Ryusou
( ryu, ウチナースガイ/沖繩姿), also known as ( ja, 琉装りゅうそう, also written as ) and referred as in Okinawan, is the traditional dress of the Ryukyuan people. is a form of formal attire; it is customary to wear it on occasions such as wedding ceremony and the coming-of-age ceremony. The became popular during the Ryukyu Kingdom period. It was originally worn by the members of the royal family and by the nobles of Ryukyu Kingdom. The Ryukyu Kingdom was originally an independent nation which established trade relationship with many countries in Southeast Asia (Java, Malacca, and Palembang) and East Asia; they held their relationship with China as especially important. The development of the was influenced by both the and the kimono, demonstrating a combination of Chinese and Japanese influences along with local originality. Construction and design The shows a combination of Chinese and Japanese influences as well as local, native originality. Robes w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dancer In Bingata 1
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/ liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Obi (sash)
An is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The , which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men. Despite the kimono having been at one point and continuing to appear to be held shut by the , many modern are too wide and stiff to function in this way, with a series of ties known as , worn underneath the , used to keep the kimono closed instead. are categorised by their design, formality, material, and use, and can be made of a number of types of fabric, with heavy brocade weaves worn for formal occasions, and some lightweight silk worn for informal occasions. are also made from m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Futou
Futou (; also pronounced and written as ), also known as () and (), was one of the most important form of Chinese headwear in ancient China with a history of more than one-thousand years. The first appeared in Northern Zhou under the reign of Emperor Wu where it became prevalent. It was also commonly worn in the Tang and Song dynasties. The was typically worn by government officials. The was originally a turban-like headwear which was tied at the back of its wearer's head, the two corners would go to the opposite directions thus acting as decorations. From the Sui to the Ming dynasties, the evolved and was developed based on the . The eventually came to assume a variety of shapes and styles. The shape of the worn by the government officials in the Song and Ming dynasties was based on the of the Tang dynasty which was its precursor. The was also introduced in both Unified Silla and Balhae and continued to be worn by government officials until the late Joseon. The w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chūzan
was one of three kingdoms which controlled Okinawa in the 14th century. Okinawa, previously controlled by a number of local chieftains or lords, loosely bound by a paramount chieftain or king of the entire island, split into these three more solidly defined kingdoms within a few years after 1314; the Sanzan period thus began, and would end roughly one hundred years later, when Chūzan's King Shō Hashi conquered Hokuzan in 1419 and Nanzan in 1429. The united Okinawan state was called the Ryūkyū Kingdom, but would continue to be referred to as "Chūzan" in various official documents of the Ryukyuan royal government, and those of many other states in the region. History Tamagusuku succeeded his father Eiji (Ryukyu), Eiji as kingEiji is also identified as head chieftain of Okinawa of Okinawa at the age of nineteen, in 1314. However, he lacked the charisma or leadership abilities to command the respect and loyalty of the various territorial lords (''aji (Ryūkyū), aji''), and ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sanzan Period
The is a period in the history of the Okinawa Islands when three lines of kings, namely , and , are said to have co-existed on Okinawa Island. It is said to have started during King Tamagusuku's reign (traditional dates: 1314–1336) and, according to Sai On's edition of the ''Chūzan Seifu'' (1725), ended in 1429 when Shō Hashi unified the island. Historical records of the period are fragmentary and mutually conflicting. Some even question the co-existence of the three polities. Contemporary sources Okinawa does not have their own contemporary records of the Sanzan period. Contemporary sources are limited to Chinese and, to a far lesser extent, Korean diplomatic records. They are in a fragmentary fashion and probably overshadowed by diplomatic fictions. Since the Chinese sources simply record local rulers who contacted China, they do not rule out the possibility that some other local rulers co-existed without establishing diplomatic contacts. For this reason, Okinawa's real s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hajichi
are traditional tattoos worn on the hands of Ryukyuan (mainly Okinawan) women. History The custom was first recorded in the 16th century but is believed to date back much further. The tattoos could represent pride in being a woman, beauty, and protection. They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked ''hajichi'' would risk suffering in the afterlife. After annexation The tattoos were banned by the Meiji government in 1899, but the practice continued for many years. The ban was mainly to crack down on independent Ryukyuan culture because it was deemed "primitive" by ethnic Yamato people. American servicemen during World War II were taught that one could distinguish between some Okinawan women and mainland Japanese women through ''hajichi''. Nonetheless the practise became less and less common over time and by the 1950s most young ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Satto
Satto (察度) (1321 – November 17, 1395) was King of Chūzan. He is the first ruler of Okinawa Island who was recorded by contemporary sources. His reign was marked by expansion and development of Chūzan's trade relations with other states, and the beginning of Okinawa's tributary relations with Ming dynasty China, a relationship that continued for roughly five hundred years, almost until the fall of the Qing dynasty. Satto was Governor of the Urasoe district, which surrounded and included Chūzan's capital. On the death of chief Seii in 1350, Satto seized the throne for himself. His own line, or dynasty, however, did not last past his son, Bunei, who was ousted in 1405. Chinese envoys arrived in Chūzan in 1372, requesting admission of Chinese cultural supremacy and that Okinawa send representatives to Nanjing. Satto complied with these requests without hesitation, as this granted him formal license to trade with the most powerful nation in the region. He sent his young ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zhiduo (clothing)
( viz. : and and ), also known as (; ) when it is decorated with outside pendulums, and (), refers to two types of traditional () or (-structured) which were worn as outer robes by men in the broad sense; i.e. the casual in and the priests’ , in the broad sense. As a specific term, the refers to the former. The was also called by Wang Zhishen in the Ming dynasty although the refers to another kind of . Nowadays, the is sometimes referred as . In present days Taiwan, the is also worn by the Zhenyi Taoist priests. The term "" can also be a specific term which refers to the long black or yellow robe worn by Buddhist monks. The was also introduced in both Japan and Korea where Chinese Buddhism had been spread. In Japan, the was pronounced . In Korea, the was pronounced as (), and was also referred as the () of the Buddhist monks; the was worn under the Kasaya until the early Joseon period. Origins and history The Buddhist monk's was worn as early as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eiso (king)
was a semi-legendary ruler of Okinawa Island. He was the founding monarch of the Eiso dynasty. The name Eiso superficially looks like a temple name but the scholarly consensus is that it represents Iso (伊祖), a settlement in modern-day Urasoe, Okinawa. ''Wezo no ikusamoi'' (good commander of Iso), who appears in the archaic poem collection ''Omoro Sōshi'', is usually identified as Eiso. Life According to Sai Taku's edition of the ''Chūzan Seifu'' (1701), Eiso was born as son of Eso Yononushi (恵祖世主), a descendant of the Tenson dynasty, who is said to have descended from the goddess of creation. The ''Chūzan Seikan'' (1650) is inconsistent about their relationship. The section of Gihon treats Eiso as the son of Eso Yononushi while the section of Eiso states that he was Eso Yononushi's grandson. The ''Chūzan Seikan'' claims that his mother gave birth after she dreamed of the Supreme Deity. The ''Chūzan Seifu'' is more explicit about the miraculous birth and is charact ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |