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Raslila
The rasalila (), also rendered the raslila or the ras dance, is part of the traditional story of Krishna described in Hindu scriptures such as the Bhagavata Purana and literature such as the Gita Govinda, where he dances with Radha and the gopis of Vraja. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri, Kuchipudi, and Kathak. The Indian classical dance of Kathak evolved from the rasalila of Vraja and ''Manipuri Raas Leela Classical Dance'' (Vrindavana) also known as ''Natwari Nritya'', which was revived in 1960s by the Kathak dancer, Uma Sharma. Etymology The term, '' rasa'' meaning "aesthetics" and ''lila'' meaning "act," "play" or "dance" is a concept from Hinduism, which roughly translates to "play (lila) of aesthetics (rasa)," or more broadly as "Dance of Divine Love". Apart from the definition above, the term also comes from the Sanskrit words '' rasa'' and ''lila'', with ''rasa'' meaning "juice", "nectar", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radha
Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also described as the chief of the ''Gopis'' (milkmaids). During Krishna's youth, she appears as his lover and companion. Many traditions and scriptures accord Radha the status of the eternal consort and wife of Krishna. Radha, as a supreme goddess, is considered as the female counterpart and the internal potency (''hladini shakti'') of Krishna, who resides in Goloka, the celestial abode of Radha Krishna. Radha is said to accompany Krishna in all his incarnations. In Radha Vallabh Sampradaya and Haridasi Sampradaya, only Radha is worshiped as the supreme deity. Elsewhere, she is venerated with Krishna as his principal consort in Nimbarka Sampradaya, Pushtimarg, Mahanam Sampraday, Swaminarayan Sampradaya, Vaishnava-Sahajiya and Gaudiya Vaishnavis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopi
Gopi ( sa, गोपी, ) or Gopika in Hinduism are worshipped as the consorts and devotees of Krishna within the Vaishnavism and Krishnaism traditions for their unconditional love and devotion ('' Bhakti'') to god Krishna as described in the Sanskrit scriptures like Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of goddess Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures. According to Indian philosopher, Jiva Goswami, gopis are considered as the eternal beloved and manifestation of the internal spiritual potency of Krishna. Among the gopis, Radha is the chief gopi and is the personification of bliss potency (''hladini shakti'') of Krishna. She alone manifest the stage of "''Mahabhav"'' or supreme love for Krishna and holds a place of particularly high reverence and importance in a number of religious traditions. Etymology Gopi (गो ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopi
Gopi ( sa, गोपी, ) or Gopika in Hinduism are worshipped as the consorts and devotees of Krishna within the Vaishnavism and Krishnaism traditions for their unconditional love and devotion ('' Bhakti'') to god Krishna as described in the Sanskrit scriptures like Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of goddess Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures. According to Indian philosopher, Jiva Goswami, gopis are considered as the eternal beloved and manifestation of the internal spiritual potency of Krishna. Among the gopis, Radha is the chief gopi and is the personification of bliss potency (''hladini shakti'') of Krishna. She alone manifest the stage of "''Mahabhav"'' or supreme love for Krishna and holds a place of particularly high reverence and importance in a number of religious traditions. Etymology Gopi (गो ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
Kathak ( hi, कथक; ur, کتھک) is one of the eight major forms of Indian classical dance. It is the classical dance from of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in ancient northern India known as Kathakars or storytellers. The term Kathak is derived from the Vedic Sanskrit word which means "story", and ''Kathakar'' which means "the one who tells a story", or "to do with stories". Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms. During the period of Mughal rule, the emperors were patrons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manipuri Raas Leela
, image = , alt = , caption = An illustration of the ''Manipuri Raas Leela'' dance, being depicted in a stamp from Armenia; transliterations of "Jagoi Raas" and "Manipuri Raas Leela", the terms in Meitei language (officially called Manipuri) and Sanskrit respectively, for the Manipuri classical dance, in Meitei script (Manipuri script) of medieval era , native_name = mni, Jagoi Raas, Raas Jagoi , etymology = ''" Raas Leela of the Manipuris"'' , genre = Indian classical dance , signature = , instruments = , inventor = Rajarshi Bhagyachandra ( mni, Ching-Thang Khomba) , year = , origin = * Manipur kingdom (historical) * (current) The '' Manipuri Dance'', also referred to as the ''Manipuri'' ''Raas Leela'' ( mni, Jagoi Raas, Raas Jagoi), is one of the eight major Indian classical dance forms, originating from the state of Manipur. The dance form is imbued with the devotional themes of Madhura Raas of Radha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uma Sharma
Uma Sharma (born 1942) is a kathak dancer, choreographer and teacher. She is also runs the Bharatiya Sangeet Sadan, Delhi, a classical dance and music academy, situated in New Delhi, founded by her father in 1946. She is most known for reviving the old classical dance form of ''Natwari Nritya'' or the Raslila of Brindavan, which later evolved into the Kathak. Kathak is based on devotional Krishna poetry of the medieval centuries and the highly cultivated court poetry of the 18th and 19th centuries which celebrated '' shringara'', the sentiment of love. Early life and training Uma Sharma's family hails from Dholpur in Rajasthan. Born in Delhi in 1942, Uma Sharma received her dance training from Guru Hiralalji and Girvar Dayal of the Jaipur gharana, and subsequently she became a student of Pandit Sunder Prasad of the Jaipur gharana who emphasised rhythmic footwork and its permutations. Shambhu Maharaj and Birju Maharaj noted gurus of the Kathak tradition of the Lucknow gharana, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishnupriya Manipuri People
The Bishnupriya Manipuris, officially known as simply the Bishnupriyas, are a group of Indo-Aryan people that live in Assam, Tripura, Manipur and northeastern Bangladesh. They speak the Bishnupriya, which is a creole of Bengali language and Meitei language (officially known as Manipuri language) and it still retains its pre-Bengali features. The most distinctive feature of the language is it replete with Tibeto-Burman ( Meitei) elements. The culture of the people is highly influenced by that of the Meiteis, with the exception of a few folk practices which are prevalent among the Meiteis. In the 2020s, the Bishnupriya people started demanding that the people of their ethnicity living in Assam should be given the status of an “indigenous people” of Assam and treated like other indigenous communities of the state. The Government of Assam categorised them under the Other Backward Class (OBC) Category but there is no legal recognition or official status of the Bishnupriyas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yogamaya
Yogamaya (), also venerated as Vindhyavasini, Mahamaya, and Ekanamsha, is a Hindu goddess. In Vaishnava tradition, she is accorded the epithet Narayani, and serves as the personification of Vishnu's powers of illusion. The deity is regarded as the benevolent aspect of the goddess Durga in the Bhagavata Purana. She is regarded by Shaktas to be a form of Adi Shakti. In Hindu literature, she is born in a Yadava family, as the daughter of Nanda and Yashoda. Etymology Yogamaya refers to “the internal potency of Bhagavan, that arranges and enhances all his pastimes” in the Bhagavad Gita. The goddess Vindhyavasini gets her name from the Vindhya Range, literally meaning, "she who resides in Vindhya". Legend At the time of the birth of Krishna as the eighth child of Devaki and Vasudeva, Yogamaya had been born at the same time at the house of Nanda and Yashoda, as instructed by Vishnu. Vasudeva replaced Krishna with this daughter of Yashoda. When Kamsa tried to kill this infant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suddha-bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti ''Encyclopædia Britannica'' (2009) In ancient texts such as the '''', the term simply means participation, devotion and love for any endeavor, while in the '''', it connotes one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goloka
Goloka ( sa, गोलोक) or Goloka Vrindavan () is the celestial abode of the Hindu god Krishna and his divine consort Radha. In the ''Bhagavata Purana'', Krishna is portrayed as the highest person who resides in Goloka. According to Gaudiya Vaishnava philosopher Jiva Goswami, Goloka, also called Vrindavan, is the highest spiritual planet and can be further manifested into three abodes, called Mathura, Dvārakā and Gokul, according to the difference in the pastimes and associates of Krishna. Goloka is mentioned in Gaudiya Vaishnavism, the Swaminarayan Sampradaya, the Pranami Sampraday, Pushtimarg and the Nimbarka Sampradaya, and in scriptures such as the Pancharatra texts, the '' Garga Samhita'', ''Brahma Samhita'', ''Brahma Vaivarta Purana'' and ''Devi-Bhagavata Purana''. Etymology ''Goloka'' literally means "World of cows". The Sanskrit word ''go'' refers to "cow" and ''loka'' is translated as "realm." Lord Krishna is also known as ''Gaulokvihari'' (''vihari'' means ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lila
Lila or LILA may refer to: Arts and entertainment * ''Lila'' (album), debut album by American country music singer Lila McCann * ''Lila'' (movie), a 1968 sexploitation film * The Meaning of Lila, a comic strip written by John Forgetta and L. A. Rose * "Lila", an abstract work of art by Fernando De Szyszlo Literature * ''Lila'' (Robinson novel), a novel by Marilynne Robinson *'' Lila: An Inquiry into Morals'', a book by Robert Pirsig Places * Lila, Bohol, a municipality in the Philippines * Lila, Croatia, a village near Našice, Croatia Religion * Lila (Hinduism), an Indic concept of the universe as a playground of the divine * Leela attitude, an attitude of walking Buddha in Thai art Other uses * Lila (given name), a female given name (including a list of people with the name) * Lila, a name misunderstood to be a nickname of the trans-Neptunian object 136199 Eris * Lycée International de Los Angeles, a private French school in Los Angeles * Lila (cannon), a type of Malay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya (illusion)
''Maya'' (; Devanagari: , IAST: ), literally "illusion" or "magic", has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, connotes a "magic show, an illusion where things appear to be present but are not what they seem"; the principle which shows "attributeless Absolute" as having "attributes". also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".Lynn Foulston and Stuart Abbott (2009), ''Hindu Goddesses: Beliefs and Practices'', Sussex Academic Press, , pp. 14-16. In the Advaita Vedanta school of Hindu philosophy, , "appearance", is "the powerful force that creates the cosmic illusion that the phenomenal world is real." In this nondualist school, at the individual level appears as the lack of knowledge () of the real Self, ''Atman-Brahman'', mistakingly identifying with the body-mind comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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