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Rota Fortunae
In medieval and ancient philosophy the Wheel of Fortune, or ''Rota Fortunae'', is a symbol of the capricious nature of Fate. The wheel belongs to the goddess Fortuna (Greek equivalent Tyche) who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus, but was greatly popularized for the Middle Ages by its extended treatment in the ''Consolation of Philosophy'' by Boethius from around 520. It became a common image in manuscripts of the book, and then other media, where Fortuna, often blindfolded, turns a large wheel of the sort used in watermills, to which kings and other powerful figures are attached. Origins The origin of the word is from the "wheel of fortune"—the zodiac, referring to the Celestial spheres of which the 8th holds the stars, and the 9th is where the signs of the zodiac are placed. The concept was first invented in ...
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Fortune Wheel (15c
Fortune may refer to: General * Fortuna or Fortune, the Roman goddess of luck * Luck * Wealth * Fortune, a prediction made in fortune-telling * Fortune, in a fortune cookie Arts and entertainment Film and television * ''The Fortune'' (1931 film), a French film * ''The Fortune'', a 1975 American film * Fortune TV, Burma * '' Fortune: Million Pound Giveaway'', a 2007 UK TV programme * "Fortune" (''Smallville''), a US TV episode Music * Fortune Records, 1946–1995 * Fortune (band), 1980s, US * The Fortunes, an English harmony beat group * ''Fortune'' (Beni album), 2011 * ''Fortune'' (Callers album) and its title song, 2008 * ''Fortune'' (Chris Brown album), 2012 * "Fortune" (song), by Nami Tamaki, 2005 * "Fortune", a song by Emma Pollock from ''Watch the Fireworks'', 2007 * "Fortune", a song by Great Big Sea from ''Sea of No Cares'', 2002 Sports and games * Fortune (''Metal Gear''), a video game character * Fortune (professional wrestling) Theatres * Fortune Playhouse, a t ...
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Geoffrey Chaucer
Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for ''The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific ''A Treatise on the Astrolabe'' for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament. Among Chaucer's many other works are ''The Book of the Duchess'', ''The House of Fame'', ''The Legend of Good Women'', and ''Troilus and Criseyde''. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Chaucer's contemporary Thomas Hoccleve hailed him as "the firste fyndere of our ...
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Everyman (15th-century Play)
''The of Everyman'' (''The Summoning of Everyman''), usually referred to simply as ''Everyman'', is a late 15th-century morality play. Like John Bunyan's 1678 Christian novel ''The Pilgrim's Progress'', ''Everyman'' uses allegorical characters to examine the question of Christian salvation and what Man must do to attain it. Summary The will is that the good and evil deeds of one's life will be tallied by God after death, as in a ledger book. The play is the allegorical accounting of the life of Everyman, who represents all mankind. In the course of the action, Everyman tries to convince other characters to accompany him in the hope of improving his life. All the characters are also mystical; the conflict between good and evil is shown by the interactions between the characters. Everyman is being singled out because it is difficult for him to find characters to accompany him on his pilgrimage. Everyman eventually realizes through this pilgrimage that he is essentially alone, de ...
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Morality Play
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist."King, Pamela M. "Morality Plays." In ''The Cambridge Companion to Medieval English Theatre'', edited by Richard Beadle and Alan J. Fletcher. 2nd ed. Cambridge University Press, Cambridge, 2008: 235-262, at 235. English morality plays Hildegard von Bingen's ''Ordo Virtutum'' (English: "Order of the Virtues"), composed c. 1151 in Germany, is the earliest known morality play by more than a century, and the only medieval musica ...
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Allegory In The Middle Ages
The four senses of Scripture is a four-level method of interpreting the Bible. This method originated in Judaism and was taken up in Christianity by the Church Fathers. In Kabbalah the four meanings of the biblical texts are literal, allusive, allegorical, and mystical. In Christianity, the four senses are literal, allegorical, tropological and anagogical. History Judaism In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. Late Antiquity The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus (c. 20 BC – c. 50 AD), whose allegorical reading of the Septuagint synthesized the traditional Jewish narratives with Platonism. Philo's allegorizing, in which he continued an earlier tradition, had little effect on later Jewish thought, in part because the Jewish culture of Al ...
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Edward Burne-Jones - The Wheel Of Fortune
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. Peop ...
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Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ...
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Medieval Philosophy
Medieval philosophy is the philosophy that existed through the Middle Ages, the period roughly extending from the fall of the Western Roman Empire in the 5th century until after the Renaissance in the 13th and 14th centuries. Medieval philosophy, understood as a project of independent philosophical inquiry, began in Baghdad, in the middle of the 8th century, and in France, in the itinerant court of Charlemagne, in the last quarter of the 8th century. It is defined partly by the process of rediscovering the ancient culture developed in Greece and Rome during the Classical period, and partly by the need to address theological problems and to integrate sacred doctrine with secular learning. The history of medieval philosophy is traditionally divided into two main periods: the period in the Latin West following the Early Middle Ages until the 12th century, when the works of Aristotle and Plato were rediscovered, translated, and studied upon, and the "golden age" of the 12th, 13th ...
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Castlecary
Castlecary () is a small historic village in North Lanarkshire, Scotland, directly adjacent to the border with Falkirk. It has long been associated with infrastructure, being adjacent to a bridged river, a Roman fort and roads, a nationwide canal, a Victorian railway viaduct, and a modern motorway. Castlecary is close to the town of Cumbernauld but like Dullatur and Luggiebank is not officially part of the town. Around 1725, the barony of Castlecary, with a population of just seventeen families, was disjoined from the parish of Falkirk, and annexed to Cumbernauld quoad sacra. Castlecary is also near Allandale which, though in the Falkirk council area, was built for Castlecary fireclay workers. Roman Heritage Castlecary, like many other settlements in the area, is steeped in the Roman history of Scotland. The route of the Antonine Wall passes through the village. Around 80 AD, a Roman camp was built at Castlecary. It may have been during governor Agricola's fourth campaign sea ...
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Cornucopia
In classical antiquity, the cornucopia (), from Latin ''cornu'' (horn) and ''copia'' (abundance), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking. In Greek/Roman mythology Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Cronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amaltheia ("Nourishing Goddess"), who fed him with her milk. The suckling future king of the gods had unusual ...
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Gubernaculum (classical)
A gubernaculum in classical references describes a ship's rudder or steering oar. The English word government is related to the word. The Old English word governail and the Scots word gouernaill are both derived from it. Classical history The ancient rudder's different parts were distinguished by the following names: ansa, the handle; clavus, the shaft; pinna, the blade. The famous ship ''Tessarakonteres'' or "Forty" is said to have had four rudders. In the Bible, Paul's ship, which was shipwrecked on Malta, had its rudders (plural) cut loose. Classical depiction Various gods such as Tritons and Venus have been shown with a gubernaculum. It is most associated with Fortuna since, along with the cornucopia, it is an item that she is often depicted as holding. The corresponding Greek god Tyche is also regularly shown with a gubernaculum. There are abundant depictions of Fortuna holding the gubernaculum on coins, in paintings, on altars and statues or statuettes. Fortuna is depicted ...
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