Ravanne
The ravanne is a large tambourine-like instrument used in sega music of Mauritius. It is made out of goat skin called “lapo cabri” (in Mauritian Creole) which usually needs to be heated up before playing. The ravanne is used as the main rhythm in sega music and has been played by the great contributors of the Sega (genre) . One of the main contribution for the ravanne is a book written in 1999 called “Méthode de ravanne”: Ways of playing the "ravanne", traditional music instrument by Menwar __NOTOC__ Stéphano Honoré, (born 21 October 1955 in Cassis, Mauritius) better known as Menwar, is a Mauritian percussionist and singer. He was one of the pioneers of Seggae music, forming the group Sagaï in the 1980s. Honoré is a player of t ... (Stéphano Honoré) Throughout the time the traditional ravanne has evolved to more modern ravanne types using different materials and manufacturing techniques. It is commonly used for entertainment mainly in the tourist industry and c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Menwar
__NOTOC__ Stéphano Honoré, (born 21 October 1955 in Cassis, Mauritius) better known as Menwar, is a Mauritian percussionist and singer. He was one of the pioneers of Seggae music, forming the group Sagaï in the 1980s. Honoré is a player of the ravanne, for which he has begun to develop a written technique, something that has not been done previously. He also plays multiple instruments that he has selfmade or that come from the African culture. Honoré was born in Cassis, Port-Louis. He did not attend school, but attempted to play numerous sports and worked several jobs. He often listened to recordings of traditional Mauritian music, particularly sega (or séga) as a child. In 1977 he released two 45 rpm records on the Madagascar label Green Turtle and two more in 1978. Honoré was known as Lélou before his first cassette, ''Souvenir le port'', was released in 1980, credited as Menwar. Honoré went back to Mauritius in 1993, but still traveled to and from the island of Réun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mauritius
Mauritius ( ; french: Maurice, link=no ; mfe, label=Mauritian Creole, Moris ), officially the Republic of Mauritius, is an island nation in the Indian Ocean about off the southeast coast of the African continent, east of Madagascar. It includes the main island (also called Mauritius), as well as Rodrigues, Agaléga and St. Brandon. The islands of Mauritius and Rodrigues, along with nearby Réunion (a French overseas department), are part of the Mascarene Islands. The main island of Mauritius, where most of the population is concentrated, hosts the capital and largest city, Port Louis. The country spans and has an exclusive economic zone covering . Arab sailors were the first to discover the uninhabited island, around 975, and they called it ''Dina Arobi''. The earliest discovery was in 1507 by Portuguese sailors, who otherwise took little interest in the islands. The Dutch took possession in 1598, establishing a succession of short-lived settlements over a period of about ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sega Music
Sega (french: Séga) is one of the major music genres of Mauritius and Réunion. The other genres common in Mauritius are its fusion genre Seggae and Bhojpuri songs while in Réunion there is also seggae and maloya. It has origins in the music of slaves as well as their descendants Mauritian Creole people and is usually sung in Mauritian Creole or Réunionese Creole. Sega is also popular on the islands of Agaléga and Rodrigues as well as Seychelles, though the music and dances differ and it is sung in these islands' respective creole languages. In the past, the Sega music was made only with traditional instruments like ravanne and triangle, it was sung to protest against injustices in the Mauritian society, this particular version of the Sega is known as Santé engagé. Other types of Sega ( Traditional Mauritian Sega, Sega tambour Chagos, Sega tambour of Rodrigues Island) have been included in UNESCO's Intangible Cultural Heritage lists. Description The music's t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mauritian Creole
Mauritian Creole or Morisien (formerly Morisyen) ( mfe, kreol morisien, links=no ) is a French-based creole language spoken in Mauritius. English words are included in the standardized version of the language. In addition, the slaves and indentured servants from cultures in Africa and Asia left a diverse legacy of language in the country. The words spoken by these groups are also incorporated into contemporary Morisien. Mauritian Creole is the ''lingua franca'' of the Republic of Mauritius, which gained independence from the United Kingdom in 1968. Both English and French are used as alternatives to Mauritian Creole. English is spoken primarily for administration and educational purposes and French is used by the media and as a second language. Mauritians tend to speak Mauritian Creole at home and French in the workplace. French and English are taught in schools. Though Mauritians are of numerous ethnic origins (including Indian, African, European, and Chinese) Mauritian C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sega (genre)
Sega (french: Séga) is one of the major music genres of Mauritius and Réunion. The other genres common in Mauritius are its fusion genre Seggae and Bhojpuri songs while in Réunion there is also seggae and maloya. It has origins in the music of slaves as well as their descendants Mauritian Creole people and is usually sung in Mauritian Creole or Réunionese Creole. Sega is also popular on the islands of Agaléga and Rodrigues as well as Seychelles, though the music and dances differ and it is sung in these islands' respective creole languages. In the past, the Sega music was made only with traditional instruments like ravanne and triangle, it was sung to protest against injustices in the Mauritian society, this particular version of the Sega is known as Santé engagé. Other types of Sega (Traditional Mauritian Sega, Sega tambour Chagos, Sega tambour of Rodrigues Island) have been included in UNESCO's Intangible Cultural Heritage lists. Description The music's traditional f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Idiophones
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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African Drums
Sub-Saharan African music is characterised by a "strong rhythmic interest" that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting ''one main system''. C. K. Ladzekpo also affirms the ''profound homogeneity'' of approach. West African rhythmic techniques carried over the Atlantic were fundamental ingredients in various musical styles of the Americas: samba, forró, maracatu and coco in Brazil, Afro-Cuban music and Afro-American musical genres such as blues, jazz, rhythm & blues, funk, soul, reggae, hip hop, and rock and roll were thereby of immense importance in 20th century popular music. The drum is renowned throughout Africa. Rhythm in Sub-Saharan African culture Many Sub-Saharan languages do not have a word for ''rhythm'', or even ''music''. Rhythms represent the very fabric of life and embody the people's interdependence in human relationships ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |