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Q-chord
The Omnichord is an electronic musical instrument introduced in 1981 by the Suzuki Musical Instrument Corporation. It typically features a touch plate known as "Sonic Strings", preset rhythms, auto-bass line functionality, and buttons for major, minor, and 7th chords. The most basic method of playing the instrument is to press the chord buttons and swipe the Sonic Strings with a finger in imitation of strumming a stringed instrument. The Sonic Strings may also be touched in one place to create a single note. Originally designed as an electronic Autoharp, the Omnichord has become popular, due to its unique, chiming, harplike timbre and its value as a kitsch object. History Suzuki introduced the Omnichord along with the Tronichord, renamed the Portachord on some units, in 1981. The latter never reached full production, but both instrument share many technical and functional similarities. Omnichords feature preset rhythm patterns with tempo and volume control, as well as an ...
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Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or ..., creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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America (Simon & Garfunkel Song)
"America" is a song performed by American music duo Simon & Garfunkel, which they included on their fourth studio album, '' Bookends,'' in 1968. It was produced by the duo and Roy Halee. The song was later issued as the B-side of the single "For Emily, Whenever I May Find Her (live version)" in 1972 to promote the release of the compilation album ''Simon and Garfunkel's Greatest Hits''. After peaking in the charts in July 1972, the song was switched to the A-side of the single and re-entered the charts in November 1972. The song was written and composed by Paul Simon, and concerns young lovers hitchhiking their way across the United States, in search of "America", in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his then-girlfriend Kathy Chitty. The song has been regarded as one of Simon's strongest songwriting efforts and one of the duo's best songs. A 2014 ''Rolling Stone'' reader's poll ranked it the group's fourth-best song. Bac ...
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Simon & Garfunkel
Simon & Garfunkel were an American folk rock duo consisting of the singer-songwriter Paul Simon and the singer Art Garfunkel. They were one of the best-selling music groups of the 1960s, and their biggest hits—including the electric remix of " The Sound of Silence" (1965), "Mrs. Robinson" (1968), "The Boxer" (1969), and " Bridge over Troubled Water" (1970)—reached number one on singles charts worldwide. Simon and Garfunkel met in elementary school in Queens, New York, in 1953, where they learned to harmonize and began writing songs. As teenagers, under the name Tom & Jerry, they had minor success with "Hey Schoolgirl" (1957), a song imitating their idols, the Everly Brothers. In 1963, aware of a growing public interest in folk music, they regrouped and were signed to Columbia Records as Simon & Garfunkel. Their debut album, ''Wednesday Morning, 3 A.M.,'' sold poorly; Simon returned to a solo career, this time in England. In June 1965, a new version of "The Sound of Silence" a ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Swing Music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt. Overview Swing has its roots in 1920s dance music ensembles, which began using new styles of written arrangements, incorporating rhythmic innovations pioneered by Louis Armstrong ...
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Latin Music
Latin music (Portuguese language, Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Music of Spain, Spain and Portuguese music, Portugal) and Latin American music in the United States, the Latino United States inspired by Music of Latin America, Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish language, Spanish and/or Portuguese language, Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin ...
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Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the la ...
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Waltz (music)
A waltz (German: ''Walzer''; French: ''Valse'', Italian: ''Valzer'', Spanish: ''Vals'', Polish: ''Walc''), probably deriving from German ''Ländler'', is dance music in triple meter, often written in time. A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the second and third beats. History The name "waltz" comes from the German verb ''walzen''. Although French writers have attempted to connect the waltz to the 16th century volta, firm evidence is lacking connecting this Italian form to the earliest occurrence in the mid‑18th century of ''walzen'' to describe dancing. Classical composers traditionally supplied music for dancing when required, and Franz Schubert's waltzes (including the '' Valses Sentimentales and Valses Nobles'') were written for household dancing, without any pretense at being art m ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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