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Rage Aria
A rage aria is an operatic aria expressing the rage of the character performing it. Normally in da capo form, such arias emerged during the Baroque period and are typically found in opera seria. Rage arias were known by various terms in Italian, including ' and '. H. Rosenthal and John Warrack (1972), ''The Concise Oxford Dictionary of Opera'', London: Oxford University Press, p. 16. Typically, they display the musical characteristics of quick tempos and fast runs, and are short in length. Such arias have been written by, amongst other composers, George Frideric Handel in the Baroque period and Wolfgang Amadeus Mozart in the Classical period. History According to the doctrine of the affections, a theory of aesthetics that dictates emotions based on outward visible and auditory signs, each aria in an opera must have a single emotion. According to the philosophy of affects, complex musical gestures are more easily suited to the emotions of hatred, retaliation, and fury than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral from 1718 until increasing deafness led to his retirement from that post in 1728. Mattheson's chief occupation from 1706 was as a professional diplomat. He had studied English in school and spoke it fluently. He became tutor to the son of the English ambassador Sir John Wich and then secretary to the ambassador. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Terminology
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berghahn Books
Berghahn Books is a New York and Oxford-based publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ... of scholarly books and academic journals in the humanities and social sciences, with a special focus on Social anthropology, social & cultural anthropology, European history, politics, and Film studies, film & media studies. It was founded in 1994 by Marion Berghahn. Books division Berghahn Books publishes ca 140 new titles and some 80 paperback editions each year and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice: Current Reviews for Academic Libraries, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nixon In China
''Nixon in China'' is an opera in three acts by John Adams with a libretto by Alice Goodman. Adams's first opera, it was inspired by U.S. president Richard Nixon's 1972 visit to the People's Republic of China. The work premiered at the Houston Grand Opera on October 22, 1987, in a production by Peter Sellars with choreography by Mark Morris. When Sellars approached Adams with the idea for the opera in 1983, Adams was initially reluctant, but eventually decided that the work could be a study in how myths come to be, and accepted the project. Goodman's libretto was the result of considerable research into Nixon's visit, though she disregarded most sources published after the 1972 trip. To create the sounds he sought, Adams augmented the orchestra with a large saxophone section, additional percussion, and electronic synthesizer. Although sometimes described as minimalist, the score displays a variety of musical styles, embracing minimalism after the manner of Philip Glass alongside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semele (Handel)
''Semele'' ( HWV 58) is a 'musical drama', originally presented "after the manner of an oratorio", in three parts by George Frideric Handel. Based on an existing opera libretto by William Congreve, the work is an opera in all but name but was first presented in concert form at Covent Garden theatre on 10 February 1744. The story comes from Ovid's ''Metamorphoses'' and concerns Semele, mother of Bacchus. Handel also referred to the work as 'The Story of Semele'. The work contains the famous aria ''Where'er you walk.'' The work fuses elements of opera, oratorio and classical drama. ''Semele'' was presented during Lent, one of Handel's regular oratorio seasons. However it was not what London audiences were expecting of an oratorio during the solemn season of Lent. ''Semele'' has a secular text with a story involving an adulterous sexual relationship. It is distinguished from Handel's operas by the large number of polyphonic choruses. ''Semele'' was performed four times during its o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Hölle Rache Kocht In Meinem Herzen
"" ("Hell's vengeance boils in my heart"), commonly abbreviated "", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera ''The Magic Flute'' ('). It depicts a fit of vengeful rage in which the Queen of the Night places a knife into the hand of her daughter Pamina and exhorts her to assassinate Sarastro, the Queen's rival, else she will disown and curse Pamina. Memorable with its upper register staccatos, the fast-paced and menacingly grandiose "Der Hölle Rache" is one of the most famous of all opera arias. This rage aria is often referred to as the Queen of the Night Aria, although the Queen sings another distinguished aria earlier in the opera, "". Libretto The German libretto of ''The Magic Flute'' was written by Emanuel Schikaneder, who also led the theatre troupe that premiered the work and created the role of Papageno. Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Fühlt nicht dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the historical study of musical concepts and compositional techniques. The journal publishes research with important and broad applications in the analysis of music and the history of music theory as well as theoretical or metatheoretical work that engages and stimulates ongoing discourse in the field. While remaining true to its original formalist outlook, the journal also addresses the influences of philosophy, mathematics, computer science, cognitive sciences, and anthropology on music theory." The journal is currently edited by Richard Cohn. It has a long and distinguished history of past editors, including Allen Forte Allen, Allen's or Allens ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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