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Re-amp
Re-amping is a process often used in multitrack recording in which a recorded signal is routed back out of the editing environment and run through external processing using effects units and then into a guitar amplifier and a guitar speaker cabinet or a reverb chamber. Originally, the technique was used mostly for electric guitars: it facilitates a separation of guitar playing from guitar amplifier processing—a previously recorded audio program is played back and re-recorded at a later time for the purpose of adding effects, ambiance such as reverb or echo, and the tone shaping imbued by certain amps and cabinets. The technique has since evolved over the 2000s to include many other applications. Re-amping can also be applied to other instruments and program, such as recorded drums, synthesizers, and virtual instruments. Examples of common re-amping objectives include taking a pre-recorded electric guitar track and adding musically pleasing amplifier distortion/overdrive, room ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DI Unit
A DI unit (direct input or direct inject) is an electronic device typically used in recording studios and in sound reinforcement systems to connect a high-output impedance, line level, unbalanced output signal to a low-impedance, microphone level, balanced input, usually via an XLR connector and XLR cable. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input jack. The DI performs level matching, balancing, and either active buffering or passive impedance matching/impedance bridging to minimize unwanted noise, distortion, and ground loops. DI units are typically metal boxes with input and output jacks and, for more expensive units, “ground lift” and attenuator switches. DI boxes are extensively used with professional and semi-professional PA systems, professional sound reinforcement systems and in sound recording studios. Manufacturers produce a wide range of units, from inexpensive, basic, passive units to expensive, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Pedal
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guitar a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Murch
Walter Scott Murch (born July 12, 1943) is an American film editor, director, writer and sound designer. With a career stretching back to 1969, including work on ''THX 1138'', ''Apocalypse Now'', '' The Godfather I'', '' II'', and '' III'', ''American Graffiti'', ''The Conversation'', ''Ghost'' and ''The English Patient'', with three Academy Award wins (from nine nominations: six for picture editing and three for sound mixing), he has been referred to by Roger Ebert as "the most respected film editor and sound designer in the modern cinema." David Thomson, in his '' New Biographical Dictionary of Film'', calls Murch "the scholar, gentleman and superb craftsman of modern film", adding that "in sound and editing, he is now without peer." Early life Murch was born in New York City, New York, the son of Katharine (née Scott) and Canadian-born Walter Tandy Murch (1907–1967), a painter. He is the grandson of Louise Tandy Murch, a music teacher who was the subject of the 1975 docume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Be (Beatles Album)
''Let It Be'' is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, almost a month after the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. The album topped charts in many countries, including both the UK and the US, but was a critical failure at the time, and ''Let It Be'' came to be regarded as one of the most controversial rock albums in history. Retroactively, general response has since become much more favorable. The album’s infamous rehearsals began at Twickenham Film Studios in January 1969 as part of a planned television documentary showing the Beatles' return to live performance. The filmed rehearsals were marked by ill feeling, leading to George Harrison's temporary departure from the group. As a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Spector
Harvey Phillip Spector (born Harvey Philip Spector; December 26, 1939January 16, 2021) was an American record producer and songwriter, best known for his innovative recording practices and entrepreneurship in the 1960s, followed decades later by his two trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s. Born in the Bronx, Spector moved to Los Angeles as a teenager and began his career in 1958 as a founding member of the Teddy Bears, for whom he penned "To Know Him Is to Love Him", a U.S. number-one hit. In 1960, after working as an apprentice to Leiber and Stoller, Spector co-founded Philles Records, and at the age of 21 became the youngest ever U.S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Nichols (recording Engineer)
Roger Scott Nichols (September 22, 1944 – April 9, 2011) was an American recording engineer, producer, and inventor. Nichols is best known for his work with the group Steely Dan and John Denver. He was also the audio engineer for numerous major music acts including the Beach Boys, Stevie Wonder, Frank Zappa, Crosby Stills & Nash, Al Di Meola, Rosanne Cash, Roy Orbison, Cass Elliot, Plácido Domingo, Gloria Estefan, Diana Ross, Béla Fleck and the Flecktones, Rickie Lee Jones, Kenny Loggins, Mark Knopfler, Eddie Murphy, Michael McDonald, James Taylor, and Toots Thielemans, among others. On February 11, 2012, Nichols was awarded a Special Merit/Technical Grammy Award, his eighth Grammy overall. In May 2010 Nichols was diagnosed with stage IV pancreatic cancer. He died from the disease at his home on April 9, 2011. In his subsequent ''New York Times'' obituary, Nichols was referred to in the headline as an "Artist Among Sound Engineers."'' The Roger Nichols Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Ford
Mary Ford (born Iris Colleen Summers; July 7, 1924 – September 30, 1977) was an American vocalist and guitarist, comprising half of the husband-and-wife musical team Les Paul and Mary Ford. Between 1950 and 1954, the couple had 16 top-ten hits, including "How High the Moon" and " Vaya con Dios", which were number one hits on the ''Billboard'' charts. In 1951 alone they sold six million records. With Paul, Ford became one of the early practitioners of multi-tracking. Early life Mary Ford was born Iris Colleen Summers in El Monte, California, the second daughter of Marshall McKinley Summers (born February 13, 1896, in Ridgway, Illinois; died August 5, 1981, in Los Angeles), a Nazarene minister, who later became a painting contractor,Mary Alice Shaughnessy, ''Les Paul: An American Original'' (W. Morrow, 1993):146. and his wife, Dorothy May White Summers. Mary Ford was the sister of Byron Fletcher Summers, Esther E. Williams, Carol Jean Corona, Bruce Summers, Eva Wootten, and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Paul
Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing, and multitrack recording were among the first to attract widespread attention. His licks, trills, chording sequences, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the present day. Among his many honors, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgard Varèse
Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term " organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of " sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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