Rap Rock
Rap rock is a music genre that developed from the early to mid-1980s, when hip hop DJs incorporated rock records into their routines and rappers began incorporating original and sampled rock instrumentation into hip hop music. Rap rock is considered to be rock music in which lyrics are rapped, rather than sung. The genre achieved its greatest success in the late 1990s and early 2000s. Characteristics ''AllMusic'' characterized rap rock songs as rock songs in which the vocals were rapped rather than sung. ''AllMusic'' also states that the rhythms of rap rock are rooted in those of hip hop, with more funk influences than normal hard rock. Session player Eddie Martinez, who created the guitar parts for hip hop group Run-DMC's rap rock song " Rock Box", recognized that "a rap-rock song needn't feature a new change in the chorus; rather, it's a spot where the guitarist can just solo over the same riff that drives the verses." Rap rock is often conflated with rap metal. While ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Urban Dance Squad
Urban Dance Squad was a Dutch rap rock band formed after what was originally intended as a one-time jam-session at a festival in Utrecht on December 20, 1986. The band consisted of a guitarist, bassist, drummer, rapper, and DJ. Urban Dance Squad was one of the most successful Dutch bands of the nineties, releasing five studio albums. Career Urban Dance Squad first got together in 1986, at a jam session in De Vrije Vloer, a club in Utrecht, a jam which resulted in the first Dutch rock band with a rapper (they borrowed the name from Parliament-Funkadelic's '' Urban Dancefloor Guerillas''); a song, "Struggle for Jive"; and the blending of white and black music in the Netherlands, at the same time that Fishbone, Living Colour, Red Hot Chili Peppers, Faith No More, and the Beastie Boys were doing the same in the United States. The band recorded its first album, '' Mental Floss for the Globe'', in Brussels in 1989 (produced by Jean-Marie Aerts, of TC Matic), and came to instant ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hard Rock
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and Distortion (music), distorted electric guitars. Hard rock began in the mid-1960s with the Garage rock, garage, Psychedelic rock, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream (band), Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Creedence Clearwater Revival, Golden Earring, Steppenwolf (band), Steppenwolf, Grand Funk, Free (band), Free, and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Alice Cooper, Aerosmith, Kiss (band), Kiss, Queen (band), Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Take The Money And Run (Steve Miller Band Song)
"Take the Money and Run" is a song recorded in 1976 by the Steve Miller Band. A song about two young (possibly teenage) bandits and the detective pursuing them, it was one of the many hit singles produced by the Steve Miller Band in the 1970s and featured on the 1976 album '' Fly Like an Eagle''. The song peaked at number 11 on the U.S. ''Billboard'' Hot 100 and at number 8 in Canada in July 1976 and also charted in Australia. Background and writing The song was written as a road trip. Miller drew inspiration from his childhood, when he listened to the radio while on long road trips with his family, and he would sing along to his favorite songs. Because FM radio was capable of clearer stereo sound, this allowed him to make his road trip songs with more layers for a much bigger sound. :This here's a story about Billy Joe and Bobbie Sue :Two young lovers with nothin' better to do :Than sit around the house, get high, and watch the tube :And here's what happened when they de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Steve Miller Band
The Steve Miller Band is an American rock music, rock band formed in San Francisco, California in 1966. The band is led by Steve Miller (musician), Steve Miller on guitar and lead vocals. The group had a string of mid- to late-1970s hit singles that are staples of classic rock radio, as well as several earlier psychedelic rock albums. Miller left his first band to move to San Francisco and form the Steve Miller Blues Band. Shortly after Harvey Kornspan negotiated the band's contract with Capitol Records in 1967, the band shortened its name to the Steve Miller Band. In February 1968, the band recorded its debut album, ''Children of the Future (Steve Miller Band album), Children of the Future''. It went on to produce the albums ''Sailor (Steve Miller Band album), Sailor'', ''Brave New World (Steve Miller Band album), Brave New World'', ''Your Saving Grace'', ''Number 5 (Steve Miller Band album), Number 5'', ''The Joker (album), The Joker'', ''Fly Like an Eagle (album), Fly Like an E ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mary, Mary (song)
"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album '' East-West''. Nesmith's band, the Monkees, later recorded it for ''More of the Monkees'' (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts. The Butterfield Blues Band In 1966, Elektra Records was entering the singles market with new rock acts such as Love and the Doors. Hoping that the Paul Butterfield Blues Band would produce a hit, Elektra arranged an extended stay and recording sessions for the group in Los Angeles during the summer. It was there that producer Barry Friedman suggested that the group try a song written by guitarist Michael Nesmith of the Monkees, a group with which Friedman had been working. Butterfield guitarist Mike Bloomfield recalled: According to Bloomfield biographer David Dann, "the song was given a muscular arrangement that included backup vocal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Monkees
The Monkees were an American pop rock band formed in Los Angeles in the mid-1960s. The band consisted of Micky Dolenz, Davy Jones (musician), Davy Jones, Michael Nesmith, and Peter Tork. Spurred by the success of ''The Monkees (TV series), The Monkees'' television series, they were one of the most successful bands of the late 1960s. The band produced four chart-topping albums and three chart-topping songs ("Last Train to Clarksville", "I'm a Believer", and "Daydream Believer"). The Monkees were originally a fictional band created for the NBC television sitcom ''The Monkees''. Dolenz, Jones, Nesmith and Tork were cast to portray members of a band in the sitcom. Music credited to the Monkees appeared in the sitcom and was released on LPs and singles beginning in 1966, and the sitcom aired from 1966 to 1968. At first, the band members' musical contributions were primarily limited to lead vocals and the occasional composition, with the remaining music provided by professional song ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Big Beat (song)
The Big Beat is a 1980 song by Billy Squier from his debut album '' The Tale of the Tape''. While it never charted, the song has become a sampling staple in hip-hop music. As of 2020, the song has been sampled in almost 300 recordings.Samples of The Big Beat by Billy Squier , The "big beat" itself was performed by drummer overdubbed with Squier himself beating a snare case with his hands. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billy Squier
William Haislip Squier (, born May 12, 1950) is an American musician, singer, and songwriter who had a string of arena rock and crossover hits in the early 1980s. His best-known songs include " The Stroke", " Lonely Is the Night", " My Kinda Lover", " In the Dark", " Rock Me Tonite", " Everybody Wants You", " Emotions in Motion", " Love Is the Hero", and " Don't Say You Love Me". Squier's best-selling album, 1981's ''Don't Say No'', is considered a landmark release of arena rock, bridging the gap between power pop and hard rock. Described as a personification of early 1980s rock music, Squier's most successful period was from 1981 to 1984, during which he had five Top 10 Mainstream Rock hits (two of which were number ones), two Top 20 singles, three consecutive platinum-selling albums, and videos in MTV rotation. Even after falling out from mainstream favor and chart success, which some say is because of the 1984 video for "Rock Me Tonite", Squier has maintained his presence on r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Break (music)
In popular music, a break is an instrumental or percussion instrument, percussion section during a song derived from or related to stop-time – being a "break" from the main section (music), parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hardcore Punk
Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington, D.C., hardcore#History, Washington, D.C., and Punk rock#New York City, New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Fr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |