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Rape And Revenge Film
Rape and revenge films are a subgenre of exploitation film that was particularly popular in the 1970s, but attracted controversy as a target of extreme cinema. Explanation of the subgenre Rape and revenge films generally follow the same three-act structure: * Act I: The character is (violently) raped and maybe further abused, tortured or left for dead. * Act II: The character survives and may rehabilitate themselves. * Act III: The character exacts revenge and/or kills their rapist(s). In Gaspar Noé's 2002 film ''Irréversible'', the structure was reversed, with the first act depicting the revenge before tracing back the events which led to that point. Roger Ebert argues that, by using this structure as well as a false revenge, ''Irréversible'' cannot be classified as an exploitation film, as no exploitation of the subject matter takes place. In popular culture * The genre has attracted critical attention. Much of this critical attention comes from feminist critics exam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exploitation Film
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin Spring
''The Virgin Spring'' ( sv, Jungfrukällan) is a 1960 Swedish rape and revenge film directed by Ingmar Bergman. Set in medieval Sweden, it is a tale about a father's merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th-century Swedish ballad, " Töres döttrar i Wänge" ("Töre's daughters in Vänge"). Bergman researched the legend of Per Töre with an eye to an adaptation, considering an opera before deciding on a film version. Given criticism of the historical accuracy of his 1957 film ''The Seventh Seal'', he also invited Isaksson to write the screenplay. Other influences included the 1950 Japanese film ''Rashomon''. Max von Sydow played Töre. Isaksson and Bergman explored a number of themes in ''The Virgin Spring'', questioning morals, vengeance, and religious beliefs. The rape scene was also subject to censorship in screenings in the United States. The film won the Academy Award for Best Foreign L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rape And Revenge Films
Rape and revenge films are a subgenre of exploitation film that was particularly popular in the 1970s, but attracted controversy as a target of extreme cinema. Explanation of the subgenre Rape and revenge films generally follow the same three-act structure: * Act I: The character is (violently) raped and maybe further abused, tortured or left for dead. * Act II: The character survives and may rehabilitate themselves. * Act III: The character exacts revenge and/or kills their rapist(s). In Gaspar Noé's 2002 film ''Irréversible'', the structure was reversed, with the first act depicting the revenge before tracing back the events which led to that point. Roger Ebert argues that, by using this structure as well as a false revenge, ''Irréversible'' cannot be classified as an exploitation film, as no exploitation of the subject matter takes place. In popular culture * The genre has attracted critical attention. Much of this critical attention comes from feminist critics examin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Revenge
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films About Rape
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Genres
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors." One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185-192 These characteristics are most evident in genre films, which are "commercial feature films hat through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Grant, Barry Keith. ''Film Genre: From Iconography to Ideology''. Wallflower Press, 2007. p. 1 A film's genre will influence the use of filmmaking styles and techniques, such as the use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redo Of Healer
, also known in Japan as ''Kaiyari'' for short, is a Japanese fantasy light novel series written by Rui Tsukiyo and illustrated by Shiokonbu. It began serialization online in December 2016 on the user-generated novel publishing website Shōsetsuka ni Narō. It was later acquired by Kadokawa Shoten, who have published the series since July 2017 under their Kadokawa Sneaker Bunko imprint. A manga adaptation with art by Sōken Haga has been serialized online via Kadokawa Shoten's ''Young Ace Up'' website since October 2017. An anime television series adaptation by TNK aired from January to March 2021. Premise Keyaru, who is exploited and sexually abused repeatedly by others due to being a healing magician, notices what lays just beyond his healing magic, and is convinced that a healing magician is the strongest class in the world. However, by the time he realizes his own potential, he is already deprived of everything. Thus, using his healing magic, enhanced by the magic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vigilante
Vigilantism () is the act of preventing, investigating and punishing perceived offenses and crimes without Right, legal authority. A vigilante (from Spanish, Italian and Portuguese “vigilante”, which means "sentinel" or "watcher") is a person who practices or partakes in vigilantism, or undertakes public safety and retributive justice without commission. Definition According to political scientist Regina Bateson, vigilantism is "the extralegal prevention, investigation, or punishment of offenses." The definition has three components: # Extralegal: Vigilantism is done outside of the law (not necessarily in violation of the law) # Prevention, investigation, or punishment: Vigilantism requires specific actions, not just attitudes or beliefs # Offense: Vigilantism is a response to a perceived crime or violation of an authoritative norm Other scholars have defined "collective vigilantism" as "group violence to punish perceived offenses to a community." History Vigilantism and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Captivity Narrative
Captivity narratives are usually stories of people captured by enemies whom they consider uncivilized, or whose beliefs and customs they oppose. The best-known captivity narratives in North America are those concerning Europeans and Americans taken as captives and held by the indigenous peoples of North America. These narratives have had an enduring place in literature, history, ethnography, and the study of Native peoples. They were preceded, among English-speaking peoples, by publication of captivity narratives related to English people taken captive and held by Barbary pirates, or sold for ransom or slavery. Others were taken captive in the Middle East. These accounts established some of the major elements of the form, often putting it within a religious framework, and crediting God or Providence for gaining freedom or salvation. Following the North American experience, additional accounts were written after British people were captured during exploration and settlement in In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voroshilov Sharpshooter (film)
The Voroshilov Sharpshooter (russian: Ворошиловский стрелок, translit. ''Voroshilovskiy strelok'', named after a badge for markmanship) is a 1999 Russian vigilante drama film directed by Stanislav Govorukhin based on the book ''Woman on Wednesdays'' (russian: Женщина по средам translit. ''Zhenshchina po sredam'') by Viktor Pronin. The concept loosely resembles the rape and revenge genre. The film became successful with numerous awards given for the film including the prestigious Russian Guild of Film Critics 1999 for best actor by Mikhail Ulyanov. It also has 1 win and 3 nominations for Nika Awards. Plot In the summer of 1999, a decorated World War II veteran, Ivan Afonin, lives with his granddaughter Katya. In a nearby flat, three bored youths, Vadim Pashutin, local businessman Boris Chukhanov and student Igor Zvorygin, kill time by designating Wednesdays as a day of sexual gratification and hiring a prostitute. On this particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
