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Ricercar
A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing. In its most common contemporary usage, it refers to an early kind of fugue, particularly one of a serious character in which the subject uses long note values. However, the term has a considerably more varied historical usage. Among the best-known ricercars are — for harpsichord — the two contained in Bach's ''Musical Offering'', and Domenico Gabrielli's set of seven for solo cello. The latter set contains what are considered to be some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiori Musicali
''Fiori musicali'' ("''Musical Flowers''") is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi's greatest works, ''Fiori musicali'' influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers, and parts of it were included in the celebrated ''Gradus ad parnassum'', a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century. History ''Fiori musicali'' was first published in Venice in 1635, when Frescobaldi was working as organist of St. Peter's Basilica in Rome, under the patronage of Pope Urban VIII and his nephew Cardinal Francesco Barberini. It may have been conceived as music for St Mark's Basilica or a similarly important church. The collection was printed by Giacomo Vincenti (a celebrated publisher who had previously published reprints of Frescobaldi's capri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Offering
''The Musical Offering'' (German: or ), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The ''Ricercar a 6'', a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the ''Prussian Fugue'', a name used by Bach himself. The composition is featured in the opening section of Douglas Hofstadter's Pulitzer Prize winning book ''Gödel, Escher, Bach'' (1979). History The collection has its roots in a meeting between Bach and Frederick II on May 7, 1747. The meeting, taking place at the king's residence in Potsdam, came about because Bach's son Carl Phili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Offering
''The Musical Offering'' (German: or ), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The ''Ricercar a 6'', a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the ''Prussian Fugue'', a name used by Bach himself. The composition is featured in the opening section of Douglas Hofstadter's Pulitzer Prize winning book ''Gödel, Escher, Bach'' (1979). History The collection has its roots in a meeting between Bach and Frederick II on May 7, 1747. The meeting, taking place at the king's residence in Potsdam, came about because Bach's son Carl Philipp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Frescobaldi
Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by many composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo. Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Cappella Giulia (a musical organisation), from 21 July 1608 until 1628 and again from 1634 until his death. Frescobaldi's printed collections contain some of the most influential music of the 17th century. His work influenced Johann Jakob Froberger, Johann Sebastian Bach, Henry Purcell, and other major composers. Pieces from his celebrated collection of liturgical organ music, '' Fiori musicali' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Dall'Aquila
Marco Dall'Aquila (c.1480 – after 1538) was a Venetian lutenist and composer known for musical forms called polyphonic ricercars. He was born in L'Aquila but lived and worked in Venice. He often performed at concerts in the houses of nobles in the city, and in 1505 he published ''Tabullatura et rasone de metter ogni canto in liuto''. On 11 March 1505, Dall'Aquila also received a grant for a petition where he claimed to have developed a method of printing tablature Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many fr ... which he could use to score any lute composition into tablature. In the petition for the grant, he also asked for a ban on other printing methods and imports of music scored by other methods, and for a portion of penalties paid for infringement. However, no printed edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapuntal
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Gabrielli
Domenico Gabrielli (15 April 1651 or 19 October 1659 – 10 July 1690) was an Italian Baroque composer and one of the earliest known virtuoso cello players, as well as a pioneer of cello music writing. Born in Bologna, he worked in the orchestra of the church of San Petronio and was also a member and for some time president ''(principe)'' of the Accademia Filarmonica of Bologna. During the 1680s he also worked as a musician at the court of Duke Francesco II d'Este of Modena. Gabrielli wrote several operas as well as instrumental and vocal church works. He is especially notable as the composer of some of the earliest attested works for solo cello (two sonatas for cello and basso continuo, a group of seven ricercari for unaccompanied cello, and a canon for two cellos). Among his contemporaries, his own virtuoso performances on this instrument earned him the nickname ''Mingain'' (or ''Minghino'') ''dal viulunzeel,'' a dialect form meaning "Dominic of the cello." Works, editions and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
