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Registration Distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and source) of a lens mount system is the distance from the mounting flange (the interlocking metal rings on the camera and the rear of the lens) to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is not to be confused with depth of field. Lenses can be adapted from one mount (and respective FFD) to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical adapt ...
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Flange Focal Length (2 Types Camera)
A flange is a protruded ridge, lip or rim, either external or internal, that serves to increase strength (as the flange of an iron beam such as an I-beam or a T-beam); for easy attachment/transfer of contact force with another object (as the flange on the end of a pipe, steam cylinder, etc., or on the lens mount of a camera); or for stabilizing and guiding the movements of a machine or its parts (as the inside flange of a rail car or tram wheel, which keep the wheels from running off the rails). Flanges are often attached using bolts in the pattern of a bolt circle. The term "flange" is also used for a kind of tool used to form flanges. Plumbing or piping A flange can also be a plate or ring to form a rim at the end of a pipe when fastened to the pipe (for example, a closet flange). A blind flange is a plate for covering or closing the end of a pipe. A flange joint is a connection of pipes, where the connecting pieces have flanges by which the parts are bolted together. A ...
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C-mount
A C mount is a type of lens mount commonly found on 16 mm movie cameras, closed-circuit television cameras, machine vision cameras and microscope phototubes. C-mount lenses provide a male thread, which mates with a female thread on the camera. The thread is nominally in diameter, with 32 threads per inch (0.794 mm pitch), designated as "1-32 UN 2A" in the ANSI B1.1 standard for unified screw threads. The flange focal distance is for a C mount. Merely to say that a lens is "C-mount" says very little about the lens's intended use. C-mount lenses have been made for many different formats. C-mount lenses are built for the 8 mm and 16 mm film formats and the 1/3", 1/2", 2/3", 1", and 4/3" video formats, which corresponds to a range of image circles approximately from 5 to 22 mm in diameter. Depending on the format, the design of the lens and its performance will differ considerably. For example, for the 4/3 format, a 12 mm lens is a wide-angle lens and will hav ...
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Canon RF Mount
The Canon RF lens mount is an interchangeable-lens mount developed by Canon for its full-frame mirrorless interchangeable-lens cameras, and featured first by the EOS R, followed by the EOS RP. The RF mount was announced in September 2018. In May 2022, Canon announced APS-C EOS R cameras (the EOS R10 and EOS R7) and RF-S lenses designed for these cameras. The RF mount allows for the use of Canon EF and EF-S mount lenses using one of three Canon-made lens adapters. When an RF-S or EF-S lens is attached, however, the camera will only function as an APS-C camera, not a full-frame camera. Details Canon full-frame cameras have used the EF lens mount since 1987. In comparison with that mount, the RF mount's inner diameter is the same at 54 mm. The RF mount's flange focal distance at 20 mm is much shorter than that of the Canon EF and EF-S mounts at 44 mm. The EF-M mount has a flange focal distance of 18 mm. An EF-EOS R lens adapter enables Canon EF, EF-S, T ...
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127 Film
127 is a roll film format for still photography introduced by Kodak in 1912. The film itself is 46 mm wide, placing it between 35 mm and 120 "medium format" films in terms of size. The image format normally used is a square 4 cm × 4 cm. However, rectangular 4 cm × 3 cm and 4 cm × 6 cm are also standard. 127 enjoyed mainstream popularity until its usage began to decline from the 1960s onwards in the face of newer, cartridge-based films. However, it survives as a niche format and is still in production. Technical details 127 is a roll film, 46 mm wide. Frame number markings for the 4×4 and 4×6 image formats are printed on the backing paper, while 4×3 cameras typically have two frame counter windows, exposing the left and right halves of the 4×6 frame. Using the square format, there are 12 exposures per roll; 4×3 and 4×6 give 16 and 8, respectively. Less commonly, other frame sizes have be ...
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Hasselblad
Victor Hasselblad AB is a Swedish manufacturer of medium format cameras, photographic equipment and image scanners based in Gothenburg, Sweden. The company originally became known for its classic analog medium-format cameras that used a waist-level viewfinder. Perhaps the most famous use of the Hasselblad camera was during the Apollo program missions when the first humans landed on the Moon. Almost all of the still photographs taken during these missions used modified Hasselblad cameras. In 2016, Hasselblad introduced the world's first digital compact mirrorless medium-format camera, the X1D-50c, changing the portability of medium-format photography. Hasselblad produces about 10,000 cameras a year from a small three-storey building. Company history The company was established in 1841 in Gothenburg, Sweden, by Fritz Wiktor Hasselblad, as a trading company, F. W. Hasselblad and Co. The founder's son, Arvid Viktor Hasselblad, was interested in photography and started the phot ...
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Sony FZ-mount
CineAlta cameras are a series of professional digital movie cameras produced by Sony that replicate many of the same features of 35mm film motion picture cameras. Concept CineAlta is a brand name used by Sony to describe various products involved in content creation, production and exhibition process within digital cinema workflow. Now Sony's products branded as CineAlta include camera, camcorder, recorder, cinema server, and projector. "CineAlta" is a portmanteau of Cine, from cinematography, and Alta, an Italian word for "high". Logo The first CineAlta logo was designed by Hiroki Oka, Chief Art Director of Sony CreativeWorks Corporation, based at the Sony Atsugi Technology Center. The twinned ribbons represent the marriage of film and videotape, arranged in a way to deliberately evoke the infinity symbol, to symbolize the infinite possibilities. The CineAlta logo was updated by Tetsuro Sano and applied for the first time to the F65. Format CineAlta cameras record onto ...
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List Of Sony E-mount Lenses
Sony released the following ''SEL'' (for: ''S''ony ''E''-mount ''L''ens) lenses for Sony E-mount cameras since 2010. They are also compatible with Hasselblad E-mount cameras. Some of the lenses introduced into the line have been developed in cooperation with Carl Zeiss AG, Carl Zeiss (as indicated). List of Sony E-mount APS-C zoom lenses List of Sony E-mount APS-C prime lenses List of Sony E-mount full frame zoom lenses List of Sony E-mount full frame prime lenses List of Sony E-mount lens accessories Key: See also * List of third-party E-mount lenses * List of Minolta A-mount lenses * Zeiss Planar * Zeiss Sonnar * * Zeiss Vario-Tessar References {{reflist Sony E-mount lenses, ...
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Sony E-mount
The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience") and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by: * Minimising mechanical complexity, removing mechanical aperture and focus drive. * Shortening the flange focal distance to 18 mm compared with earlier offerings from Sony which used 44.5 mm. * Reducing the radius of the flange. The short flange focal distance prohibits the use of an optical viewfinder, as a mirror box mechanism cannot be included in this reduced distance. Therefore all E-mount cameras use an electronic viewfinder. History Initially, E-mount was implemented on the Sony α NEX-3 and NEX-5 consumer-targeted devices with APS-C sized sensors. E-mount integration into Sony camcorder products was provided with the Sony Handycam NEX-VG10. On 2 ...
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List Of Canon EF-M Lenses
The Canon EF-M lens mount, introduced in 2012, is a derivative of the Canon EF lens mount designed for use with the Canon EOS M mirrorless interchangeable-lens camera. The EF-M lens mount is one of Canon's two new systems for mirrorless cameras, the other being the RF mount. The M system has an 18 mm flange focal distance (compared to 20 mm for RF and 44 mm for EF and EF-S) and a 47 mm throat diameter (compared to 54 mm for EF, EF-S, and RF). As it is designed for use with an APS-C-sized image sensor, it features the same crop factor In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital ca ... (of roughly 1.6) as the existing EF-S lens mount. The M system is somewhat limited as Canon has issued relatively few native lenses, listed below. There is a lack of native ...
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Canon EF-M Mount
The Canon EF-M lens mount, introduced in 2012, is a derivative of the Canon EF lens mount designed for use with the Canon EOS M mirrorless interchangeable-lens camera. The EF-M lens mount is one of Canon's two new systems for mirrorless cameras, the other being the RF mount. The M system has an 18 mm flange focal distance (compared to 20 mm for RF and 44 mm for EF and EF-S) and a 47 mm throat diameter (compared to 54 mm for EF, EF-S, and RF). As it is designed for use with an APS-C-sized image sensor, it features the same crop factor In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital ca ... (of roughly 1.6) as the existing EF-S lens mount. The M system is somewhat limited as Canon has issued relatively few native lenses, listed below. There is a lack of native le ...
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Fujifilm X-mount
The Fujifilm X-mount is a type of interchangeable lens mount designed by Fujifilm for use in those cameras in their X-series line that have interchangeable-lenses. These lenses are designed for 23.6mm x 15.6mm APS-C sensors. Various lens manufacturers use this mount, such as Fujifilm's own XF and XC lenses, Carl Zeiss AG (Touit lenses), Samyang Optics, Handevision, SLR Magic, Viltrox and Zhongyi Optics. Additionally, a host of adapters for a range of SLR lenses are available, allowing the mounting of lenses (without autofocus or auto aperture) from Canon, Nikon, Pentax, Minolta, Contax/Yashica, Konica and more. This mount type should not be confused with the discontinued Fujica X-mount, which is not compatible with the newer X-mount without an adapter. Fujifilm X-Mount cameras Fujifilm has released the following cameras that use the X-mount: *Fujifilm X-A1 *Fujifilm X-A2 *Fujifilm X-A3 *Fujifilm X-A5 *Fujifilm X-A7 *Fujifilm X-A10 *Fujifilm X-A20 *Fujifilm X-E1 *Fujifilm X ...
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