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Relative Major Key
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Minor
B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used. The B-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are: : : Characteristics B-flat minor is traditionally a 'dark' key. The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80. Notable classical compositions * Charles-Valentin Alkan ** '' Prelude Op. 31'', No. 12 (Le temps qui n'est plus) ** Symphony for Solo Piano, 3rd movement: Menuet *Samuel Barber **''Ada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-flat Major
D-flat major (or the key of D-flat) is a major scale based on D, consisting of the pitches D, E, F, G, A, B and C. Its key signature has five flats. It is enharmonically equivalent to C-sharp major. The D-flat major scale is: : Its relative minor is B-flat minor. Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B ( B-double-flat) in its key signature making it impractical to use. C-sharp major, the enharmonic equivalent to D-flat major, has a similar problem as it contains seven sharps. Therefore, D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor). For example, in his Prelude No. 15 in D-flat major ("Raindrop"), Frédéric Chopin switches from D-flat major to C-sharp minor for the middle section in the parallel minor, while in his ''Fantaisie-Impromptu'' and Scherzo No. 3, primarily in C-sharp minor, he switche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Minor
E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps. The E-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic minor and melodic minor scales are: : : Music in E-flat minor In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. In Book 1 of ''The Well-Tempered Clavier'' by Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor. Haydn's Piano Trio No. 41, H. XV.31 in two movements, composed in 1794/95 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G-flat Major
G-flat major (or the key of G-flat) is a major scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has six flats. Its relative minor is E-flat minor (or enharmonically D-sharp minor), and its parallel minor is G-flat minor, which is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains the same number of sharps as the G-flat major key does flats. The G-flat major scale is: : Characteristics Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert. It is the predominant key of Maurice Ravel's ''Introduction and Allegro'' for harp, flute, clarinet and string quartet. A striking use of G-flat major can be found in the love duet "Tu l'as dit" that concludes the fourth act of Giacomo Meyerbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Minor
A-flat minor is a minor scale based on A♭ (musical note), A, consisting of the pitches A, B♭ (musical note), B, C♭ (musical note), C, D♭ (musical note), D, E♭ (musical note), E, F♭ (musical note), F, and G♭ (musical note), G. Its key signature has seven flats. Its Relative key, relative major is C-flat major (or enharmonically B major), its parallel key, parallel major is A-flat major, and its enharmonic equivalent is G-sharp minor. The A-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-flat Harmonic minor scale, harmonic minor and Melodic minor scale, melodic minor scales are: : : Music in A-flat minor Although A-flat minor occurs in modulation in works in other keys, it is only rarely used as the principal key of a piece of music. Some well-known uses of the key in classical and romantic piano music include: * The Funeral March in Ludwig van Beethoven's P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-flat Major
C-flat major (or the key of C-flat) is a major scale based on C♭ (musical note), C, consisting of the pitches C, D♭ (musical note), D, E♭ (musical note), E, F♭ (musical note), F, G♭ (musical note), G, A♭ (musical note), A, and B♭ (musical note), B. Its key signature has seven Flat (music), flats. Its Relative key, relative minor is A-flat minor (or enharmonically G-sharp minor), and its Parallel key, parallel minor is C-flat minor, usually replaced by B minor, since C-flat minor's three Double-flat, double-flats make it impractical to use. The direct enharmonic equivalent of C-flat major is B major, a key signature with five sharps. The C-flat major scale is: C-flat major is the only major or minor key, other than theoretical keys, which has "flat" or "sharp" in its name, but whose tonic note is the enharmonic equivalent of a Natural (music), natural note (a white key on a keyboard instrument). Use in harp music C-flat major is the home key of the harp, with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Of Fifths
In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval of diminished sixth to be treated as a fifth). If C is chosen as a starting point, the sequence is: C, G, D, A, E, B (=C), F (=G), C (=D), A, E, B, F. Continuing the pattern from F returns the sequence to its starting point of C. This order places the most closely related key signatures adjacent to one another. It is usually illustrated in the form of a circle. Definition The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in a clockwise progression. Musicians and composers often use the circle of fifths to describe the musical relationships between pitches. Its design is helpful in composing and harmonizing melodies, building chords, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
