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Rederijker
Chambers of rhetoric ( nl, rederijkerskamers) were dramatic societies in the Low Countries. Their members were called Rederijkers (singular Rederijker), from the French word 'rhétoricien', and during the 15th and 16th centuries were mainly interested in dramas and lyrics. These societies were closely connected with local civic leaders and their public plays were a form of early public relations for the city.Reformers on stage: popular drama and religious propaganda in the low countries by Gary Waite on History The first chambers of rhetoric were founded in |
Chamber Of Rhetoric
Chambers of rhetoric ( nl, rederijkerskamers) were dramatic societies in the Low Countries. Their members were called Rederijkers (singular Rederijker), from the French word 'rhétoricien', and during the 15th and 16th centuries were mainly interested in dramas and lyrics. These societies were closely connected with local civic leaders and their public plays were a form of early public relations for the city.Reformers on stage: popular drama and religious propaganda in the low countries by Gary Waite on History The first chambers of rhetoric were founded in |
Dutch Literature
Dutch language literature () comprises all writings of literary merit written through the ages in the Dutch language, a language which currently has around 23 million native speakers. Dutch-language literature is the product of the Netherlands, Belgium, Suriname, the Netherlands Antilles and of formerly Dutch-speaking regions, such as French Flanders, South Africa, and Indonesia. The Dutch East Indies, as Indonesia was called under Dutch colonization, spawned a separate subsection in Dutch-language literature. Conversely, Dutch-language literature sometimes was and is produced by people originally from abroad who came to live in Dutch-speaking regions, such as Anne Frank and Kader Abdolah. In its earliest stages, Dutch-language literature is defined as those pieces of literary merit written in one of the Dutch dialects of the Low Countries. Before the 17th century, there was no unified standard language; the dialects that are considered Dutch evolved from Old Frankish. A separate A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish Literature
Flemish literature is literature from Flanders, historically a region comprising parts of present-day Belgium, France and the Netherlands. Until the early 19th century, this literature was regarded as an integral part of Dutch literature. After Belgium became independent from the Netherlands in 1830, the term Flemish literature acquired a narrower meaning and refers to the Dutch-language literature produced in Belgium. It remains a part of Dutch-language literature. Medieval Flemish literature In the earliest stages of the Dutch language, a considerable degree of mutual intelligibility with some (what we now call) German dialects was present, and some fragments and authors are claimed for both realms. Examples include the 12th-century poet Hendrik van Veldeke, who is claimed by both Dutch and German literature. In the first stages of Flemish literature, poetry was the predominant form of literary expression. In the Low Countries as in the rest of Europe, courtly romance and poetr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Dutch Literature
Middle Dutch literature (1150–1500) is the Dutch literature produced in the Low Countries from the 12th century to the 16th century. It is preceded by only a few fragmentary texts existing in Old Dutch, and it was succeeded by Dutch Renaissance and Golden Age literature. Early stages In the first stages of Dutch literature, poetry was the predominant form of literary expression. In the Low Countries as in the rest of Europe, courtly romance and poetry were popular genres during the Middle Ages. The chivalric epic was a popular genre as well, often featuring King Arthur or Charlemagne (''Karel'') as protagonist (with notable example of '' Karel ende Elegast'', Dutch for "Charlemagne and the elf-spirit/elf-guest"). The first Dutch language writer known by name is the 12th-century County of Loon poet Henric van Veldeke, an early contemporary of Walther von der Vogelweide. Van Veldeke wrote courtly love poetry, a hagiography of Saint Servatius and an epic retelling of the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trou Moet Blycken
Trou Moet Blycken is a historical chamber of rhetoric over 500 years old and currently a gentlemen's club located in the middle of a busy shopping area on the Grote Houtstraat in Haarlem, Netherlands. History Though the society probably goes back earlier in time, the earliest document from the archives shows that it definitely was mentioned by name in 1503, so this has been historically used as the year of establishment, most recently for the 500 year anniversary in 2003.Website of Trou Moet Blycken This was not the only chamber of rhetoric in Haarlem; The Haarlem painters Job Adriaenszoon Berckheyde and Salomon de Bray were members of the chamber called 'De Wijngaardranken'. The club has kept most of its rich archive and paraphernalia and often collaborates with local institutions such as the Frans Hals Museum, the Historisch Museum Haarlem and the to display some of their rich cultural artifacts of theater life in Haarlem and of the broader low countries of the 17th-century. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elckerlijc
''Elckerlijc'' (also known as ''Elckerlyc'') is a morality play from the Low Countries which was written in Dutch somewhere around the year 1470. It was first printed in 1495. The play was extremely successful and may have been the original source for the English play ''Everyman'', as well as many other translations for other countries. The authorship of ''Elckerlijc'' is attributed to Peter van Diest, a medieval writer from the Low Countries. The play won the first prize in a theater contest in Brabant; it is uncertain whether it won at the Antwerp Landjuweel in 1496. As a morality play, it stresses the didactic message. It uses allegory of the hero as an "everyman" (a typical human person) and is written in moderately elevated Rederijker style. Dutch and English historians argued for decades over whether the English play ''Everyman'' was based on ''Elckerlijc'' (or vice versa). The most convincing evidence that ''Elckerlijc'' was the original was provided by the En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chambers Of Rhetoric
A chamber of rhetoric was a civic society for the promotion of poetry, drama and eloquence. They also maintained literary contact between different towns, partly through competitions in which chambers from other places were invited to compete, producing a shared literary culture across different jurisdictions. Growing from medieval confraternities that performed mystery plays and miracle plays for feast days and civic festivals, they were widespread in the Low Countries during the Renaissance period, with some survivals and revivals in subsequent periods down to the present day. They were often named after flowers or patron saints. The following list, arranged by the town, city, liberty or lordship in which a chamber was active, is incomplete. Aalst * Barbaristen * Catharinisten Aarschot * Tervenbloesel Amsterdam * Egelantier * Wit Lavendel Antwerp * Goudbloem * Olyftack * Violieren Arendonk * Heilig Groetsel Asse * Barbaristen Bergen op Zoom * Jonge Vreugdebloem Breda * J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goudbloem
The Goudbloem (marigold) was a chamber of rhetoric, a society to promote poetry and drama, that dated back to the 15th century in Antwerp.A. A. Keersmaekers, ''Geschiedenis van de Antwerpse Rederijkerskamers in de jaren 1585–1635'' (Aalst, 1952) It was one of three drama guilds in the city, the other two being the ''Violieren'' and the ''Olyftack''. It ceased to exist around 1654. The Violieren and Olyftack merged in 1660, and survived until 1762. History The Goudbloem had particular links to the urban aristocracy (patricians) and officeholders, while the Violieren was associated with artists and intellectuals (and had ties to the Guild of St Luke) and the Olyftack primarily consisted of merchants and tradesmen. The earliest mention of the society is of a performance in 1490, after which the city magistrates granted the chamber an annual subsidy of £3 Brabant (the same amount received by the Violieren). The chamber competed in the ''Landjuweel'' (a rhetoric competition open to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Olijftak
De Olijftak (The Olive Branch), or in full (Confraternity of the Holy Spirit called the Olive Branch) was a chamber of rhetoric that dates back to the early 16th century in Antwerp, when it was a social drama society drawing its membership primarily from merchants and tradesmen.A. A. Keersmaekers, ''Geschiedenis van de Antwerpse Rederijkerskamers in de jaren 1585–1635'' (Aalst, 1952) In 1660 it merged with its former rival the Violieren (which was more closely associated with artists and intellectuals), and in 1762 the society was dissolved altogether. History The chamber took part in the ''landjuweel'' (a rhetoric competition for the whole Duchy of Brabant) at Mechelen in 1515, at Diest in 1521, at Brussels in 1532, at Mechelen in 1535, at Diest in 1541, and the final such competition, at Antwerp in 1561. The chamber also provided public entertainment at such events as the triumphal entry into Antwerp of Alexander Farnese, Duke of Parma. During the 1590s there were no regular p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violieren
The Violieren (wallflower or gillyflower) was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke.A. A. Keersmaekers, ''Geschiedenis van de Antwerpse Rederijkerskamers in de jaren 1585–1635'' (Aalst, 1952) It was one of three drama guilds in the city, the other two being the ''Goudbloem'' and the ''Olyftack''. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether. History Much of what is known today about Antwerp's chambers of rhetoric comes from the city and guild archives. According to a note by the year 1480 in the early records of the Guild of St. Luke, the chamber's first victory was at a "Landjuweel" (a rhetoric competition open to contenders from throughout the Duchy of Brabant) in Leuven that took place that year. Their motto was "Wt ionsten versaemt"(united in friendship). From 1490, the chamber received an annual grant from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Keersmaekers
August Albert Keersmaekers (1920–2009) was a Belgian literary scholar, with a particular interest in Dutch-language literature of the 17th through to early 20th centuries, and the literature of the Kempen. He identified a number of poems by Gerbrand Bredero, which had been assumed to reflect incidents in the poet's own life, as translations of French originals, fundamentally changing the understanding of Bredero's character and literary career. Life Keersmaekers was born in Retie on 26 October 1920, the youngest of five children in a farming family. He was educated at the local primary school and then at the Minor Seminary in Hoogstraten.Luc DaemsAugust Albert Keersmaekers ''Jaarboek van de Maatschappij der Nederlandse Letterkunde, 2012'' (2013), pp. 65-74. In 1938 the family moved to Arendonk, and August matriculated at the Catholic University of Leuven. During his years as a student he was also involved in literary and cultural activities. In 1942 he graduated Licentiate in G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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