Rain-guard
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Rain-guard
A rain-guard or chappe is a piece of leather fitted to the crossguard of European swords of the later medieval period. The purpose of this leather is not entirely clear, but it seems to have originated as a part of the scabbard, functioning as a lid when the sword was in the scabbard. The rain-guard presumably originated in the 13th century but did not become universal until the 14th. Oakeshott (1960) is aware of one preserved specimen of c. 1250. The feature was ubiquitous throughout the 15th century and into the early 16th century, but they seem to fall out of use later in the 16th century. The main problem in researching the development of this feature is the fact that it is lost to decomposition in all swords recovered archaeologically. A few originals have survived from the late medieval period; otherwise, research is largely based on depictions in paintings or etchings (e.g. well represented in works by Albrecht Dürer) and effigies (a detailed specimen is shown in the eff ...
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Crossguard
On a sword, the crossguard, or cross-guard, the individual bars on either side known as quillon, is a bar of metal at right angles to the blade, placed between the blade and the hilt. The crossguard was developed in the European sword around the 10th century for the protection of the wielder's hand. The earliest forms were the crossguard variant of the Spatha used by the Huns, the so-called Pontic swords. There are many examples of crossguards on Sasanian Persian Swords beginning from the early 3rd century. They might be the oldest examples. The crossguards were not only used to counter enemy attacks, but also to get a better grip on the sword. They were later seen in late Viking swords, and is a standard feature of the Norman sword of the 11th century and of the knightly arming sword throughout the high and late medieval period. Early crossguards were straight metal bars, sometimes tapering towards the outer ends. While this simple type was never discontinued, more elaborate f ...
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Chape
Chape has had various meanings in English, but the predominant one is a protective fitting at the bottom of a scabbard or sheath for a sword or dagger (10 in the diagram). Historic blade weapons often had leather scabbards with metal fittings at either end, sometimes decorated. These are generally either in some sort of U shape, protecting the edges only, or a pocket shape covering the sides of the scabbard as well. The reinforced end of a single-piece metal scabbard can also be called the chape. The scabbard chape is not to be confused with the ''chappe'', a French term - rain-guard in English - on the sword itself, a fitting at the top of the blade in late medieval weapons, just below the crossguard of the hilt. The chappe fitted outside the scabbard, presumably helping to hold the sword snugly and preventing rain coming in (4 in the diagram). This would typically have been of leather, though everything about these is uncertain as no original examples have survived, and they ...
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Sword Parts Numbered
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word ''sword'' continues t ...
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Sword
A sword is an edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical arming sword with crossguard. The word '' sword'' continue ...
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Ewart Oakeshott
Ronald Ewart Oakeshott (25 May 1916 – 30 September 2002) was a British illustrator, collector, and amateur historian who wrote prodigiously on medieval arms and armour. He was a Fellow of the Society of Antiquaries, a Founder Member of the Arms and Armour Society, and the Founder of the Oakeshott Institute. He created a classification system of the medieval sword, the Oakeshott typology, a systematic organization of medieval weaponry. Biography Ronald Ewart Oakeshott was born in 1916. His uncle Jeffery Farnol wrote romance novels and swashbucklers and also had a collection of antique swords, through which the young Oakeshott became interested in swords. After leaving Dulwich College, Oakeshott studied at the Central School of Art in London. He worked at Carlton Studios and at A.E. Johnson Ltd as a commercial artist, while still being interested in collecting arms and armour. During the 1930s and 1940s, antique swords could still be acquired relatively cheaply and Oakeshott be ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Lionel De Welles, 6th Baron Welles
Lionel de Welles, 6th Baron Welles, KG (c. 1406 – 29 March 1461) was an English peer who served as Lord Lieutenant of Ireland and Joint Deputy of Calais. He was slain fighting on the Lancastrian side at the Battle of Towton, and was attainted on 21 December 1461. As a result of the attainder, his son, Richard Welles, 7th Baron Welles, did not succeed him in the barony of Welles until the attainder was reversed by Parliament in June 1467. Family Born about 1406, Lionel Welles was the son of Eudes Welles and Maud Greystoke. On his father's side, he was the grandson of John de Welles, 5th Baron Welles (d. 26 August 1421), and Eleanor Mowbray, and on his mother's side, the grandson of Ralph de Greystoke, 3rd Baron Greystoke and Katherine Clifford, daughter of Roger de Clifford, 5th Baron de Clifford. He had one brother, Sir William Welles, Lord Chancellor of Ireland. Career Lionel Welles' father, Eudes Welles, died sometime before 26 July 1417, predeceasing his own father, the ...
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Medieval European Swords
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the Post-classical, post-classical period of World history (field), global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern history, modern period. The medieval period is itself subdivided into the Early Middle Ages, Early, High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the ...
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