliphate. He also entered the folkloric tradition, appearing several times in ''One Thousand and One Nights''. Early life Abu Nuwas was born in the province of Ahvaz (modern Khuzestan Province) of the Abbasid Caliphate, either in the city of Ahvaz or one of its adjacent districts. His date of birth is uncertain, he was born sometime between 756 and 758. His father was Hani, a Syrian or Persian who had served in the army of the last Umayyad caliph Marwan II (). His mother was a Persian named Gulban, whom Hani had met whilst serving in the police force of Ahvaz. When Abu Nuwas was 10 years old, his father died. In his earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
