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Rumba Quinto
The quinto (literally ''fifth'' in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures. In columbia, triple pulse is the primary structure and duple pulse is secondary. In yambú and guaguancó duple-pulse is primary and triple-pulse is secondary. Quinto performance in rumba The optimum expression of quinto phrasing is shaped by its interaction with the dance and the song, in other words, the complete social event, which is rumba. Quinto interaction with the song During the verses of the song the quinto is capable of sublime creativity, while musically subordinate to the lead vocalist. There are natural pauses in the cadence of the verses, typically one or two measures in length, where the quinto can play succinct phra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abakuá
Abakuá, also sometimes known as Ñañiguismo, is an Afro-Cuban men's initiatory fraternity or secret society, which originated from fraternal associations in the Cross River (Nigeria), Cross River region of southeastern Nigeria and southwestern Cameroon. Abakuá has been described as "an Afro-Cuban version of Freemasonry". The Cuban artist Belkis Ayón intensively investigated the Abakuá mythology in her prints. History Origins in Cuba Known generally as Ekpe, Egbo, Ngbe, or Ugbe among the multi-lingual groups in the region, it was believed that ''Ñáñigos'', as the members are known, could be transformed into leopards to stalk their enemies. In contemporary Haiti, where secret societies have remained strong, an elite branch of the army that was set up to instill fear in the restless masses was named The Leopards. Among the less mystical ''Ñáñigo'' revenges was the ability to turn people over to slavers. In Africa they were notorious operators who had made regular de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Leather i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makuta (drum)
''Makuta'' drums are tall cylindrical or barrel-shaped Afro-Cuban drums, often cited as an important influence on the development of the ''tumbadora'' or conga drum. They are used in sacred dance-drumming ceremonies associated with the descendants of slaves brought to Cuba from Central Africa. The word ''makuta'' is also used to refer to the dancing and rhythms associated with these drums. Construction Makuta drum construction has a number of regional variations, but the ensemble usually consists of only two drums. Generally, all are created from wooden staves, similar to the way a barrel would be constructed. Both sizes have a goat skin head at the top of the drum and are open on the opposite end. They are commonly around 1 meter in height and their heads vary from approximately 30 cm to 40 cm in diameter. The large lead drum is known variously as ''caja'', ''nsumbi'', or ''ngoma'' and is usually barrel shaped. Its head is attached with a tensioning system of metal r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congo (area)
The Congo Basin (french: Bassin du Congo) is the sedimentary basin of the Congo River. The Congo Basin is located in Central Africa, in a region known as west equatorial Africa. The Congo Basin region is sometimes known simply as the Congo. It contains some of the largest tropical rainforests in the world and is an important source of water used in agriculture and energy generation. The rainforest in the Congo Basin is the largest rainforest in Africa and second only to the Amazon rainforest in size, with 300 million hectares compared to the 800 million hectares in the Amazon. Because of its size and diversity, many experts have characterized the basin's forest as important for mitigating climate change because of its role as a carbon sink. However, deforestation and degradation of the ecology by the impacts of climate change may increase stress on the forest ecosystem, in turn making the hydrology of the basin more variable. A 2012 study found that the variability in precipita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Pattern
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and install ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for temporal organization in Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, rumba, conga, son, mambo, salsa, songo, timba and Afro-Cuban jazz. The five-stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songo Music
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s. Blas Egües was the first drummer in Los Van Van, but it was the band's second drummer, José Luis Quintana "Changuito", who developed songo into the world-wide phenomenon it is today. Songo is the most famous of the post-Revolution Cuban rhythms, beginning with the mozambique, which drew from the deep well of Afro-Cuban folkloric rhythms (mainly rumba). During the 1970s, many Cuban bands created their own original rhythms: Los Van Van invented songo; Orquesta Ritmo Oriental—''nueva onda''; Orquesta Tipica Juventud—''bata cinco'', and Orquesta Revé named their invention—'' changüí'', after the "funky," folkloric proto-son music of the 19th century. Songo is a precurs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumbao
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called ''tumbao''. In the contemporary form of Cuban popular dance music known as timba, piano guajeos are known as ''tumbaos''. Bass pattern Clave-neutral The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. Often the last note of the measure is held over the downbeat of the next measure. In this way, only the two offbeats of tresillo are sounded. The first offbeat is known as ''bombo'', and the second offbeat (last note) is sometimes referred to as ''ponche''. The following example is written in cut-time (2/2). Clave-aligned Arsenio Rodríguez's group introduced bass tumbaos that have a specific alignment with clave. The 2-3 bass line of "Dame un cachito pa' huele" (1946) coincides with three of the clave's five strokes. Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
