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Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as '' kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as '' kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotillion
The cotillion (also cotillon or French country dance) is a social dance, popular in 18th-century Europe and North America. Originally for four couples in square formation, it was a courtly version of an English country dance, the forerunner of the quadrille and, in the United States, the square dance. It was for some fifty years regarded as an ideal finale to a ball but was eclipsed in the early 19th century by the ''quadrille''. It became so elaborate that it was sometimes presented as a concert dance performed by trained and rehearsed dancers. The later "German" cotillion included more couples as well as plays and games. Names The English word ' is a variation of the French (which does not have ''i'' in the last syllable). In English, it is pronounced // or //; but in French, it is // (without the // sound, despite the spelling). The French word originally meant " petticoat (underskirt)" and is derived from Old French (‘ cotte’) and the diminutive suffix . T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kwadril
In French West Indies#French Caribbean, French Caribbean culture, especially of the Lesser Antilles, the term ''kwadril'' is a Creole term referring to a folk dance derived from the ''quadrille''. Saint Lucia quadrille On the island of Saint Lucia, kwadrils are social occasions held in private homes; Lucian kwadrils were formerly viewed as old-fashioned, but are increasingly being adopted as a symbol of Lucian culture. These ''kwadrils'' are very formalized, and are accompanied by a Cuatro (instrument), cuatro, Rattle (percussion instrument), rattle, Shak-shak, chak-chak, violin, banjo and bones (instrument), bones (zo). It consists of five separate dances: the ''pwémyé fidji'', ''dézyèm fidji'', ''twazyèm fidji'', ''katwiyèm fidji'' (also ''avantwa'' or ''lanmen dwèt'') and ''gwan won'' (also ''grande rond''). The musicians may also use a ''lakonmèt'' (mazurka), schottische or polka; the ''lakonmèt'', also called the ''mazouk'', is especially popular and is the only cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Square Dance
A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances contain elements from numerous traditional dances and were first documented in 16th-century England, but they were also quite common in France and throughout Europe. Early square dances, particularly English country dances and French quadrilles, traveled to North America with the European settlers and developed significantly there. In some countries and regions, through preservation and repetition, square dances have attained the status of a folk dance. Square dancing is strongly associated with the United States, in part due to its association with the romanticized image of the American cowboy in the 20th century, and 31 states have designated it as their official state dance. The main North American types of square dances include traditional square dance and modern western square dance, which is widely k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stately Quadrille
{{Unreferenced, date=December 2018 The ''stately quadrille'' is the name given to set of constantly shifting alliances between the great powers of Europe during the 18th century. The ultimate objective was to maintain the balance of power in Europe to stop any one alliance or country becoming too strong. It takes its name from the quadrille, a dance in which the participants constantly swap partners. The most widely cited instance was in 1756, when Britain and Austria abandoned their 25-year-long Anglo-Austrian Alliance and instead made new alliances with their former enemies, Prussia and France, respectively. That was known as the Diplomatic Revolution. Background Shifting alliances had long been a factor in European politics and were often regarded as responses to shifting power and threat. During the 16th century and the early 17th century, much of the emphasis in European politics had been on restricting the power of the Habsburgs in Spain and the Holy Roman Empire. Under th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Dance
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles. As a musical form written in or time, the contredanse was used by Beethoven and Mozart. Introduced to South America by French immigrants, Country Dance had great influence upon Latin American music as contradanza. The ''Anglais'' (from the French word meaning "English") or ''Angloise'' is another term for the English country dance. A Scottish country dance may be termed an . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Square Dance
Traditional square dance is a generic American term for any style of American square dance other than modern western square dance, modern Western. The term can mean (1) any of the American regional styles (broadly, Northeastern, Southeastern, and Western) that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style (other than modern Western) that has survived, or been revived, since around 1950. Traditional square dance can be distinguished from modern western square dance by the following characteristics: #A limited number of basic movements, or “calls,” enabling the average dancer to join the group by assimilation rather than by taking a series of lessons. #Dance figures (sequences of basic movements) that are called in a set order and repeated, rather than improvised by the caller (dancing), caller. (In Southeastern style the caller chooses figures from a repertoire of a dozen or two and can call them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Binns Hart
Joseph Binns Hart (5 June 1794 – 10 December 1844) was an English organist, and a compiler of dance music, particularly of the quadrille. Life He was born in London on 5 June 1794. He was chorister at St Paul's Cathedral under John Sale from 1801 to 1810, and during those years took organ lessons from Samuel Wesley and Matthew Cook, piano lessons from Johann Baptist Cramer. Aged eleven Hart often deputised for Thomas Attwood, the organist of St Paul's Cathedral. In 1810 he became organist of St Mary's Church, Walthamstow, and joined the Earl of Uxbridge's household as organist for three years. He subsequently became organist of All Hallows' Church, Tottenham. On the introduction of the quadrille at Almack's by Lady Jersey after 1815, Hart, who was described as teacher and pianist at private balls, began his long series of adaptations of national and operatic airs to the fashionable dance measures. His most notable achievement was the compilation in 1819 of a set of '' Les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contra Dance
Contra dance (also contradance, contra-dance and other variant spellings) is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States (periodically held in nearly every state), Canada, and other Anglophone countries. A contra dance event is a social dance that one can attend without a partner. The dancers form couples, and the couples form sets of two couples in long lines starting from the stage and going down the length of the dance hall. Throughout the course of a dance, couples progress up and down these lines, dancing with each other couple in the line. The dance is led by a caller who teaches the sequence of figures in the dance before the music starts. Callers describe the series of steps called " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Set Dance
Irish set dancing, sometimes called "Irish sets", is a popular form of folk dancing in Ireland danced to irish tunes in groups of eight or four dancers. It is also sometime named set dance, but this name refers more often to a kind of dance in irish stepdance. History Set dancing is based on quadrilles, which were court dances. These were transformed by the Irish into a unique folk dance of the Irish rural communities. When the Gaelic League was formed in 1897, it sought to discourage set dancing, because it was perceived as being of foreign origins, and consequently at odds with the League's nationalist agenda. In its place, the League promoted ceili dance, a process which continued during the 1930s and 1940s with the support of the Catholic Church in the form of the Public Dance Halls Act 1935. The rise of rock and roll in the 1950s caused the popularity of set dancing to fade. However, in the 1980s a revival started and many sets that have not been done for forty years or mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Dances
European dances refers to various dances originating in Europe. Since Medieval ages, many European dances tend to be refined, as some are based on the court dances of aristocrats. History In ancient times, European dances were performed as either sacred dances in religious ceremonies or for popular entertainment. Greek dance included religious worship, education, religious or civil ceremonies and festivities. One famous Greek dance is the dithyramb, in honor of Dionysus. Originally Rome had exclusively religious dances. As Rome gained dominance, including conquering Greece, more dance traditions were absorbed. The Bacchanalia and Lupercalia festivals highlight the importance of dance in Rome. Under Christianity, dance fell under the control and condemnation of the Church. Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance became more diverse. Country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
